Kirsten Hassenfeld‘s ambitious paper sculptures far exceed what most would imagine could be created with the material at hand. A legion of delicate intricacies store like gems in the chest of treasure that is each piece she produces. The results of presumably painstaking hours spent folding, snipping, coiling and chaining, Hassenfeld’s sculptures are as elaborate as they are elegant. Recently, two of her bodies of[.....]

Currently exhibiting at the N2 Gallery in Barcelona, Spain are the works of Spanish artist Aurelia Munoz. The works on display are delicate, yet formidable, sculptures made of materials ranging from handmade paper to textile fibers. The piece Entre Social, 1976, is a large-scale macrame sculpture that serves as testimony to Munoz’s ability to beautifully marry geometry and abstraction with natural textiles, creating an entirely new three-dimensional artistic[.....]

Karl Haendel Play With Your Own Marbles is the title of a new exhibition currently on view at San Francisco’s NOMA Gallery. The exhibition, which is curated by Betty Nguyen, Creative Director of First Person Magazine, brings together three Los Angeles-based artists in an examination of artistic process and its relation to utility, both in object and image. The exhibition highlights the objects and cyanotypes[.....]

Wangechi Mutu will never experience the heated backlash that Kara Walker experienced. No one will call Mutu the “patsy of the white art establishment,” accuse her of selling fellow black artists down the river, or launch a letter-writing campaign to keep her artwork from being shown. There are good reasons for this: unlike Walker, the Kenyan-born Mutu does not share the slavery lineage of African-American[.....]

“Secrets and Cymbals, Smoke and Scissors (My Friend Dash’s Wall in the Future)” is work by conceptual artist Dan Colen that is a life-size recreation of the interior wall of a friend. In Colen’s version, each element attached to the wall — every sticker, newspaper, photo and hand-written note — has been illusionistically painted by the artist. Colen extends this process of painting into other[.....]

The characters found in artist FPAC Gallery in Boston, Mass., and “New Works” with Boontling Gallery and OKOK Gallery in Seattle.