Posts Tagged ‘Painting’

Etel Adnan at Callicoon Fine Arts

Etel Adnan. Untitled, 2012; oil on canvas; 9.5 x 11.75 in. Courtesy of the Artist and Callicoon Fine Arts, New York.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Bansie Vasvani reviews Etel Adnan at Callicoon Fine Arts in New York City. On the heels of Etel Adnan’s inclusion in Documenta 2012, and concurrent to her inclusion in[.....]

Carrie Marill:
 Domesticated at Lisa Sette Gallery

Carrie Marill. Dishberg, 2014; acrylic and graphite on linen; 44 x 58 in. Courtesy of the Artist and Lisa Sette Gallery, Scottsdale. Photo: Michael Lundgren.

Perhaps the best-known artist to explore the realm of motherhood in conjunction with art making is Mary Kelly. Her 1976 Post Partum Document was a six-year exploration of the mother-child relationship that included relics, observations, and charts. While there are many contemporary artists who are also mothers, motherhood as a subject remains relatively off-limits. This is the very terrain that Carrie Marill navigates in her[.....]

Fan Mail: Brooke Reinhold Richard

Brooke Reinhold Richard. Descending Forms, 2012; oil on canvas; 18 x 12 inches. Image courtesy of the artist.

While some artists might shy away from encouraging an open-ended, potentially endless string of associations, Brooke Reinhold Richard seems to embrace it as she leads viewers through her paintings with a loose architecture of visual clues. Her work includes motifs not unlike the tropes and symbols used in the Surrealist tradition of painting, which created numerous meaningful, often personal, associations. Richard paints serially, creating one[.....]

Leslie Shows: Surfacing at the Scottsdale Museum of Contemporary Art

Leslie Shows. Coupler, 2014; Acrylic, ink, plexiglass, synthetic rubber and wood on aluminum; 42 x 33 in. Courtesy of the artist and Haines Gallery, San Francisco, CA. © Leslie Shows

Landscape painting does not garner a lot of excitement these days, but the work of California-based Leslie Shows keeps viewers’ eyes and minds engaged. Her large-scale paintings—which also veer into sculptural forms—are meticulously and thoughtfully crafted, layering material and form into otherworldly interpretations of natural and synthetic landscapes. A survey of Shows’ recent works is currently on view at the Scottsdale Museum of Contemporary Art—the[.....]

Evan Gruzis: Shell Game at The Suburban

Evan Gruzis. Free Box, 2014; Textile dye and acrylic on canvas; 48 x 32 in. Courtesy of the artist.

Located more than nine miles west of Chicago’s city center, The Suburban is one of a number of alternative spaces that have caught on in the bordering village of Oak Park. It’s quiet, affluent, and easily accessed by public transit, yet Oak Park is an unlikely host to such alternative spaces as Terrain Exhibitions, The Franklin, and The Suburban, all of which locate innovative art[.....]

Fan Mail: Anna Valdez

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The words “yo no soy Romantica,” or “I am not romantic,” are written in large orange cursive letters on a flat blue background; the text is partially hidden by the green cactus planted in a bright pink pot in the foreground of Anna Valdez’s illustration Yo No Soy Romantica (2013). Whether or not the artist intended to indicate the cactus as the speaker of these[.....]

Walter Robinson: Sic Transit Gloria Mundi at Catharine Clark Gallery

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Maria Porges reviews Walter Robinson: Sic Transit Gloria Mundi at Catharine Clark Gallery in San Francisco. What are we to think about an Egyptian funerary boat powered by[.....]