Posts Tagged ‘Photography’

Fan Mail: John Tierney

John Tierney. Elvis is on the Building, Palm Springs, 2013; oil on canvas; 20 x 16 inches. Courtesy of the artist.

John Tierney’s paintings have a distinct relationship to cinema. Hollywood, California, and the greater Los Angeles area are awash in a rich and intense light that seems to linger over everything with an endless glow, a light as potent as the dreams and realities of fame and stardom promised by the movie companies that populate the city. For a representational painter such as Tierney, the[…..]

Jason Kalogiros: The Measure, The Weight, The Ground, The Scale at CAPITAL

Jason Kalogiros. Untitled (Drawing), 2015; unique gelatin silver photograph; 24 x 20 in. Courtesy of the Artist and Capital, San Francisco.

 Today from our partners at Art Practical, we bring you a review of Jason Kalogiros’ current solo show at Capital in San Francisco. Author Danica Willard Sachs notes, “[T]he artist employs the methodology of photography to interrogate the discrete boundaries between media.” This article was originally published on July 2, 2015. The process of making a photograph bears striking resemblance to the process of making a bronze sculpture.[…..]

Night Begins the Day: Rethinking Space, Time, and Beauty at the Contemporary Jewish Musuem

Laurent Grasso. Soleil Noir, 2014; 16mm film, looped; 11:40. Courtesy of the Artist, Galerie Perrotin, and the Contemporary Jewish Museum, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Mary Coyne reviews Night Begins the Day: Rethinking Space, Time, and Beauty at the Contemporary Jewish Museum in San Francisco.  Night Begins the Day is a meditative,[…..]

Tseng Kwong Chi at Grey Art Gallery

Tseng Kwong Chi. New York, New York (World Trade Center), 1979, from the East Meets West series; Gelatin silver print, printed 2014; 36 x 36 in. Courtesy of Muna Tseng Dance Projects, Inc., New York

Tseng Kwong Chi: Performing for the Camera is the first major retrospective on the artist, co-organized by the Chrysler Gallery and NYU’s Grey Art Gallery. Bringing Tseng’s body of work to the fore is an important and overdue project; his career was regularly eclipsed by his friends, whose trajectories characterized the 1980s New York City art market boom, most notably Jean-Michel Basquiat and Keith Haring.[…..]

Fan Mail: Carla Jay Harris

Carla Jay Harris. Teresa Cooper 1947, 2012; archival pigment print. 20 x 30 inches. Courtesy of the artist.

There is a profound stillness in Carla Jay Harris’ photographs—her framing and shooting style emits a pervasive calm that quiets the anxiety of her subject matter. Harris’ ability to create silence amid moments of emotional upheaval is eerie, tense, and evocative. Two bodies of work portray people and places in the midst of economic and cultural change; Dirt, Dust, Sand, Concrete (2012–2015) shows Smithfield, Virginia,[…..]

Marion Belanger: Rift/Fault – Landscape Photographs of the North American Continental Plate at Haverford College

Marion Belanger. Rift #51 (Geothermal pipes alongside a road at Hengill, Iceland), 2011; Fault #26 (North Shore, Salton Sea, CA), 2012; archival pigment print; 18.5 x 14.8 in. Courtesy of the Artist and Atrium Gallery, Haverford College.

Northward light fills the gallery upon entering Marion Belanger’s exhibition Rift/Fault. The exhibition, currently on view at Haverford College, contains roughly two dozen pairings of photographs drawn from Belanger’s decade-long investigation into the geography and geology of an unseen tectonic boundary: the North American Continental Plate. Along the edges of the plate lies the Mid-Atlantic Rift in Iceland, bisecting and pulling the small nation apart, and[…..]

Jillian Mayer: Touchers at Aspect/Ratio

Jillian Mayer. 34.11° N, -118.26° W at 53’ inches, 2015; 46.2 x 26 in. Photograph printed on fabric. Courtesy of the Artist, Aspect/Ratio Chicago, and David Castillo, Miami.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Nicole Lane reviews Jillian Mayer: Touchers at Aspect/Ratio in Chicago. Jillian Mayer’s first solo exhibition in Chicago, Touchers, features two photographic works and a video installation[…..]