Posts Tagged ‘New York City’

Andrew Moore: Dirt Meridian at Yancey Richardson Gallery

The 100th meridian west is a longitudinal line that snakes through North and South Dakota, Nebraska, Kansas, and Oklahoma, and forms the eastern border of the Texas panhandle. Historically, it divides the weathered, parched land in the western Great Plains from its lush, eastern neighbor. Through digital aerial photographs and large-format negatives taken on land, artist Andrew Moore captures this sparsely populated area, not scarred[.....]

Radcliffe Bailey: Maroons at Jack Shainman Gallery

The preserved crocodile carcass, pinned against a ratty tarp to form the centerpiece of a work called On Your Way Up, is as good a place as any to begin a review of Radcliffe Bailey’s exhibition Maroons at Jack Shainman gallery. Though purportedly on the ascent, this climber has clearly seen better days; its exposed finger bones, protruding between disintegrated flesh, seem unlikely to carry[.....]

Alex Prager: A Face in the Crowd at Lehmann Maupin

Alex Prager. Face in the Crowd, 2013; installation view, Lehmann Maupin, New York City. Courtesy of the artist and Lehmann Maupin.

Alex Prager’s first exhibition at Lehmann Maupin makes a blood pact with the myth of cinema. The gallery’s downtown location hosts large-format stills from Prager’s newest film, A Face in the Crowd, alongside highly staged photographs taken from slightly different angles than those represented in the film. Lehmann Maupin’s Chelsea gallery features more of these beautifully rendered, high-quality stills, as well as a viewing room[.....]

Stay in Love at Lisa Cooley and Laurel Gitlen

Love is a kind of obsession, and obsession is a kind of love. It is this sentiment, not one of sensationalism or romanticism, that permeates the works in the two-gallery group exhibition, Stay in Love, curated by Chris Sharp at Lisa Cooley and Laurel Gitlen. Alternating between meditative, neurotic, and celebratory, the featured artists investigate the subjects of their fascination with the thoroughness that exists[.....]

Nicola Hicks at Flowers Gallery, New York

Nicola Hicks; Banker II, 2009; bronze, 79 x 37 x 63 inches. Courtesy of Flowers Gallery.

Nicola Hicks’ recent sculptural tableaux, depicting humans, animals, and frightful crossbreeds of towering stature, exemplify art’s ability to produce rich, nonverbal worlds. Though the works on view at Flowers Gallery are classified merely as plaster (to be cast in bronze upon purchase), they in fact begin with wire skeletons that the British artist then stuffs with a mélange of straw and dirt before coating. This[.....]

Best of 2013 – Mike Kelley at MOMA PS1

For our Best of 2013 series, Fan Mail columnist A. Will Brown selected Alex Bigman‘s review of Mike Kelley’s retrospective at PS1. Says Brown, “The untimely death of Mike Kelley is a potent reminder of how important every minute can be, particularly for those exploring and challenging the very mesh of society. This article, while particularly well written, hints at the importance of displaying Kelley’s oeuvre,[.....]

Yayoi Kusama: I Who Have Arrived in Heaven at David Zwirner

Yayoi Kusama. Manhattan Suicide Addict, 2010-present; Video projection and mirrors; overall dimensions vary with each installation. Courtesy of the artist and David Zwirner.

Still working in feverish catharsis at the age of 82, Yayoi Kusama is Japan’s most famous living artist. Yet in the United States she has only recently received a slice of the recognition that her expansive body of work and visionary approach deserve. Following a critically acclaimed retrospective at the Whitney last year, Kusama was picked up by David Zwirner in early 2013. For her[.....]