Posts Tagged ‘New York’

Wael Shawky: Cabaret Crusades at MoMA PS1

Wael Shawky. Wael Shawky: Cabaret Crusades, 2015; installation view, MoMA PS1, New York, featuring marionettes from Cabaret Crusades: The Secrets of Karbala, 2015. Courtesy of MoMA PS1, New York, and Sfeir Semler Gallery, Beirut and Hamburg.

Wael Shawky’s gorgeous cinematography, sets, and marionettes fuse a child-like play with the horrors and complications of war and history.

The Whitney Museum of American Art

Image 630.006: The eastern face of the Whitney Museum. Photo: Nic Lehoux.

With the recent boom in museum building and expansion, there has been a recurring discussion of what makes a good space for art—as though an objective answer could be determined through a calculation of square footage, flexibility of design, and the ratio of natural to electric light. Indeed, the Museum of Modern Art in New York opted to demolish and rebuild its recently acquired neighboring building,[…..]

Margret: Chronicle of an Affair at White Columns

3.	Margret: Chronicle of an Affair—May 1969 to December 1970, 2015; detail. Courtesy of White Columns / Delmes & Zander.

Art-historical borders cease to have validity if they stand in the way of new theoretical connections and investigations.

Palermo: Works 1973–1976 at David Zwirner Gallery

Blinky Palermo. Ohne Titel (Untitled), 1973; primer, oil, fabric, and wood; 98-7/8 x 26-3/8 x 3-5/8 inches.

Palermo: Works 1973–1976, now on view at David Zwirner’s 20th St. gallery in Chelsea, speaks at close range. Unlike the gallery’s concurrent solo exhibitions—devoted to Suzan Frecon and Alice Neel—there’s no mounting symphony behind this selection of works by Blinky Palermo. The exhibition has moments of real depth, but situated between the abundance of the Frecon and Neel shows, it is in danger of functioning[…..]

Charles Atlas: The Waning of Justice at Luhring Augustine

Charles Atlas. The Waning of Justice, 2015; installation view, Luhring Augustine, New York. Photo: Farzad Owrang.

“Glitter/Utopia,” “Boring/Because,” “Decade/Asshat,” “Wartime/Paisley”: These are a few of the word combinations that appear in Charles Atlas’ two-channel video projection, Ethel’s Fortune or The Waning of Justice (2015), currently filling two expansive, adjacent walls at Luhring Augustine’s Chelsea location. Each term in the dyad phases into position in front of footage of a maritime sunset while the letters themselves open up similar vistas contained within[…..]

Playing with Fire: Political Interventions, Dissident Acts, and Mischievous Actions at El Museo del Barrio

Adal Maldonado (ADAL). El Spanglish Sandwich, 2000; printed ceramic plate and stand; 8-inch diam. Courtesy of El Museo del Barrio.

Declarations of dissent can manifest in many ways. Playing with Fire: Political Interventions, Dissident Acts, and Mischievous Actions, currently on view at El Museo del Barrio, surveys a range of Latin American and Caribbean artists who through their art practices have voiced their dissent from oppressive cultural forces. The curator, Nicolás Dumit Estévez, frames these artistic impulses as foundational to the history and spirit of[…..]

Antoine Catala: New Feelings at 47 Canal

The 2004 hit show Battlestar Galactica chronicles a future in which artificially intelligent robots called Cylons seek to destroy the human race as they advance and meld with technology in an almost mystical way. Constructed out of biological material, a bisected Cylon fighter plane actually bleeds—sinews, guts, and all. Other Cylons evolve to look exactly like human copies, and are so intelligent that they experience the complexities[…..]