Posts Tagged ‘Painting’

Richard Colman: Faces, Figures, Places, and Things at Chandran Gallery

Richard Colman. Faces, Figures, Places and Things, 2015; installation view. Courtesy of the Artist and Chandran Gallery, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Laura Jaye Cramer reviews Richard Colman: Faces, Figures, Places, and Things at Chandran Gallery in San Francisco. In Richard Colman’s solo show, Faces, Figures, Places, and Things,[…..]

Clare Rojas: New Work at Anglim Gilbert Gallery

Clare Rojas. Untitled (CR15014), 2015; 48 in. x 60 in. Courtesy of the Artist. and Anglim Gilbert Gallery.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Hana Metzger reviews Clare Rojas: New Work at Anglim Gilbert Gallery in San Francisco. New paintings by Clare Rojas at Anglim Gilbert Gallery give the greatest pleasure[…..]

Juan Carlos Quintana: Retrospectives at Jack Fischer Gallery

Juan Carlos Quintana. Reflections on Exile Part I (Entering the Forest), 2014-15; oil and acrylic on canvas; 84 x 192 in. Courtesy of the Artist and Jack Fischer Gallery, San Francisco.

From our partners at Art Practical, today we bring you a review of Juan Carlos Quintana: Retrospectives at Jack Fischer Gallery in San Francisco. Author Maria Porges quotes the artist at the end of the review: “And who is to say what is failure and what is success? As an artist you just need to trust and listen to yourself and keep moving forward.” This article was[…..]

MN Original: Greta McLain

McLain

Today from our friends at MN Original, we bring you an inspiring video on Greta McLain and her work with murals and communities. The artist says, “The mural is not making the change. The mural is making the connections and the relationships, and standing as a suggestion of where this neighborhood or community is going.” The video was originally published on February 14, 2014.

Scott Greene: Deep State at Catharine Clark Gallery

Scott Greene. Trinitas, 2015; oil on canvas on panel, 50 x 40 in. Courtesy of the Artist and Catharine Clark Gallery, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Erica Truong reviews Scott Greene: Deep State at Catharine Clark Gallery in San Francisco. In his fourth solo exhibition with Catharine Clark Gallery, Scott Greene presents a[…..]

Fan Mail: Jwan Yosef

Jwan Yosef. Head, 2013; oil on Perspex; 31 ½ x 24 inches. Courtesy of the artist.

Thank you, Will! Today we celebrate A. Will Brown’s 50th and final Fan Mail column, and wish him farewell as he embarks upon new adventures in his job as the curatorial assistant of contemporary art at the RISD Museum of Art in Providence, Rhode Island! We’ll return in the fall with a new Fan Mail columnist, stay tuned for the announcement. Look closely, what do you see?[…..]

The Failure of Painting at the 56th International Art Exhibition – la Biennale di Venezia

Bruce Nauman. Eat/Death, 1972; neon tubing with clear glass tubing suspension frame; 7 3/8 x 25¼ x 2 1/8 in (18.7 x 64.1 x 5.3 cm). Courtesy of the Artist and la Biennale di Venezia. Photo taken by the author.

Context grounds contemporary art, and placing a work into a different framework allows for new layers of understanding to be revealed. This year’s Venice Biennale illustrates this point perfectly with one of the most cohesive curatorial efforts in its 120-year history. Thanks to curator Okwui Enwezor‘s creation of three overlapping “filters” that he calls the Garden of Disorder, Liveness: On Epic Duration, and Reading Capital,[…..]