Posts Tagged ‘New York City’

Jennifer and Kevin McCoy: Broker at Postmasters Gallery

Jennifer & Kevin McCoy. BROKER (still), 2016; video, 28 minutes. Courtesy of the Artists and Postmasters Gallery. Photo: Evan Schwartz

The Postmasters Gallery’s arched storefront entrance on Franklin Street in New York City’s Financial District conjures an era long gone, when artists inhabited the raw lofts of the area. High ceilings with brick and rustic Corinthian columns belie the sleek high-rise trend seeping into the city, which aptly form the setting of Jennifer and Kevin McCoy’s latest exhibition, BROKER. Well-loved for their maquettes often featuring[…..]

Odd Jobs: Kalup Linzy

Kalup Linzy. Romantic Loner. 2013 (still); video; 73:00. Courtesy of the artist.

Welcome to the second issue of “Odd Jobs,” in which we explore the many jobs artists hold in order to support their art practice. I spoke with Kalup Linzy, a New York–based performance and video artist famous for his soap opera–style video works, such as a piece produced for the Studio Museum in Harlem titled All My Churen. Linzy uses low-tech productions methods and often[…..]

A Perfect Storm

Rokni Haerizadeh. But a Storm is Blowing from Paradise. Photo: Ramin Haerizadeh. (© the artist; courtesy the Solomon R. Guggenheim Museum)

From our friends at REORIENT, today we bring you author Nur Shkembi’s thoughts on subversive practices in the Guggenheim’s exhibition of Contemporary Middle Eastern and North African Art, But a Storm Is Blowing from Paradise. Shkembi states, “This notion of art as a subversive practice is not new; however, redefining the material itself as the place from which ideas are ‘smuggled in’ is certainly compelling.” But a Storm Is Blowing[…..]

Summer Session – Clint Mario and ME, @me_newyork

Clint Mario and ME, @me_newyork

It’s the last day of July—and with it, our final look at the theme of celebrity! We examined the complex intersections of fame, money, desire, and artistic practice this past month, and for our final installment we bring you an ongoing project in New York City by pseudonymic street artists Clint Mario and ME, whose self-reflexive ad takeovers speak to the inherent absurdity of celebrity’s constant jockeying for cultural ubiquity. Tomorrow[…..]

Summer Session – Jeff Koons: A Retrospective at the Whitney Museum of American Art

Jeff Koons, Michael Jackson and Bubbles, 1988. Porcelain; 42 x 70 1⁄2 x 32 1⁄2 in. (106.7 x 179.1 x 82.6 cm). Private collection. © Jeff Koons

For this month’s Summer Session we’re thinking about celebrity, and what better contemporary artist to embody this topic than Jeff Koons, for whom celebrity and consumerism are the hallmarks of his most famous pieces? Today we bring you Alex Bigman’s review of the Jeff Koons retrospective at the Whitney Museum, which ran June 27–October 19, 2014. Despite Koons’ infamous reputation for banality, Bigman reminds us[…..]

From Minimalism into Algorithm at the Kitchen

From Minimalism into Algorithm, Phase 2; 2016; installation view, The Kitchen. Featuring works by John McCracken, Zoe Leonard, Andrea Crespo, and Cheyney Thompson. Courtesy of The Kitchen. Photo: Jason Mandella.

In a 1966 review, Rosalind Krauss described how one of Donald Judd’s “progression” wall reliefs pulled the rug from under her. Its intervallic sequence of supporting members suggested a Renaissance colonnade, but its variable spacing negated the compositional and spatial logic that this model prepared her to expect. “The work itself exploits and at the same time confounds previous knowledge to project its own meaning,”[…..]

Setting Out at Apexart

William Lamson. A Line Describing the Sun, 2010 (video still); 2-channel video; 13:35. Courtesy of the Artist and apexart, New York.

In Setting Out (an exhibition selected as part of apexart’s Unsolicited Proposal Program), the guest curators Shona Kitchen, Aly Ogasian, and Jennifer Dalton Vincent showcase works that reframe or enact the vocabularies, tools, and approaches of explorers and scientists. With many intriguing works on display, the most interesting render the Earth strange by observing it with fresh eyes, analogous to the wonder of seeing distant[…..]