Posts Tagged ‘Photography’

Female Gazing: Interview with Ana Álvarez-Errecalde

Ana Álvarez-Errecalde. The Four Seasons Series: Symbiosis, 2013-2014. © Ana Álvarez-Errecalde.

Today from our friends at Guernica, we present an interview with Argentinian artist Ana Álvarez-Errecalde. Author Bryony Angell talks with the artist about challenging the conventional portrayal of motherhood, her early career as a documentary filmmaker, and primal super identities. This article was originally published on February 1, 2016. Through the eyes of women artists, motherhood is increasingly a subject of contemporary art. For the Argentine-born artist Ana Álvarez-Errecalde, motherhood was the very impetus for[…..]

Salt/Water at the Photographic Center Northwest

Daniel Hawkins. Union Bay #5, 2013; C-print; 8 x 10 inches. Courtesy of the Artist.

Salt and water: an amalgamation of fundamental, life-sustaining compounds that evokes the sea, sweaty human excretions, and the makings of primordial soup. Independently innocuous, it is the combination of salt and water that produces something transformative—a substance potentially electric and corrosive. It is the coming together of salt and water that sparked the concept for Salt/Water, an exhibition of contemporary photography on view at the[…..]

Fan Mail: Eva Voutsaki

Eva Voutsaki. From the Traces Within series, 2006-2016. Courtesy of the Artist.

Mythology, memory, and a fascination with the nocturnal are some of the underlying themes in Eva Voutsaki’s photographs. Originally from Drakona, a small village on the island of Crete in Greece, the artist documents and commemorates the unique way in which she understands her ongoing experience as a “modern immigrant.” Now living in Brighton, UK, Voutsaki grapples with notions of migration and belonging, and the[…..]

Fan Mail: Karen Ostrom

Karen Ostrom. The Execution, 2005; chromogenic print; 30 x 30 in. Courtesy of the Artist.

Holiday in Hope is the name of the fictional fishing village created by Brooklyn-based, Canadian-born artist Karen Ostrom. Conceived in 2001 in the form of photographic tableaus, the village primarily exists through the depiction of various characters that inhabit it. Holiday in Hope is manifested in threads and series; it’s an implied space that harbors references to communities transformed by industrialization, the erosion of traditional[…..]

Paul Graham: The Whiteness of the Whale

Paul Graham. New Orleans (Cherries), 2005. Courtesy of the Artist and Pier 24 Photography, San Francisco.

By further playing up these perspectives through the massive scale of the photographs, Graham leaves a viewer feeling uncomfortable about accepting these imposing yet generic visualizations of economic standing.

Leif Anderson: TATTARRATTAT at Melanie Flood Projects

Leif Anderson. Purple Slurry, 2015; installation view, TATTARRATTAT, 2015. Courtesy of the artist and Melanie Flood Projects. Photo: Worksighted.

The word “Tattarrattat” was first birthed in James Joyce’s 1922 novel, Ulysses. It’s the longest palindromic word in English literature and an unmistakable onomatopoeia that takes inalienable form only in a moment we can collectively imagine: a furious rapping at the door. Such phrases within Joyce’s Ulysses and Finnegans Wake make him a legend amongst Modernist writers who are trepidatious about inventing words where none[…..]

Sheila Pree Bright: 1960Now at the Museum of Contemporary Art of Georgia

Sheila Pree Bright. BringIt, 2015; chalkboard. 1960Now, installation view, The Museum of Contemporary Art of Georgia. Courtesy of the Artist.

1960Now, on view at the Museum of Contemporary Art of Georgia, is an expansion of photographer Sheila Pree Bright’s continued interest in naming and documenting the unknown leaders of African American social movements: the influential agitators, groundbreakers, and activists whose names might not have been Rosa, Martin, or Malcolm. In her latest photographic project, Bright points to a new generation of faces experiencing frustrations and[…..]