Posts Tagged ‘Odd Jobs’

Odd Jobs: Conor Fields

Conor Fields. Achaemedis Screw. 2014; cooler, 55 gallon drum, PVC, motor, charcoal, water, nylon tubing, water jug, step stool, bucket, wheel rim, bicycle tube; dimensions variable. Courtesy of the artist.

Welcome back to Odd Jobs, where I interview artists about their varied and untraditional career arcs. For this installment I spoke with Conor Fields. Born in Trenton, New Jersey, he received his BFA from Tyler School of Art in 2008 and his MFA from California Institute of the Arts in 2013. He has exhibited in New York, Los Angeles, Philadelphia, and Rome. Fields lives and works[…..]

Odd Jobs: Jade Gordon/My Barbarian

Odd Jobs is a column exploring artists’ varied and untraditional career arcs. For this installment, I spoke with Jade Gordon. She earned an MA in Applied Theater from University of Southern California (USC), has taught at California Institute of the Arts (CalArts) and the Stella Adler Academy, and is a co-owner of Wombleton Records. In 2000, with Malik Gaines and Alexandro Segade, she formed My[…..]

Odd Jobs: Mary Reid Kelley

Mary Reid Kelley. Sisyphus as Bride. 2013; Collage, watercolor, charcoal and acrylic on paper 31.5 x 18 in. Courtesy of the artist and Susanne Vielmetter Projects.

Odd Jobs is a column exploring artists’ varied and untraditional career arcs. For this installment I spoke with Mary Reid Kelley, whose videos explore the condition of women throughout history by reassessing canonical literary and historical narratives. Reid Kelley writes the scripts, designs the sets, props, and costumes, and performs the leading roles. She and her partner, Patrick Kelley, produce all of the videos. Her videos[…..]

Odd Jobs: Danielle Dean

Danielle Dean. Hexafluorosilicic, 2015; installation view at Commonwealth & Council, Los Angeles. Courtesy of the artist.

Welcome back to Odd Jobs, where artists talk about their varied and nontraditional career arcs. For this installment, I spoke to Danielle Dean—born to a Nigerian father and an English mother in Alabama—whose interdisciplinary practice draws from this multinational background. Her work explores the interpellation of thoughts, feelings, and social relations by power structures working through news, advertising, political speech, and digital media. She has[…..]

Happy New Year!

2016 was an exceptional year for Daily Serving! We celebrated our tenth anniversary and Michele Carlson became our new executive director. We inaugurated “Odd Jobs,” a new interviews column regarding art and labor, and covered major art-world stories like Pedro Reyes’ Doomocracy and Revolution in the Making: Abstract Sculpture by Women, 1947–2016, at Hauser Wirth & Schimmel. Of course, we also turned an assessing eye to exhibitions in cities such as Birmingham, Dhaka, Nashville, Mexico City,[…..]

Odd Jobs: Charles Gaines

Charles Gaines. Numbers and Trees V. Landscape #8: Orange Crow, 1978; acrylic sheet, acrylic paint, watercolor, photograph. 46 5⁄8 × 38 5⁄8 in. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer.

For the past forty years, Charles Gaines has employed system-based methodologies to his artmaking in order to critique subjective expression within art. Influenced by Tantric Buddhist diagrams in the late 1960s, his photographs, drawings, and works on paper investigate how rule-based procedures construct order and meaning. Gaines is also a highly regarded educator at the California Institute of the Arts. He received his MFA from the Rochester[…..]

Odd Jobs: Kalup Linzy

Kalup Linzy. Romantic Loner. 2013 (still); video; 73:00. Courtesy of the artist.

Welcome to the second issue of “Odd Jobs,” in which we explore the many jobs artists hold in order to support their art practice. I spoke with Kalup Linzy, a New York–based performance and video artist famous for his soap opera–style video works, such as a piece produced for the Studio Museum in Harlem titled All My Churen. Linzy uses low-tech productions methods and often[…..]