Posts Tagged ‘Photography’

Shotgun Reviews: Sean McFarland at Stephen Wirtz Gallery

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Danica Willard Sachs reviews Sean McFarland’s Glass Mountains at Stephan Wirtz Gallery in San Francisco. For Sean McFarland, there’s no such thing as a straight photograph. In[.....]

Tracey Moffatt: Spirit Landscapes at Tyler Rollins Fine Art / Spectrum Queer Media at New Parkway Theater

AS I LAY BACK ON MY ANCESTRAL LAND NO. 2, TRACEY MOFFATT, 2013
DIGITAL PRINT
49 X 72 IN. (125 X 184 CM), EDITION OF 8

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. This week, we have two Shotgun Reviews for our readers! In the first, Bansie Vasvani reviews Tracey Moffatt’s Spirit Landscapes at Tyler Rollins Fine Art in New York City. In the second, Felicia Hayes[.....]

Fashion Photographer Treats Old Negatives With Chemicals To Create Surreal Distortion

High Society,

From our friends at Beautiful/Decay, today we bring you a look at the chemically manipulated photographs of Rohn Meijer, whose work combines happy accidents with a trash-to-treasure approach to art making. Author Jené Gutierrez notes: ”Meijer claims that 90 percent of each batch he creates is trashed, but apparently he has a large arsenal of film that he doesn’t mind tossing, as they were most likely going to end up[.....]

Clarissa Bonet’s Somber Reconstructions Of The Urban Landscape

Clarissa Bonet. City Space, n.d.; photograph, 24×30, edition of 6. Courtesy of the artist.

Today from our friends at Beautiful/Decay we bring you the photography of Clarissa Bonet. Author Victoria Casal-Data notes, “One of the most interesting elements in this body of work is [Bonet's] ability to transfer what would seem to be a mundane act on the streets to a scene that speaks of the human psyche, and emotion in general.” This article was originally published on October[.....]

Rinko Kawauchi at Aperture Gallery

In Japanese, the word ametsuchi contains two characters, side by side. Together, they mean heaven and earth and make up the title of the oldest pangram in Japanese—a bare-bones chant that contains only six lines but, somehow, also includes every character in the Japanese syllabary. Japanese photographer Rinko Kawauchi borrows the title and theme of this ancient poem in her latest body of work, currently[.....]

Tim Lee in Conversation with Joseph del Pesco at Kadist

Today we bring you a video of artist Tim Lee in conversation with Joseph del Pesco, director of Kadist Art Foundation in San Francisco. Lee, who is based in Vancouver, discusses his thoughts and processes as he re-creates a Warhol photograph from 1980: “It’s always…how can I articulate my artistic identity through others…what are some of the dissonances and what are some of the continuities?”  

Fan Mail: Tara Sellios

Tara Sellios. Untitled No. 3 (from the series Lessons of Impermanence), 2009; digital C-prints; 40 x 60 in. Courtesy of the artist.

The still life is an artistic form that has captured the interest of Pieter Aertsen, Pieter Claesz, Diego Velázquez, Eugène Delacroix, and Giorgio Morandi, to name just a few. Boston-based artist Tara Sellios has also delved deeply into the construction of the still life and the ideas often associated with it—life, death, the question of permanence, and the intricate use of symbolism. What makes Sellios’s[.....]