Posts Tagged ‘practice’

Locating Technology: Raiders and Empires

Stephanie Syjuco. RAIDERS: International Booty, Bountiful Harvest (Selections from the Collection of the A____ A__ M_____) (installation view), 2011; digital archival photo prints mounted onto laser-cut wood, hardware, crates; dimensions variable. Courtesy of the Artist and Catharine Clark, San Francisco.

From our partners at Art Practical, today we bring you Genevieve Quick’s most recent “Locating Technology” column, a consideration of artist Stephanie Syjuco’s process and practice: “[Syjuco] prompts viewers to consider more broadly the legality and ethics of museums’ collections, and suggests that museums are institutions of cultural appropriation.” This article was originally published on October 27, 2015. Much of the history of museum collections is related to[…..]

From the Archive – Help Desk: A Spark in the Dark

Rezi van Lankveld.

As our intrepid columnist continues to traverse through Warsaw, we bring a piece of advice for all those that are finding their way in through the muddy path we call “art.” If you’re stumbling through the dark or feeling alone in your efforts, keep your chin up! Let this be the light to guide your way. Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here.

From the Archive – Help Desk: Giving Up?

Thomas Demand, Copyshop, 1999. C-print, 72 1/4 x 118 1/4 inches

Make sure that this is a well-considered course of action and not just a mid-life-crisis maneuver that ends in remorse.

Help Desk: A Spark in the Dark

Rezi van Lankveld.

Help Desk is an arts-advice column that demystifies practices for artists, writers, curators, collectors, patrons, and the general public. Submit your questions anonymously here. All submissions become the property of Daily Serving. Help Desk is co-sponsored by KQED.org. I graduated from college about a year ago, and have been pursuing art passionately and persistently ever since. My work is well received, and I’ve participated in shows,[…..]