Posts Tagged ‘Painting’

Fan Mail: Gala Knörr

Gala Knörr. Threesome, 2015; phototransfer and oil on linen; 7.8 x 13.7 in. Courtesy of the Artist.

For Gala Knörr, the world of social media is a labyrinth of communication that never ceases to pique her curiosity. She finds inspiration in connecting with random strangers on Snapchat, an increasingly popular app that enables users to share photos, videos, or conversations through private and public messaging without leaving a permanent record. With its informality and speed of sharing, Snapchat has become a hotbed[…..]

Albert Yowshien Kuo: Gonna Be Alright at Hoffman LaChance Contemporary

Albert Yowshien Kuo. Still Boxing, 2016; Oil and Mixed Media on Canvas; 70 x 66 in. Courtesy of Albert Yowshien Kuo. Photo: Albert Yowshien Kuo.

Albert Yowshein Kuo’s solo exhibition, Gonna Be Alright, at Hoffman LaChance Contemporary features three large paintings. In them, he depicts figurative tableaux that obliquely reflect social values such as race and gender. The paintings are familiar and unfamiliar, timeless and contemporary. To simply say that Kuo’s juxtapositions of figures and scenes is surreal would be too easy a summation. While painted in a traditional style[…..]

Robert Irwin: All the Rules Will Change at the Hirshhorn Museum

Robert Irwin. Bed of Roses, 1962; ©2016 Robert Irwin / Artists Rights Society (ARS), New York.

Robert Irwin has had a number of distinct careers as an artist, each with a distinct group of peers and beliefs. All the Rules Will Change presents the best known but least seen of these careers: the studio painter of the 1960s, who began the decade as a conventional Abstract Expressionist, and ended it by closing his studio and abandoning a practice of painting that[…..]

From the Archives – Weaving, Not Cloth: Mark Bradford at SFMOMA

Mark Bradford, Potable Water, 2005; billboard paper, photomechanical reproductions, acrylic gel medium, and additional mixed media; 130 x 196 inches; collection of Hunter Gray; © Mark Bradford; photo: Bruce M. White

We always like to see artist Mark Bradford’s name pop up in the press. Of course, there’s the fantastic news that Bradford will be representing the U.S. in this year’s Venice Biennale, in addition to last week’s cheekily delivered critique of art auctions (while onsite at Christie’s). Today, we’re republishing Bean Gilsdorf’s meditations on the tactility of Bradford’s work in relation to textiles. This article[…..]

Basquiat: The Unknown Notebooks at the High Museum of Art

Jean-Michel Basquiat. Untitled Notebook Page, 1980-1981. Ink on ruled notebooks paper. 9 5/8 x 7 5/8 inches. Collection of Larry Warsh. Estate of Jean-Michel Basquiat, all rights reserved. Licensed by Artestar, New York. Photo courtesy of Sarah DeSantis, Brooklyn Museum.

The High Museum of Art’s current exhibition, Basquiat: The Unknown Notebooks, presents the viewer with a “portrait of the artist as a poet.” Although the art world has been well aware of the importance and influence of language, writing, poetry, and experimental literary tactics on Jean-Michel Basquiat’s work for some time (the artist’s notebooks are hardly “unknown”), the presentation of his notebooks as the main[…..]

Cezary Poniatowski: No Center No Edges at Piktogram

Cesary Poniatowski. Untitled, 2016; acrylic on canvas, 180 x 145 cm. Image courtesy of Piktogram Gallery.

Cezary Poniatowski’s recent work at Piktogram Gallery compels viewers to navigate a veritable maze of pop-culture references and anthropological allusions. The exhibition is composed of more than twenty black-and-white acrylic paintings completed in 2015 and 2016, each depicting highly abstract, hybrid figures cavorting in confined, flat spaces reminiscent of comic-book panels. The recurrence of specific forms and motifs in the images creates the strong impression of a[…..]

Made in Taiwan: A Retrospective of Yang Mao-Lin at the Taipei Fine Arts Museum

Yang Mao-lin. Zealandia Memorandum L9301 (1993); oil, acrylic on canvas; 112 x 194 cm. Courtesy of Taipei Fine Arts Museum.

A robust Asian democracy, Taiwan elected its first female president earlier this year. Yet thirty years ago, when the island was tentatively emerging from four decades of military rule, this future was far from certain. Made in Taiwan: A Retrospective of Yang Mao-Lin, now on view at Taipei Fine Arts Museum, spans three decades of the artist’s work. His vivid early paintings captured the growing[…..]