Posts Tagged ‘New York’

Trevor Shimizu: Again at 47 Canal and Rachel Mason: Starseeds at envoy enterprises

Rachel Mason. Yayoi Kusama, 2014; mixed media, dimensions varied. Courtesy of the artist and envoy enterprises.

Again, now at 47 Canal, presents a new set of paintings by Trevor Shimizu featuring more of the artist’s characteristically banal domestic caricatures. Of these, Shimizu’s sex paintings are his best. Featuring sketches of video monitors displaying stick figures engaged in BDSM porn, a vaginal close-up nestled next to a box of tissues, or a pop-up ad for penis enhancement, the paintings read as swiftly[…..]

Andrew Moore: Dirt Meridian at Yancey Richardson Gallery

The 100th meridian west is a longitudinal line that snakes through North and South Dakota, Nebraska, Kansas, and Oklahoma, and forms the eastern border of the Texas panhandle. Historically, it divides the weathered, parched land in the western Great Plains from its lush, eastern neighbor. Through digital aerial photographs and large-format negatives taken on land, artist Andrew Moore captures this sparsely populated area, not scarred[…..]

Radcliffe Bailey: Maroons at Jack Shainman Gallery

The preserved crocodile carcass, pinned against a ratty tarp to form the centerpiece of a work called On Your Way Up, is as good a place as any to begin a review of Radcliffe Bailey’s exhibition Maroons at Jack Shainman gallery. Though purportedly on the ascent, this climber has clearly seen better days; its exposed finger bones, protruding between disintegrated flesh, seem unlikely to carry[…..]

Alex Prager: A Face in the Crowd at Lehmann Maupin

Alex Prager. Face in the Crowd, 2013; installation view, Lehmann Maupin, New York City. Courtesy of the artist and Lehmann Maupin.

Alex Prager’s first exhibition at Lehmann Maupin makes a blood pact with the myth of cinema. The gallery’s downtown location hosts large-format stills from Prager’s newest film, A Face in the Crowd, alongside highly staged photographs taken from slightly different angles than those represented in the film. Lehmann Maupin’s Chelsea gallery features more of these beautifully rendered, high-quality stills, as well as a viewing room[…..]

Stay in Love at Lisa Cooley and Laurel Gitlen

Love is a kind of obsession, and obsession is a kind of love. It is this sentiment, not one of sensationalism or romanticism, that permeates the works in the two-gallery group exhibition, Stay in Love, curated by Chris Sharp at Lisa Cooley and Laurel Gitlen. Alternating between meditative, neurotic, and celebratory, the featured artists investigate the subjects of their fascination with the thoroughness that exists[…..]

Julie Cockburn: Slight Exposure at Yossi Milo Gallery

On entering Yossi Milo Gallery, the viewer is thrust into a bubblegum-bright world. Dull, vintage vacation snapshots and the strained smiles of a graduation portrait are transformed into photographs reminiscent of greeting cards. Through sewn-on balls and lines, and Sharpie-thick strips of thread, artist Julie Cockburn playfully graffitis each photograph. But a surreal, eerie quality belies their perky facades. Cockburn creates this effect using found photographs from[…..]

#Hashtags: Whose Museum Is It Anyway?

Installation view of Mike Kelley at MoMA PS1, 2013. Photo: Matthew Septimus.

#access #institutions #race #class #performance #intersectionality Two major New York exhibitions this winter have raised the question of access to contemporary art and museums in important and divergent ways. Radical Presence: Black Performance in Contemporary Art at the Studio Museum in Harlem continues reframing the historical narrative to include African Americans, as begun in Part 1 at NYU’s Grey Art Gallery. Mike Kelley’s sprawling retrospective[…..]