Posts Tagged ‘Photography’

Summer Reading – MN Original: Mohamud Mumin

Today we’re taking a break from the “reading” portion of our Summer Reading series to bring you a video produced by our friends at MN Original. Artist Mohamud Mumin walks us through his practice in portrait photography:  “[…] It’s not just work to me—it’s stories, it’s lives, it’s trust that I’m given by the subjects. It’s not always, ‘This is a great shot.’ It’s always[…..]

The Heart Is a Lonely Hunter at Fraenkel Gallery

Bryson Rand, Mario & Danny (Los Angeles), 2015; Pigment print, edition of 5, 42 x 30 in. Courtesy of the artist and Fraenkel Gallery.

Today from our partners at Art Practical, we bring you Petra Bibeau’s review of The Heart Is a Lonely Hunter at Fraenkel Gallery in San Francisco. The author notes, “[the exhibition]succeeds due to the selected artists’ compulsive desire to create their own narration from a point of obsession with being rather than from a literal rendition of living.” This article was originally published on August 12, 2015. In[…..]

Barbara Kasten: Stages at ICA Philadelphia

(from left to right) Barbara Kasten. Studio Construct 125, 2011; archival pigment print; 53 3/4 x 43 3/4 in.; Studio Construct 32, 1986; Silver dye bleach print; 37 x 29 1/2 in. Courtesy of the Institute of Contemporary Art at the University of Pennsylvania.

At the entrance to Barbara Kasten: Stages at the Philadelphia Institute of Contemporary Art, there is a corner-placed grouping of five photographs. Four early Polaroids made in 1982 and 1983 are on the right; with their geometric shapes and pastel colors, they would fit easily into the reigning design aesthetic of the 1980s. On the left is the 2007 silver-dye bleach print Studio Construct 17,[…..]

Fan Mail: John Tierney

John Tierney. Elvis is on the Building, Palm Springs, 2013; oil on canvas; 20 x 16 inches. Courtesy of the artist.

John Tierney’s paintings have a distinct relationship to cinema. Hollywood, California, and the greater Los Angeles area are awash in a rich and intense light that seems to linger over everything with an endless glow, a light as potent as the dreams and realities of fame and stardom promised by the movie companies that populate the city. For a representational painter such as Tierney, the[…..]

Jason Kalogiros: The Measure, The Weight, The Ground, The Scale at CAPITAL

Jason Kalogiros. Untitled (Drawing), 2015; unique gelatin silver photograph; 24 x 20 in. Courtesy of the Artist and Capital, San Francisco.

 Today from our partners at Art Practical, we bring you a review of Jason Kalogiros’ current solo show at Capital in San Francisco. Author Danica Willard Sachs notes, “[T]he artist employs the methodology of photography to interrogate the discrete boundaries between media.” This article was originally published on July 2, 2015. The process of making a photograph bears striking resemblance to the process of making a bronze sculpture.[…..]

Night Begins the Day: Rethinking Space, Time, and Beauty at the Contemporary Jewish Musuem

Laurent Grasso. Soleil Noir, 2014; 16mm film, looped; 11:40. Courtesy of the Artist, Galerie Perrotin, and the Contemporary Jewish Museum, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Mary Coyne reviews Night Begins the Day: Rethinking Space, Time, and Beauty at the Contemporary Jewish Museum in San Francisco.  Night Begins the Day is a meditative,[…..]

Tseng Kwong Chi at Grey Art Gallery

Tseng Kwong Chi. New York, New York (World Trade Center), 1979, from the East Meets West series; Gelatin silver print, printed 2014; 36 x 36 in. Courtesy of Muna Tseng Dance Projects, Inc., New York

Tseng Kwong Chi: Performing for the Camera is the first major retrospective on the artist, co-organized by the Chrysler Gallery and NYU’s Grey Art Gallery. Bringing Tseng’s body of work to the fore is an important and overdue project; his career was regularly eclipsed by his friends, whose trajectories characterized the 1980s New York City art market boom, most notably Jean-Michel Basquiat and Keith Haring.[…..]