Posts Tagged ‘Performance’

Evan Calder Williams: T-1 at Artists Space

Evan Calder Williams. T-1, 2015; performed at Artist Space on July 21, 2015.

Ice, compromised vision, and colonial geography: These formed the conceptual scaffolding that supported Evan Calder Williams’ live essay, T-1, performed at Artists Space on July 21, 2015.[1] Despite the three subjects’ ostensibly divergent histories, Calder Williams wove them into a complex web that expanded into several narratives that highlighted epiphanic and unexpected connections. The dynamic multimedia event—comprising video, text, and images projected on perpendicular screens,[…..]

Radical Presence: Black Performance in Contemporary Art at YBCA

Senga Nengudi. R.S.V.P., 1975–78; nylon, sand, and mixed media; dimensions variable. Courtesy of the Artist and Thomas Erben Gallery, New York.

From our partners at Art Practical, today we bring you a review of Radical Presence: Black Performance in Contemporary Art at Yerba Buena Center for the Arts in San Francisco. Author Brian Karl notes: “The urgent need to collect and re-present this work—not in a static archive but in a living arena—stems from the continuing conditions of marginalization, oppression, and worse that black people have suffered over[…..]

The James & Audrey Foster Prize at ICA Boston

Sandrine Schaefer. Acclimating to Horizontal Movement (Wandering with the Horizon), 2015; performance. Courtesy of the Artist. Photo: Nisa Ojalvo.

Until now, the ICA Boston’s Foster Prize has been relatively traditional. It begins with the museum’s announcement of a short list of artists who participate in its biennial. From there, an independent panel of judges selects one winner, who walks away with a cash prize. This year’s Foster Prize is different. The ICA’s Associate Director of Performing Arts, John Andress, and Senior Curator, Jenelle Porter,[…..]

Hammer Projects: Mary Reid Kelley at Hammer Museum

Mary Reid Kelley with Patrick Kelley. Priapus Agonistes, 2013 (video still). Single-channel HD video, black and white, sound; 15:09 min. Courtesy of the Artists; Susanne Vielmetter Los Angeles Projects; Fredericks & Freiser Gallery, New York; and Pilar Corrias, London.

Now on view at Hammer Museum, Mary Reid Kelley’s videos are a collision of drawing, performance, and wordplay that clatter against Greek mythology to produce a visually spare, lexically rich cycle. Working with videographer Patrick Kelley, the artist has produced three black-and-white videos that follow the story of the half-woman, half-bull Minotaur, her lust-crazed mother Pasiphae, and her helpless sister Ariadne through boldly drawn landscapes.[…..]

Interview with Erica Prince

Some Sense of Comfort With Some Sense of Confusio​​n​, 2014​, (performance still). Courtesy of AUX Performance Space, Philadelphia​.​

Canadian artist Erica Prince would not appreciate the Mattel playhouse I had as a kid, filled with floral furniture, plastic appliances, and female dolls to ensure that the household was running smoothly. Prince’s version, recently on view in Philadelphia, is my playhouse’s conceptual opposite—and that’s a wonderful thing. Prince is more inspired by science fiction than by domesticity. Her sculptures, installations, and drawings have a[…..]

#Hashtags: Liveness

Jason Moran and Alicia Hall Moran, Work  songs, ARENA, Padiglione Centrale, Giardini. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photo by Isabella Balena. Courtesy: la Biennale di Venezia.

#participation #politics #capital #religion #access #inclusion At the center of All the World’s Futures—The 56th Venice Biennale is the ARENA. Designed by architect David Adjaye, it is meant to serve as a platform for “live art” throughout the exhibition’s run. The space is defined by a large, low platform, flanked by risers and backed with a projection screen. Above the stage, a mezzanine provides another vantage point. The[…..]

What Matters to Us?: A Reenactment of Anna Halprin’s Blank Placard Dance

What Matters to Us?: A Reenactment of Anna Halprin’s Blank Placard Dance, Saturday, May 16, 2015, San Francisco. Photo: Emily Holmes.

Today from our partners at Art Practical, we bring you a review of What Matters to Us?, performed in San Francisco on May 16, 2015. Of her participation in the event, author Vanessa Kauffman notes, “The act of protest alone had absolved us of nothing. What matters to us is still out there, waiting.” This article was originally published on June 11, 2015.  Emerging one by one from the[…..]