Posts Tagged ‘Photography’

The Raw and the Resplendent: Kathryn Parker Almanas at Yellow Peril Gallery

Visceral, bracing, potent, Kathryn Parker Almanas’s Pre-Existing Condition, currently on view at Yellow Peril Gallery, is a collision of sensory extremes and formal nuances. In large-scale color photographs and small-scale collage works, the artist pictures and probes the physical body, both its corporeal effusions and existential implications. The result is an intensely vital, deeply disorienting study of being, sensation, and the intersection of inner and outer[.....]

Supertheory of Supereverything: Interview with Eric William Carroll

GUT FEELING Installation Photos-5 RE-EDIT

Like many in the scientific community, Eric William Carroll is searching for an ultimate theory of everything, but he’s doing so in a slightly different way. For G.U.T. Feeling, the current exhibition at Highlight Gallery, Carroll utilized aspects of the scientific method in combination with personal associations to create a series of collages, photographs, and sculptures that expose the unexpected, overlooked, and sometimes comically dubious connections in[.....]

#Hashtags: Photographing the Invisible: LaToya Ruby Frazier at Brooklyn Museum

Huxtables, Mom, and Me

#visibility #labor #institutions #class #race #access Photographer LaToya Ruby Frazier makes her New York solo debut with A Haunted Capital, a tightly crafted, personal-is-political installation at the Brooklyn Museum. The artist’s hometown of Braddock, a forgotten steel mill town in Allegheny County, Pennsylvania, is marked by a geography of postindustrial degradation. An outsider might take a social documentary approach to Braddock’s history and current woes. As an insider, Frazier documents that[.....]

With Cinder Blocks We Flatten Our Photographs at Romer Young Gallery

With Cinder Blocks we Flatten our Photographs, installation view, Romer Young Gallery, San Francisco, 2013. Courtesy of Romer Young Gallery.

With Cinder Blocks We Flatten Our Photographs, currently on view at Romer Young Gallery, includes work by San Francisco artists C. Wright Daniel, Pablo Guardiola, Jonathan Runcio, and Emma Spertus; the Los Angeles–based John Pearson; and New York–based artists Deric Carner and Letha Wilson. The press release notes as precedent curator Peter C. Bunnell’s Photography into Sculpture exhibition, mounted in 1970 by the Museum of Modern[.....]

Close to Home: Tom Wood at Thomas Erben Gallery

Tom Wood. Untitled, 1985; C-print, edition of 7 (+2 AP). Image courtesy of the artist and Thomas Erben Gallery, New York.

Empathy may not be one of the first words people associate with modern documentary photography, but Ireland-born photographer Tom Wood has it in spades. Wood, who currently resides in North Wales, lived for twenty-five years in Merseyside, a seaside county in North West England, and photographed local residents in portraits that are relatable, real, and fundamentally sympathetic toward their subjects. Though he is often compared[.....]

Change Over Time: Richard Misrach at Pace MacGill

Richard Misrach. Untitled (February 14, 2012 6:15 PM), 2012. Pigment print mounted to aluminum. 79 3/8 x 106 inches.

California-based photographer Richard Misrach first emerged on the American art scene in the 1970s, praised for his pioneering use of color film and large-scale prints. He spent the next four decades of his career using these techniques to document the fragile relationship between man and the environment, paying special attention to decaying, off-kilter landscapes. His photographs of former nuclear test sites in Nevada and Utah,[.....]

Claire Falkenberg’s Painted Apparitions

Claire Falkenberg, Cloud, 2010. Oil on C-print, 29 x 30 inches

As part of our ongoing partnership with Beautiful/Decay we bring you the painted photographs of Claire Falkenberg. Falkenberg, who lives in Brooklyn, exhibited her work in a solo show entitled Threshold at Katharine Mulherin Contemporary Art Projects in Toronto earlier this year. The article was written by Larissa Erin Greer and originally published on May 23, 2013. With a toxic mix of oil-based paint, the[.....]