Posts Tagged ‘Oakland’

Black Panther Party: 50th Anniversary Exhibitions

Anonymous. Untitled (Clenched Fist), circa 1965; wood; 3 x 5.5 inches. Collection of the Oakland Museum of California, Museum Purchase.

Seven exhibitions in Oakland and Berkeley commemorate the Black Panther Party’s (BPP) founding in October 1966. The celebration of one of the most successful and provocative social and political movements in American history reflects upon the Party’s profound influence. As Party member and long-time activist and educator Ericka Huggins notes, the breadth of engagement helped spread the Party’s resistance message: “The Black Panther Party always[…..]

Gerardo Tan: Hablon Redux and Other Transcriptions at Random Parts

Gerardo Tan. Turntable Paintings, 2016; vinyl, acrylic; dimensions variable. Courtesy of the Artist and Random Parts. Photo: Maria Porges.

What does it mean to transcribe a work from one medium to another? Is the result a kind of translation, a form of documentation, a new piece of art, or all three? In a fascinating range of media—painting, video, found objects, weaving, and sound—Manila-based artist Gerardo Tan investigates these questions through three different projects presented in his solo exhibition Hablon Redux and Other Transcriptions at[…..]

Boom: The Art of Resistance at Random Parts

Amara T. Smith, Ellen Sebastian Chang & collaborators. House/Full of Black Women
2016-ongoing
Multiple sites, Oakland, CA
“Now You See Me” video documentation by Ginika Oruche
Original lantern used in performance with replica veil material

Impeccably curated by artist–organizer Leslie Dreyer at Random Parts gallery, Boom: The Art of Resistance is an exhibition that does not advertise its impact, and it could be mistaken for “scrappy” if one ignored the precision of the show and the assumptions jammed into that word. Installed in the small storefront/apartment space in Oakland, a few of the show’s works are in the well-used kitchen,[…..]

William Koone: 10:10 at City Limits

William Koone. 10:10, 2016; installation view, City Limits, Oakland. Courtesy of the Artist and City Limits. Photo: Kristine Eudey

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Colin L. Fernandes reviews William Koone’s solo exhibition 10:10 at City Limits gallery in Oakland, California. For his exhibition at City Limits[…..]

Terra Incognita at Art@Archer

Brian Lucas. Seventh Sense, 2015; mixed media on canvas; 36 x24 in. Courtesy of the Artist and Art@Archer, Oakland. Photo: Garrett Caples.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Garrett Caples reviews Terra Incognita at Art@Archer in Oakland. In Terra Incognita at Art@Archer, Derek Fenner, Ava Koohbor, and Brian Lucas—who exhibited together last year at now-defunct Emerald[…..]

UNEARTHED: Found + Made at Oakland Museum of California

Installation view, UNEARTHED: Found + Made, 2015-2016. Courtesy of the Oakland Museum of California. Photo: Johnna Arnold.

Today from our partners at Art Practical, we bring you Vivian Sming’s review of UNEARTHED: Found + Made at Oakland Museum of California. The author notes, “[The] democratic approach of placing contemporary art and local clubs side by side compresses and erases hierarchies, providing a slice of history, place, and time.” This article was originally published on January 26, 2016. In the late 19th century, anthropologist Franz Boas[…..]

Cold Storage: James Cordas and Rhonda Holberton

Rhonda Holberton, Knights of the Sky, Digital video projection, 3:24 (looping), Edition 1/1, 2015. Courtesy of City Limits Gallery.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Elena Gross reviews Cold Storage: James Cordas and Rhonda Holberton at City Limits Gallery in Oakland. A chilly, overcast afternoon seemed like the perfect[…..]