Posts Tagged ‘Patricia Maloney’

Summer Session – Teach 4 Amerika

Teach 4 Amerika, 2011; poster. Courtesy of the Bruce High Quality Foundation and Creative Time, New York.

Our new Summer Session topic is Back to School, and today we bring you an article from our sister publication Art Practical. Here, Patricia Maloney reviews the Bruce High Quality Foundation’s tour Teach 4 Amerika, the collaborative’s 2011 performative critique of the art academy. Though BHQF foregrounds its significant arguments against the economic art-school model with a healthy dose of irony, Maloney finds that the most ironic aspect[…..]

DSAP Executive Director Patricia Maloney to Join Southern Exposure

Southern Exposure in San Francisco, California.

Hail and farewell! Today we are both pleased and sad to announce that our executive director, Patricia Maloney, will be leaving us to become the new executive director of Southern Exposure in San Francisco. Below is her valediction to our readers. We hope you will join us in thanking her for her years of service to the publication, and in wishing her the best of[…..]

In the Dressing Room with Coco Fusco, August 19, 2015

Coco Fusco. Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist, 2013 (still); performance. Courtesy of Walker Art Center. Photo: Gene Pittman.

Today from our partners at Art Practical, we bring you In the Dressing Room with Coco Fusco by Patricia Maloney and Moira Roth. In it, Coco Fusco takes us behind the scenes of her performance as Dr. Zira, the animal psychologist from Planet of the Apes, at Yerba Buena’s Radical Presence exhibition. As she removes her monkey costume backstage, Fusco opens up about performance and uniforms, economic violence, and[…..]

Happy Labor Day!

Anna Gray + Ryan Wilson Paulsen. Can These Antiques Ever Prove Dangerous Again?, 2012.

In honor of Labor Day, today we want to thank the publications that made our Summer Reading series a success. We were honored to host articles from Artforum, Art Papers, Art Practical, the Brooklyn Rail, East of Borneo, Frieze d/e, Hyperallergic, MN Artists, MN Original, MOMUS, Rhizome, SFMOMA’s Open Space, Temporary Art Review, and un Magazine. And we credit the labors of the artists and writers,[…..]

Summer Reading – Finding Value in a Flattened Field

Anna Gray + Ryan Wilson Paulsen. 100 Posterworks, 2009–2013; printed poster; 11 x 17 in. Courtesy of the Artists.

Today for our Summer Reading series we bring you Patricia Maloney’s recent op-ed from our partners at Art Practical. The author notes, “The commitment to paying contributors must be acknowledged as only the most visible link in a long chain of interlocking, concrete exchanges distributed throughout the ecosystem. Paying a writer or artist is not a unidirectional transaction; it is part of a public health policy.” This[…..]

The New Endurance of Linda Mary Montano, Part 1

Linda Mary Montano with Tehching Hsieh. Art/Life: One Year Performance 1983–1984 (Rope Piece), 1983-1984 (still); performance documentation. Courtesy of the Artist.

Today, from our partner site Art Practical, we bring you an excerpt of Patricia Maloney‘s conversation with artist Linda Montano, who says, “I am most authentic when I am performing. I am really 100 percent there. I can’t say that about any other aspect of my life.” This interview was originally published on January 19, 2015. Linda Mary Montano, born in 1942, is a seminal figure[…..]

Best of 2014 – Fan Mail: Wendy Given

Wendy Given. On Myth and Magic No. 5: Eclipse, 2009; C-Print; 17.25” x 26” inches. Photo courtesy of the artist.

For today’s installment of our Best of 2014 series, we have a selection from executive director Patricia Maloney, who writes, “Reading A. Will Brown’s twice-monthly ‘Fan Mail’ series over the past year, one gets a distinct sense of how much fun he has in making his selections and thinking about the work. The opening sentences are often the giveaway: an introduction to the artist by way[…..]