Posts Tagged ‘Poland’

Halka/Haiti: The Polish Pavilion at the 56th Venice Biennale

C.T. Jasper, Joanna Malinowska. Halka/Haiti. 18°48’05”N 72°23’01”W. Polish Pavilion. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photo by Sara Sagui. Courtesy: la Biennale di Venezia.

On a dirt road surrounded by low buildings, the inhabitants of a remote village in Haiti gather for an unusual purpose. A cohort of Haitian musicians with string and brass instruments sit on folding chairs, tuning their instruments. At the center of this panoramic view are three performers, incongruous for their obvious European-ness, and for their 18th-century period dress. The orchestra commences, and the performers[…..]

Queering the Archive: When a Personal Act of Collecting Turns Political

Karol Radziszewski. Kisieland, 2012 (film still); High definition video; 30:00. Courtesy of the artist.

Today we bring you Queering the Archive: When a Personal Act of Collecting Turns Political, an article on queer art and activism in Eastern Europe recently featured on our sister site, Art Practical. Author Ela Bittencourt notes, “Kisiel’s slides…reverse the commonly accepted notion that there was no room for individual expression, least of all same-sex eroticism, in communist Eastern Europe. At the same time, their secretive circulation[…..]

Psychopaper at Piktogram

Ewa Ciepielewska (Luxus), untitled, 1984, watercolor, 99 x 68 cm. Courtesy of Piktogram/BLA, photo:

At 6 a.m. on December 13, 1981, General Wojciech Jaruzelski appeared on Polish television to declare martial law in effect throughout the country. Following his edict, for the next two and a half years citizens were stripped of their civil liberties: All borders and airports were closed, public gatherings were banned, independent organizations were declared illegal, and travel between cities required permission.* Curfew was imposed, and[…..]

British British Polish Polish at the Centre for Contemporary Art Ujazdowski Castle

Konrad Smolenski. Rysunek (Drawing), 2001; color video, sound, 3 min 30 sec.

Now on view at the Centre for Contemporary Art Ujazdowski Castle in Warsaw, British British Polish Polish is a comprehensive—nearly overwhelming—exhibition with works by more than 60 artists occupying two floors. Though the individual pieces of the show are often thrilling, their overall placement leaves much to be desired. According to curators Marek Goździewski and Tom Morton, the exhibition is meant to reflect “the extraordinary[…..]

LUXUS Magazine at Wrocław Contemporary Museum

LUXUS. Hydro-electric Installation, 2013; mixed media, LUXUS Magazine; Photo: Michal Wisniowski.

The art scene in Wrocław, Poland, seems especially taken with collectives at the moment. While the Awangarda Gallery recently brought in work by Russian group Chto Delat, this city has its own rich history of collectives tied heavily to tumultuous sociopolitical events of the past. The groups Orange Alternative and LUXUS developed concurrently out of the revolutionary 1980s—spurred on by student protests and the Solidarity resistance movement—with[…..]

Chto Delat: To Negate Negation

Chto Delat

On June 4, I was reminded of a critical moment in history when the eyes of the world were turned towards Poland and the Eastern Bloc. This date marks the anniversary of the first democratic election in Poland; and with its celebration, a cautious optimism pervades the formerly communist country as various events—such as the premiere of the documentary film Eastern Europe Strives for Freedom—take a[…..]

Living at the Movies: Interview with Lukasz Jastrubczak

The-End-21

I was originally scheduled to interview Lukasz Jastrubczak in Poland last summer, but as I researched his background and projects I discovered that he was going to be in San Francisco in the fall on a residency at the Headlands Center for the Arts. Jastrubczak is a thoughtful artist, working his way through multiple concepts at once to make art that is both complex and[…..]