The other day, in a somewhat drowsy effort to shake my late-summer torpor, I decided to poke around online in search of some intriguing, under-the-radar gallery shows.  Rather quickly, and despite (or perhaps because of) the aimless, unfocused nature of my ramblings, I happened upon the just-concluded show Icy and Sot: Made in Iran, which ran August 23-25 at New York’s Openhouse Gallery. As I[.....]

Michael Berryhill’s oil paintings at KANSAS make me uneasy. In trying to decide why, I made a list of the things that remind me of his work. Instead of smoothing these references out into a proper review (as I had initially planned), I present them to the reader as is. I believe that this enumerated strategy will better serve objects that, by their very nature,[.....]

Running alongside Tenth Avenue for approximately twenty blocks in Chelsea, The High Line has become a household term amongst Manhattanites since 2009 when it first became accessible as a public park. Since then – and especially within the last year – The High Line has ignited widespread murmur relating to its breathtaking architecture, imaginative urban integration and more recently its emergence as the local gallery[.....]

Kim Dingle’s exhibition entitled still lives at Sperone Westwater portrays a series of calamities played out by children sitting at tables, whirling off of chairs and clinking wine glasses in roistering merriment. Clown-like in depiction with disproportionally large feet and nondescript faces, the toddlers she presents are more so dolls than human children. Dingle’s newest works are less crowded than older works and by virtue[.....]

The Pace Gallery and Pace/MacGill Gallery debut Paul Graham: The Present with a striking selection of sixteen diptychs and two triptychs. This series concludes a trilogy with the series a shimmer of possibility (2004–2006) and American Night (1998–2002), both of which showed in numerous institutions and galleries internationally. Alongside the exhibition of The Present, Graham has published a 114-page monograph with London-based MACK, which will[.....]

The beginning of March sees New York erupt in an art world flurry with the 75th Whitney Biennial igniting the itinerary for the next couple months of art fairs, large-scale exhibitions, auctions, and not least of all, the parties that accompany such events. Presented by Elisabeth Sussman and Jay Sanders, who formed a fortuitous curatorial duo, the 2012 Biennial shone brighter than the previous Biennial[.....]

As part of our ongoing partnership with Flavorwire, Daily Serving is sharing  Rozalia Jovanovic’s preview of Juergen Teller’s latest exhibition at Lehmann Maupin in New York. Just in time for New York Fashion Week, Juergen Teller, the German-born photographer most known for his cheeky refusal to keep his ad campaigns for designers like Helmut Lang, Yves Saint Laurent, Vivienne Westwood, and Marc Jacobs distinct from his[.....]