Spelman College Museum of Fine Art’s current exhibition, Africa Forecast: Fashioning Contemporary Life, presents a small but dynamic assemblage of twenty designers and artists who blur the line between fine art and fashion from across the globe. Co-curated by Spelman Museum’s own Dr. Andrea Barnwell Brownlee and Dr. Erika Dalya Massaquoi to celebrate the 20th anniversary of the institution, this exhibition embodies the curatorial commitments[…..]
Posts Tagged ‘Photography’
Today from our archives we bring you a review of Sharon Lockhart’s most recent solo exhibition at the San Francisco Museum of Modern Art: “The beauty of Lunch Break is that its attenuated moments make it difficult to lock onto a single interpretation,” wrote author Rob Marks. This evening Lockhart is presenting a lecture at California College of the Arts in San Francisco as part of[…..]
There is a certain playful unknowability to Matt Lee’s work. As preoccupied with structure as its inverse, Lee’s pieces suggest an interaction with the intangible that is at once wholly serious and strangely lighthearted. Confronted by subjects like death, absence, and emptiness, a viewer might expect an oeuvre weighted down by existential dread, but in Lee’s work, these subjects become lively participants in conversation with[…..]
Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Henry Rittenberg reviews Diane Arbus: In the Beginning at the Met Breuer in New York. I was not even a full sentence[…..]
For today’s Summer Session topic of celebrity, we bring you Genevieve Quick’s review from our sister publication Art Practical of the 2010 SFMOMA exhibition Exposed, a show on the history of photography and the camera. Our contemporary fascination with celebrities is heavily shaped by the photographic medium, and Exposed explored some of the earliest iterations of the iconic paparazzi shot that is a quintessential celebrity experience. This review was originally published[…..]
As part of this month’s Summer Session regarding the theme of labor, today we bring you a video clip from our friends at SFMOMA. Artist Akram Zaatari describes the work of Hashem el Madani, the first person to own a 35mm camera in Saïda, Lebanon. Zaatari calls Madani the “photographer of the working class,” whose studio both documented daily life in the city and became an important[…..]
Today from our friends at SFMOMA, we bring you a short video of Ewan Gibbs discussing the concept and labor of the drawings he completed for his 2009 exhibition at the museum. Daily Serving also conducted an interview with the artist that year, and we invite you to read it for a deeper understanding of how the artist came to use these techniques.