Posts Tagged ‘New York’

#Hashtags: Critiquing Museums from the Outside In

The Broad_exterior rendering

#museums #architecture #philanthropy #urban development #institutional critique #spectacle #metaphor In January, the Los Angeles 2020 Commission, a group of thirteen experts convened by the Los Angeles City Council to assess the city’s civic problems, delivered a damning report. Titled “A Time for Truth,” it begins with the statement “Los Angeles is barely treading water while the rest of the world is moving forward,” and gets[…..]

Sze Tsung Leong: Horizons at Yossi Milo Gallery

Sze Tsung Leong. Lake Michigan, 2012; Chromogenic Color Print; 28” x 48”. Courtesy of Yossi Milo Gallery.

Mexican-born, British-American photographer Sze Tsung Leong photographs vast, spare landscapes from around the world in his ongoing series, Horizons, on view at Yossi Milo Gallery. The arrangement of photos hops from place to place while remaining visually cohesive due to the shots’ shared composition: The horizon line bisects the image at the same point in each photograph, producing the perception of a single line unrolling along the[…..]

Etel Adnan at Callicoon Fine Arts

Etel Adnan. Untitled, 2012; oil on canvas; 9.5 x 11.75 in. Courtesy of the Artist and Callicoon Fine Arts, New York.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Bansie Vasvani reviews Etel Adnan at Callicoon Fine Arts in New York City. On the heels of Etel Adnan’s inclusion in Documenta 2012, and concurrent to her inclusion in[…..]

Take Ecstasy With Me at The Whitney Biennial

Jacolby Satterwhite, Reifying Desire 5, 2014 (performance still); duration varied. Courtesy of the artist and The Whitney Museum, New York. Photo: Filip Wolak.

“It would deeply heal me,” artist Jorge Cortiñas urged, “if we all sang this song together.” The ensuing karaoke-like moment was the climax of Cortiñas’ performance, Back Room, which re-told the contentious story of meeting a future lover during an orgy in the dark rear of a now-extinct East Village bar—a story that none of Cortiñas’ straight friends ever wanted to hear. Such tongue-in-cheek emotional self-indulgence invigorated[…..]

Malick Sidibe at Jack Shainman Gallery

Malick Sidibe, Soiree, silver gelatin print, 1972-2008. Courtesy of the artist and Jack Shainman gallery, New York.

The photographs of Malick Sidibé remind us how the political content of an image can shift and evolve under the unpredictable influences of time and the arrival of new contexts. Currently on view at Jack Shainman Gallery, Sidibé’s work is a mix of black-and-white portraits and candid shots of local people from his native Bamako, Mali. The artist first began his work in photography by[…..]

Borna Sammak: All Dogs Are Pets at JTT

Borna Sammak. All Dogs Are Pets, 2014; installation view, JTT, New York. Courtesy of the artist and JTT.

All Dogs Are Pets, Borna Sammak’s current solo exhibition at JTT, presents sculpture, painting, and video full of glowing references to 1990s American suburbia. Trafficking in the humorous young boys’ fare of canceled Nickelodeon cartoons, Sammak’s pieces are composed of sometimes repurposed, sometimes refabricated objects you might find at a Wal-Mart or strip-mall store. His work draws from the cultural garbage can, creating an aesthetic[…..]

Sarah Lucas: Nud Nob at Gladstone Gallery

Sarah Lucas.
Chicken Knickers, 2014;
Digitally printed wallpaper.
Photo: David Regen.
Copyright Sarah Lucas.
Courtesy Gladstone Gallery, New York and Brussels

The circulation of images from Sarah Lucas’ Nud Nob, now at Gladstone Gallery, on social media and elsewhere seems bound to be both blessing and curse. On the one hand, shots of enormous concrete penises resting on crushed automobiles, or a series of floor-to-ceiling photographs of a woman consuming a banana, really propagate themselves, which makes for great publicity. But those who encounter these images are[…..]