Posts Tagged ‘Photography’

Diane Arbus: In the Beginning at the Met Breuer

Diane Arbus. Lady on a Bus, N.Y.C. , 1957; gelatin silver print; 14 x 11 in. Courtesy of The Met Breuer. © The Estate of Diane Arbus, LLC.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Henry Rittenberg reviews Diane Arbus: In the Beginning at the Met Breuer in New York. I was not even a full sentence[…..]

Summer Session – Exposed: Voyeurism, Surveillance, and the Camera Since 1870

Alison Jackson. The Queen plays with her Corgies, from the series Confidential, 2007; chromogenic print; 16 x 12 in. Courtesy the Artist and M+B Gallery, Los Angeles. © Alison Jackson.

For today’s Summer Session topic of celebrity, we bring you Genevieve Quick’s review from our sister publication Art Practical of the 2010 SFMOMA exhibition Exposed, a show on the history of photography and the camera. Our contemporary fascination with celebrities is heavily shaped by the photographic medium, and Exposed explored some of the earliest iterations of the iconic paparazzi shot that is a quintessential celebrity experience. This review was originally published[…..]

Summer Session – Akram Zaatari at SFMOMA

As part of this month’s Summer Session regarding the theme of labor, today we bring you a video clip from our friends at SFMOMA. Artist Akram Zaatari describes the work of Hashem el Madani, the first person to own a 35mm camera in Saïda, Lebanon. Zaatari calls Madani the “photographer of the working class,” whose studio both documented daily life in the city and became an important[…..]

Summer Session – Ewan Gibbs at SFMOMA

Ewan Gibbs, San Francisco, 2009; graphite on paper, 11 11/16 x 8 1/4 in.; Commissioned by SFMOMA; © Ewan Gibbs; photo: courtesy the artist and Timothy Taylor Gallery, London

Today from our friends at SFMOMA, we bring you a short video of Ewan Gibbs discussing the concept and labor of the drawings he completed for his 2009 exhibition at the museum. Daily Serving also conducted an interview with the artist that year, and we invite you to read it for a deeper understanding of how the artist came to use these techniques.

The Power of Pictures: Early Soviet Photography and Film at Frist Center for the Arts

Arkady Sheikhet. Assembling the Globe at the Moscow Telegraphic Central Station, 1928; Gelatin silver print; 17 ¾ x 13 3/8 in. Collection of Alex Lachmann. Courtesy of Nailya Alexander Gallery.

The Power of Pictures: Early Soviet Photography and Film presents a dynamic portrait of one of the most significant narratives in the history of 20th-century avant-garde art, and examines the vital place of still and moving images in the creation of early Soviet history and national identity. Originally organized by the Jewish Museum in New York under the curatorial vision of Jens Hoffmann, this exhibition[…..]

Carmen Argote: Mansión Magnolia at Shulamit Nazarian

Carmen Argote. Black Chairs, 2016; archival inkjet print; 58 x 80 in. Courtesy of the Artist and Shulamit Nazarian.

Expressions of both individual psychology and grand family histories are easily found in the architecture of a past home. These two narratives are counterintuitive yet closely related. When a family invests in a house, apartment, or some shared space, its interiors, like one’s mind, can feel simultaneously claustrophobic and inexhaustibly complex, and revisiting a former home can bring up fraught confrontations with descendants and sentimentality.[…..]

Robert Mapplethorpe: The Perfect Medium at the Getty and LACMA

Robert Mapplethorpe. 
Joe, N.Y.C., 1978 (from The X Portfolio);
selenium toned gelatin silver print mounted on black board; image: 7 11/16 × 7 11/16 in. Jointly acquired by the J. Paul Getty Trust and the Los Angeles County Museum of Art; partial gift of The Robert Mapplethorpe Foundation; partial purchase with funds provided by the J. Paul Getty Trust and the David Geffen Foundation, 2011.9.41.6 © Robert Mapplethorpe Foundation

Robert Mapplethorpe is forever associated with scandals that erupted at the Corcoran Gallery of Art and the Contemporary Art Center Cincinnati, as well as the crippling drawdown of federal funding that rendered the National Endowment for the Arts a casualty of the late-1980s culture wars. More recently, Mapplethorpe, or the foundation that bears his name, made headlines with two significant acquisitions made by the J.[…..]