Posts Tagged ‘Painting’

Summer Session – Amer Kobaslija at Arthur Roger Gallery

Amer Kobaslija. Sputnik Sweetheart of New Orleans and the End of the World. 2007. Oil on two panels. 85 x 124 ¼ in.

For the first part of our Summer Session, we’re thinking about labor, and today we’re considering the traditional site of artistic work: the studio. Author Jordan Amirkhani notes: “If the studio has traditionally been a place of solace from reality’s complications, this exhibition seems to respond with urgent ambiguity by asking important and unresolved questions about the place of artistic practice within today’s society, and the traditions of Western[…..]

Summer Session – Sofia Leiby: The Drama of Leisure at Devening Projects

Sophia Leiby. Untitled, 2013; mixed media on canvas, 22 x 18 in. Courtesy of the Artist and Devening Projects + Editions, Chicago.

For the first part of our Summer Session, we’re thinking about labor, and today we’re also considering its opposite—leisure. Steve Ruiz’s review of Sofia Leiby’s most recent show at Devening Projects + Editions considers the artist’s time: “With so much else in an artist’s life productively structured, purposefully performed, and in general feeling like work, what could be more radical than insisting that the center of an[…..]

Fan Mail: Gala Knörr

Gala Knörr. Threesome, 2015; phototransfer and oil on linen; 7.8 x 13.7 in. Courtesy of the Artist.

For Gala Knörr, the world of social media is a labyrinth of communication that never ceases to pique her curiosity. She finds inspiration in connecting with random strangers on Snapchat, an increasingly popular app that enables users to share photos, videos, or conversations through private and public messaging without leaving a permanent record. With its informality and speed of sharing, Snapchat has become a hotbed[…..]

Albert Yowshien Kuo: Gonna Be Alright at Hoffman LaChance Contemporary

Albert Yowshien Kuo. Still Boxing, 2016; Oil and Mixed Media on Canvas; 70 x 66 in. Courtesy of Albert Yowshien Kuo. Photo: Albert Yowshien Kuo.

Albert Yowshein Kuo’s solo exhibition, Gonna Be Alright, at Hoffman LaChance Contemporary features three large paintings. In them, he depicts figurative tableaux that obliquely reflect social values such as race and gender. The paintings are familiar and unfamiliar, timeless and contemporary. To simply say that Kuo’s juxtapositions of figures and scenes is surreal would be too easy a summation. While painted in a traditional style[…..]

Robert Irwin: All the Rules Will Change at the Hirshhorn Museum

Robert Irwin. Bed of Roses, 1962; ©2016 Robert Irwin / Artists Rights Society (ARS), New York.

Robert Irwin has had a number of distinct careers as an artist, each with a distinct group of peers and beliefs. All the Rules Will Change presents the best known but least seen of these careers: the studio painter of the 1960s, who began the decade as a conventional Abstract Expressionist, and ended it by closing his studio and abandoning a practice of painting that[…..]

From the Archives – Weaving, Not Cloth: Mark Bradford at SFMOMA

Mark Bradford, Potable Water, 2005; billboard paper, photomechanical reproductions, acrylic gel medium, and additional mixed media; 130 x 196 inches; collection of Hunter Gray; © Mark Bradford; photo: Bruce M. White

We always like to see artist Mark Bradford’s name pop up in the press. Of course, there’s the fantastic news that Bradford will be representing the U.S. in this year’s Venice Biennale, in addition to last week’s cheekily delivered critique of art auctions (while onsite at Christie’s). Today, we’re republishing Bean Gilsdorf’s meditations on the tactility of Bradford’s work in relation to textiles. This article[…..]

Basquiat: The Unknown Notebooks at the High Museum of Art

Jean-Michel Basquiat. Untitled Notebook Page, 1980-1981. Ink on ruled notebooks paper. 9 5/8 x 7 5/8 inches. Collection of Larry Warsh. Estate of Jean-Michel Basquiat, all rights reserved. Licensed by Artestar, New York. Photo courtesy of Sarah DeSantis, Brooklyn Museum.

The High Museum of Art’s current exhibition, Basquiat: The Unknown Notebooks, presents the viewer with a “portrait of the artist as a poet.” Although the art world has been well aware of the importance and influence of language, writing, poetry, and experimental literary tactics on Jean-Michel Basquiat’s work for some time (the artist’s notebooks are hardly “unknown”), the presentation of his notebooks as the main[…..]