Posts Tagged ‘New York’

Playing with Fire: Political Interventions, Dissident Acts, and Mischievous Actions at El Museo del Barrio

Adal Maldonado (ADAL). El Spanglish Sandwich, 2000; printed ceramic plate and stand; 8-inch diam. Courtesy of El Museo del Barrio.

Declarations of dissent can manifest in many ways. Playing with Fire: Political Interventions, Dissident Acts, and Mischievous Actions, currently on view at El Museo del Barrio, surveys a range of Latin American and Caribbean artists who through their art practices have voiced their dissent from oppressive cultural forces. The curator, Nicolás Dumit Estévez, frames these artistic impulses as foundational to the history and spirit of[…..]

Antoine Catala: New Feelings at 47 Canal

The 2004 hit show Battlestar Galactica chronicles a future in which artificially intelligent robots called Cylons seek to destroy the human race as they advance and meld with technology in an almost mystical way. Constructed out of biological material, a bisected Cylon fighter plane actually bleeds—sinews, guts, and all. Other Cylons evolve to look exactly like human copies, and are so intelligent that they experience the complexities[…..]

Randal Barnett: JEF+KEV//SIM at United Solo Theatre Festival

Randal Barnett. JEF+KEV//SIM, 2014 (still); performance; TRT 40:00, Courtesy of the Artist. Photo: Joelle Ballam-Schwan.

On September 21, Randal Barnett’s JEF+KEV//SIM infiltrated the ranks of this year’s United Solo Theatre Festival and inoculated its lineup of “straight” theater with the virus of queer performance art. Solo performance and performance art share a symbiotic genesis, solo performance being fundamentally based in storytelling that often features the absence of a “fourth wall” and performance art seeking to eradicate this distinction entirely, its[…..]

Wojciech Kosma and Sjoerd Dijk at INTERSTATE

Wojciech Kosma and Sjoerd Dijk. Liberty is everything when it necessitates love for a human; promotional image. Courtesy of the artists and INTERSTATE projects. Image: Hayley Silverman.

As Wojciech Kosma burst into a spontaneous fit of tears on the concrete floor of INTERSTATE, his performance partner, Sjoerd Dijk, stroked the artist’s hair and waited for their performance to end. Where did these tears come from? And why didn’t I believe them? The–family, of which Kosma and Dijk are a part, is a performance collective that stages highly physical, improvised conversations that attempt[…..]

The St. Petersburg Paradox at Swiss Institute

The St. Petersburg Paradox, installation view, Swiss Institute. (from left to right) Sarah Ortmeyer. SANKT PETERSBURG PARADOX, 2014: marble chessboards, copper, iron, brass and aluminum chess tables, natural (ostrich, rhea, goose, chicken, mallard, quail, emu, and duck) eggs, artificial (marble obsidian, alabaster, and onyx) eggs; dimensions variable. Courtesy of the artist and Dvir Gallery, Tel Aviv. Tabor Robak. A*, 2014; 14-channel HD video; 9:46 min. Courtesy of the artist and team (gallery, inc.). John Miller. Labyrinth I, 1999; acrylic on canvas with sound component; 54 x 70 in. Courtesy of the artist and Metro Pictures, New York. Kaspar Müller. Tropic of Cancer, 2014; laser prints on A3 paper; each 12 x 15 ½ in. Courtesy Galerie Francesca Pia, Zürich, The Green Gallery, Milwaukee, and Federico Vavassori, Milan. Cayetano Ferrer. Remnant Recomposition, 2014; carpet remnants, seam tape; 18 x 60 ft. Courtesy of the artist.

The St. Petersburg Paradox, currently on view at Swiss Institute, is a group show of refreshing intellectual rigor. The exhibition’s curatorial design is so tightly wound that it forms a kind of singular entity in which each featured artwork compels the viewer to consider the philosophy of its larger scheme: namely, the metaphysics of gambling. The title refers to a paradox of human psychology: When[…..]

#Hashtags: Critiquing Museums from the Outside In

The Broad_exterior rendering

#museums #architecture #philanthropy #urban development #institutional critique #spectacle #metaphor In January, the Los Angeles 2020 Commission, a group of thirteen experts convened by the Los Angeles City Council to assess the city’s civic problems, delivered a damning report. Titled “A Time for Truth,” it begins with the statement “Los Angeles is barely treading water while the rest of the world is moving forward,” and gets[…..]

Sze Tsung Leong: Horizons at Yossi Milo Gallery

Sze Tsung Leong. Lake Michigan, 2012; Chromogenic Color Print; 28” x 48”. Courtesy of Yossi Milo Gallery.

Mexican-born, British-American photographer Sze Tsung Leong photographs vast, spare landscapes from around the world in his ongoing series, Horizons, on view at Yossi Milo Gallery. The arrangement of photos hops from place to place while remaining visually cohesive due to the shots’ shared composition: The horizon line bisects the image at the same point in each photograph, producing the perception of a single line unrolling along the[…..]