Posts Tagged ‘Performance’

Franz Erhard Walther and Pae White at the Henry Art Gallery

Franz Erhard Walther. Sehkanal (with body weight and exertion exposing one's opposite number to one's gaze - sight channel) Single Element n°46 of 1.Werksatz, 1968. Green fabric: 30 x 740 x 20 cm. Courtesy of Galerie Jocelyn Wolff. Photo credit: Timm Rautert. Copyright Franz Erhard Walther Foundation, Timm Rautert.

The Henry Art Gallery in Seattle opens two exhibitions, Franz Erhard Walther: The Body Draws and Pae White: Command-Shift-4. The featured artists—albeit separated by 24 years and 5,600 miles—create a compelling juxtaposition, revealing shared interests in graphic art, architecture, and fiber as mediums that shift between sculpture and performance. Both artists produce works that are liminal and in flux—forever making and remaking themselves through direct interaction.[…..]

Interview with Robin Rhode

Robin Rhode. Chalk Bicycle (detail), 2011-2015; chalk and steel bicycle. Courtesy of the Artist and Lehmann Maupin, New York. Photo: Max Yawney.

Today from our friends at BOMB, we bring you an interview with artist Robin Rhode. Author Lee Ann Norman talks with Rhode about his upcoming performance Erwartung: A Street Opera for Performa 15, growing up in South Africa, and “what it means to make art in an increasingly globalized world.” This article was originally published on August 13, 2015. Cape Town-born and Berlin-based multidisciplinary artist[…..]

Machine Project: Selections from Mr. Akita

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Today from our friends at Machine Project in Los Angeles, we bring you a video of selections from Mr. Akita, a play by Asher Hartman starring artist and comedian Cliff Hengst. Mr. Akita was performed at the Tang Teaching Museum and Art Gallery as part of Machine Project: The Platinum Collection on September 26 and 27, 2015.

Radical Presence, Absence, A Body Without Politics

Girl [Chitra Ganesh + Simone Leigh]. My dreams, my works must wait till after hell... (still), 2011; Digital video, color, sound; 7:14 minutes. Courtesy of the Artists.

Today from our partners at Art Practical, we bring you Anna Martine Whitehead’s latest installation of “Endurance Tests,” a column “on current explorations of representation, the ethereal, and compulsiveness by black artists working in the field of performance.” The author notes, “[…] there is no accounting for blackness. It is too vast—it is everything—and can look any way it wants to. Or it can not look at all.” This article[…..]

Lorena Wolffer – Expuestas: Registros Públicos at the Museum of Modern Art in Mexico City

Antimemorias: enmiendas públicas, 2011; installation view, Lorena Wolffer Expuestas: registros públicos, 2015. Courtesy of Lorena Wolffer and Museo de Arte Moderno. Photo: Jorge Gomez del Campo.

Walking into Lorena Wolffer’s Registros Públicos at the Museum of Modern Art in Mexico City is a deeply unsettling experience. The space is tiny, just a few meters across, and the ceiling height is far closer to a bedroom than a gallery. Written in large red letters along the walls are a series of insults and threats from husbands and lovers to their partners–although using[…..]

Interview with Johanna Hedva


Johanna Hedva is a Los Angeles-based artist and writer whose recent piece She Work was performed at d e e p s l e e e p, a private apartment in Los Angeles, from July 11­–26, 2015. She Work is a queer adaptation of Euripides’ play Medea, in which Jason abandons Medea and their children, marrying a Greek princess to advance his political position. Medea[…..]

Drawing Sound Part II: Alvin Lucier at the Drawing Center

2.	Alvin Lucier. Bird and Person Dyning, 1975 (performance still); Drawing Center, New York; September 11, 2015; Alvin Lucier, performer. Courtesy of the Drawing Center. Photo: Chris Bradley.

To enter the main gallery at the Drawing Center for a recent performance, we couldn’t use its front doors. Instead, we had to descend the stairs near the lobby, walk along the lower-level corridor from the front to the back of the building, ascend the rear stairs, and pass through the smaller gallery called the Drawing Room. There, the walls were adorned with several wooden[…..]