Posts Tagged ‘Photography’

Diane Arbus: In the Beginning at SFMOMA

Diane  Arbus. Female  impersonator  holding  long  gloves,  Hempstead,  L.I.,
1959. Courtesy  The Metropolitan  Museum  of Art. © The  Estate  of Diane  Arbus,  LLC.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Max Blue reviews Diane Arbus: In the Beginning at SFMOMA. Diane Arbus: In the Beginning is a meandering, somewhat maudlin journey through the[…..]

From Generation to Generation: Inherited Memory and Contemporary Art at the Contemporary Jewish Museum

From Generation to Generation: Inherited Memory and Contemporary Art, 2016; installation view, San Francisco, CA. Courtesy of the Contemporary Jewish Museum. Photo: JKA Photography.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Carlos Kong reviews From Generation to Generation: Inherited Memory and Contemporary Art at the Contemporary Jewish Museum in San Francisco. Memories take[…..]

Takeshi Murata: 1000 Years

Takeshi Murata. Seahorse, 2017; pigment print; 29 x 40 inches. Courtesy of Ratio 3.

Computer-generated images saturate our media, from films to advertisements to video games. However, rarely do we think of these images singularly—most commonly we encounter them within the context of their media environments. In 1000 Years, Takeshi Murata’s fifth solo show at Ratio 3 gallery, the artist asks viewers to consider these images in isolation, outside of their complex digital environments. Murata uses 3D-modeling software to[…..]

Japanese Photography from Postwar to Now at SFMOMA

Tsunehisa Kimura, Americanism, 1982; photomontage; 15 1/4 x 19 1/4 in. (38.74 x 48.9 cm); promised gift of a private collection to the San Francisco Museum of Modern Art; © Estate of Tsunehisa Kimura

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Max Blue assesses Japanese Photography from Postwar to Now at SFMOMA. When viewing any retrospective of work, patterns emerge. Visiting Japanese Photography from[…..]

From the Archives – Vesna Pavlović: LOST ART at Zeitgeist Gallery

Vesna Pavlović. Video Still, May 25, 1979, Television, Belgrade. 2015. Endura metallic print. 20.5 x 14 inches. Image courtesy of the artist and Zeitgeist Gallery (Nashville, TN).

“Instability, fragmentation, and brokenness”—these words could easily refer to the current global political situation, yet here they specify the 20th-century regime of Josep Broz Tito, a Yugoslavian revolutionary whose later presidential reign was marked by repression and human-rights violations. In street protests, as in galleries and museums, citizens around the world are turning to imaginative expressions of their fears and objections, and we are reminded of the[…..]

#EVIDENCE: Anouk Kruithof at Casemore Kirkeby

Anouk Kruithof. #EVIDENCE; 2017. Exhibition installation. Courtesy of Casemore Kirkeby.

#EVIDENCE, the current solo exhibition by Dutch-born, Mexico City–based artist Anouk Kruithof at Casemore Kirkeby Gallery, presents a sprawling series of related bodies of work inspired by Larry Sultan and Mike Mandel’s 1977 book, Evidence. Kruithof’s range of photo-based works, made mostly in 2015, do not replicate or repeat Sultan and Mandel’s project, but rather carry it forward through strategies that are carefully calculated to[…..]

Activestills: Photography as Protest in Palestine/Israel

In a new book, the esteemed photojournalist Miki Kratsman describes the uneasy recognition by some former students at Tel Aviv’s Geographic Photography College in 2005: The relationship between photojournalists and media outlets was rapidly shifting in a direction that did not favor visual storytellers, as online platforms achieved supremacy and content demands increased exponentially. From their insecurity sprang Activestills, a collective of dedicated photographers whose[…..]