Posts Tagged ‘performance art’

Invisible Presence: Bling Memories at the Atlanta Contemporary Art Center

Ebony G. Patterson. Invisible Presence: Bling Memories, 2014; installation view, Atlanta Contemporary Art Center, Atlanta, Georgia. Courtesy of the Artist and Atlanta Contemporary Art Center.

On May 8, 2001, the funeral of William Moore, aka Willie Haggart, was a raucous affair. Abandoning the somber mood of a typical funeral, the ceremony was a giant party at the National Arena in Kingston, Jamaica. Labeling it a “celebrity event,” Donna P. Hope writes that the style of Haggart’s funeral “ruptured the sobriety and mourning associated with traditional funeral rites.”[1] With this, the[…..]

Whose Culture Is Not Your Friend?

Photo: Kristen McWharter

Today from our friends at BmoreArt, we bring you Angela N. Carroll’s reflections on FlucT’s performance Culture Is Not Your Friend at Platform Gallery in Baltimore, MD. Carroll says of the performance, “Much of what I experienced was performative in the most mundane and expected ways: a critique of sexuality by embodying overtly sexed archetypes. But maybe that’s the point.” This article was originally published on February 12,[…..]

He Yunchang: Water Forming Stone at Ink Studio

He Yunchang. Inner Sanctuary, 2015. Courtesy of INK Studio.

A clear and joyful light floods the inner gallery of Ink Studio in Beijing, where He Yunchang performed a series of three grueling new works in his exhibition Water Forming Stone. Light dances through candy-colored drinking glasses that are suspended in midair over a pedestal of simulated crystals and jade. It radiates off of the warm white walls cleverly composed of cardboard shipping boxes and[…..]

Body Politic: Jill J. Tan interviews Eiko Otake

Photo: William Johnston. Courtesy of the Artist.

Eiko notes in the following interview, “I am using my body as a constant.”

Street Fighting Man

Nikoo Tarkhani.

Today from our friends at REORIENT, we bring you an excerpt from Joobin Bekhrad‘s interview with artist and curator Ali Ettehad, who says, “I strongly believe that at a time—especially in the Middle East—when art is, for the most part, commercially-driven, performance art is powerful in its ability to help artists retain their independence and integrity.” This article was originally published on June 2, 2015. Joobin[…..]

From Beijing: Beijing Voice and Zhang Xiaotao at Pékin Fine Arts

Beijing Voice 'Unlived By What is Seen' installation view courtesy Pace Beijing

There has been noise of late about the supposedly derivative nature of contemporary art, about questionable curatorial practices, and about the piratical behavior of the art market. “Zombie Formalism” and “Crapstraction” are glib, voguish—although, it must be said, amusing—terms that have been thrown around. Whatever you may think about this critique of current tendencies in abstract painting, it seems that all is not well in the world[…..]

Randal Barnett: JEF+KEV//SIM at United Solo Theatre Festival

Randal Barnett. JEF+KEV//SIM, 2014 (still); performance; TRT 40:00, Courtesy of the Artist. Photo: Joelle Ballam-Schwan.

On September 21, Randal Barnett’s JEF+KEV//SIM infiltrated the ranks of this year’s United Solo Theatre Festival and inoculated its lineup of “straight” theater with the virus of queer performance art. Solo performance and performance art share a symbiotic genesis, solo performance being fundamentally based in storytelling that often features the absence of a “fourth wall” and performance art seeking to eradicate this distinction entirely, its[…..]