Posts Tagged ‘Painting’

Walter Robinson: Sic Transit Gloria Mundi at Catharine Clark Gallery

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Maria Porges reviews Walter Robinson: Sic Transit Gloria Mundi at Catharine Clark Gallery in San Francisco. What are we to think about an Egyptian funerary boat powered by[.....]

Multiple Perspectives: New Works by Xie Xiaoze at Chambers Fine Art

Xie Xiaoze. October 19, 2007; Oil and Acrylic on Canvas, 60 x 72 in; March 16-17, 2013, I.H.T., 2013; Oil and Acrylic on Canvas; 80 x 93 in. Photo: Adam Monohon.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Adam Monohon reviews Multiple Perspectives: New Works by Xie Xiaoze at Chambers Fine Art in New York City. Mass media plays an inescapable role in everyday life. The[.....]

From the Archives – Are you a Rauschenberg or a Johns?

Robert Rauschenberg. Canyon, 1959; oil, housepaint, pencil, paper, fabric, metal, buttons, nails, cardboard, printed paper, photographs, wood, paint tubes, mirror string, pillow & bald eagle on canvas, National Gallery of Art, Washington, D. C.

Last Friday, the New York Times reported a decision by the Robert Rauschenberg Foundation to “find homes in important public collections…for nine important late-career pieces.” These pieces will pass into the collections of the Museum of Modern Art, the Metropolitan Museum of Art, and the Guggenheim Museum. Today, in honor of this decision to share these works with the public, we bring you this essay by Catherine Wagley,[.....]

30 Americans at the Contemporary Arts Center, New Orleans

In a nod to Linda Nochlin’s famous query, Michele Wallace asked, “Why are there no great black artists?”[1] 30 Americans is the response to this question, a beautiful, rambunctious show that gathers the work of 31 African American artists. Unfortunately, 30 Americans, similar to Thelma Golden’s Freestyle in 2001, is not about a specific curatorial theory or thought, but rather a placing of African American[.....]

Sylvia Fein: Surreal Nature at Krowswork

Sylvia Fein. Crucial Eye, 2011; egg tempera on board, 20 x 24 inches. Courtesy the artist and Krowswork Gallery, Oakland.

Today from our partners at Art Practical we bring you Mary Anne Kluth‘s review of Sylvia Fein: Surreal Nature at Krowswork Gallery in Oakland, California. Kluth notes, “A true pleasure of the exhibition, and a mark of its success as a retrospective, is the opportunity to trace developing threads, such as a particular symbol, subject matter, or technique, through various works over long periods of time…the[.....]

Annie Lapin: Various Peep Shows at Honor Fraser

Annie Lapin, Various Peep Shows (Through), 2013; Oil and acrylic enamel spray-paint on canvas; 82 x 72 inches. Courtesy of Honor Fraser Gallery, Los Angeles. Photo: Brian Forrest.

Whenever it seems that painting has run its course, an exhibition like Various Peep Shows comes along to restore our faith in the medium. For her third solo show at Honor Fraser Gallery, Annie Lapin presents a series that contains within each work the broad spectrum of paint’s physical and representational possibilities. These are much more than postmodern pastiches, however, as they show a sincere[.....]

Sofia Leiby: The Drama of Leisure at Devening Projects

Sophia Leiby. Untitled, 2013; mixed media on canvas, 22 x 18 in. Courtesy of the Artist and Devening Projects + Editions, Chicago.

Sofia Leiby‘s first solo exhibition in Chicago, titled The Drama of Leisure, consists of fourteen paintings and three runs of screen prints. Now on view at Devening Projects + Editions, Leiby’s paintings and drawings are clearly influenced by her experience as a printmaker. In most works, the artist paints as if the brush were a thick, wet crayon, and she sketches and fills with rapid[.....]