Posts Tagged ‘Photography’

Larry Sultan: Here and Home at LACMA

Larry Sultan. Discussion, Kitchen Table, from the series “Pictures from Home,” 1985; chromogenic print; 30 x 40 in. Photo courtesy of the Estate of Larry Sultan.

“Isn’t imagination really the final measure of intelligence?” — Larry Sultan Picture it: golf courses, lawn furniture, sprinklers, empty pools, groceries, plush carpets you can almost feel under your feet, sunglasses, bulky watches, a Dodger’s game droning on TV, frosted glass, floor-to-ceiling curtains, a pink terry-cloth tracksuit, patterned linoleum, and green—the pervasive chartreuse of freshly cut grass or new growth is evident in almost every single[…..]

Fan Mail: Ben Bigelow

Ben Bigelow. Screen Shot 2014-02-23 at 5.12, 2014; Polaroid instant film; 4 x 4 inches. Courtesy of the artist.

Two sets of blinds layered over each other—one horizontal, one vertical, both a brilliant clean white—open and close slowly with nearly imperceptible movement. Like a dancer spinning in an endlessly repeating circle with no clear beginning or end, they move without purpose. When fully open, they form a matrix-like grid of perfect, uniform squares with an infinite series of colors glowing beneath, shifting, chemical, and[…..]

The Self-Portraits of Samuel Fosso

The artist as Angela Davis from African Spirits, 2008
© Samuel Fosso. Courtesy The Walther Collection and Jean Marc Patras / Galerie

From our friends at Guernica, today we bring you a feature on the self-portraits of artist Samuel Fosso. Author Emmanuel Iduma notes, “The self-portraits are intimate for what they allow to be imagined… [T]hese representations of our favorite black heroes ask viewers to think about the use of public images, and how they become objects of worship, and of control.” This article was originally published on November 17,[…..]

Robert Frank in America at Cantor Arts Center

Robert Frank. Detroit, 1955; gelatin silver print, 8 ½ x 13 in. Courtesy of Cantor Arts Center at Stanford University. © Robert Frank.

From our partners at Art Practical, today we bring you a review of a new exhibition of Robert Frank’s photographs at the Cantor Arts Center at Stanford University. Though these photographs are now sixty years old, they are still surprisingly relevant; author Danica Willard Sachs remarks, “Through revealing details, Frank charts the uneasy political geography of a vast country on the verge of change.” This[…..]

Best of 2014 – Suzanne Opton: Soldier at Sikkema Jenkins

Suzanne Opton. Soldier: H. Jefferson- Length of service undisclosed, 2005. Archival Pigment Print.  41 x 52 inches. Courtesy of Sikkema Jenkins

Continuing our Best of 2014 series, Shotgun Review Editor Erica Gomez writes, “I read Lia Wilson’s review of Soldier six months ago, on my birthday. Having recently spent time with my dad—a U.S. Army Afghanistan Veteran—I recognized the thousand-yard stare in one of Suzanne Opton’s photographs all too well. Wilson points to the series’ ‘potential for a reflective encounter between viewer and subject’ and calls[…..]

Fan Mail: Marc Newton

Marc Newton. Constructed Paradise: Untitled 17, 2013; archival inkjet print; 17 x 21 inches.  Courtesy the artist.

The waning glow of the warm desert sun hangs in the air around a lone female figure. She sits nestled atop a rock formation amid yellow grasses and low, twisted trees. As she gazes lovingly toward the fading sun with trim arms folded over her legs, a sense of hard-earned and well-deserved calm settles in, as though this communication with the landscape has rejuvenated her[…..]

Ayana V. Jackson: Archival Impulse at 33 Orchard

Ayana V. Jackson. Prototype/ Phenotype, 2013; archival pigment print; edition of 6 and 3 artist proofs; 39.4 x 45.5 in.

Ayana V. Jackson’s exhibition An Archival Impulse claims to take inspiration from Hal Foster’s idea that, through confronting the archive, new systems of knowledge can be created. Jackson’s artistic interrogation targets representations of non-European bodies during the 19th and 20th centuries, a period of significant colonial expansion in Africa and the Americas. This history of representation comprises a vast field of imagery and thousands of[…..]