Posts Tagged ‘public art’

Sculptures and People

Gordon Newell. Valley Landing, (date unknown); installation view, Fulton Mall (Fresno, CA). Photo: Elena Harvey Collins, 2016

Today we bring you an Elena Harvey Collins essay from our sister publication, Art Practical. Harvey Collins explores the genius loci of the Fulton Mall in Fresno, California, its history and redevelopment, and the public artworks that surround it. She says “The mall had the feeling of a permanent film set made for the performance of civic life—one steeped in magical realism. ‘I woke up feelin’[…..]

Interview with Gabriela Golder

Gabriela Golder and Mariela Yeregui. Escrituras, 2014-2016; neon installation; variable dimensions. Photo: Alejandro Lipszyc

A series of neon signs appears over the urban landscape of Benito Pérez Galdós Avenue in La Boca, a working-class neighborhood located in the south of Buenos Aires. The poetic messages address territory, identity, and change: “Volvernos invisibles” [To become invisible], “El terreno se vuelve a mover” [The ground is moving again], and “El silencio es imposible” [Silence is impossible]. Despite the anonymity that public[…..]

#Hashtags: Water Water Everywhere

Teresa Margolles. La Sombra (The Shade), 2016; concrete veneer on wood. Artwork commissioned by City of Los Angeles Department of Cultural Affairs (DCA) for CURRENT:LA Water. Photo by Panic Studio LA.

#environment #conservation #access #resources #water #public art #civic art #biennials Los Angeles is a metropolis built on a delusion: that engineering can overcome a basic lack of sufficient resources to meet the popular need. Five years into a severe drought, one would think conservation would be on everyone’s mind, but the clean cars and green lawns all around town suggest otherwise. To increase discussion of[…..]

Molly Dilworth: 2421 Miles at ALL RISE

Molly Dilworth. 2421 Miles, 2015; Courtesy of ALL RISE. Photo: Max Cleary

“When I worked for the Seattle Times fifteen years ago, our building overlooked this lot,” remarked Molly Dilworth during a recent artist talk. Her project, 2421 Miles, is a 52,000-square-foot earthwork (organized in collaboration with ALL RISE) located on a vacant city block in the heart of downtown. Returning to the site this spring was a homecoming of sorts for the Brooklyn-based artist. The ALL[…..]

A Queen and a Stone

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L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley The word stature is one of those that’s meaning and sound do not completely agree. Say “stature,” and it sounds like you mean something serious, like stature is the same as status: “Her stature alone commands attention”; “He was a man of great stature.” But of course, someone could have small, wimpy[…..]

Open Engagement: Art + Social Practice

Last week the Open Engagement Conference gathered artists, critics, curators and one museum director to discuss an emergent field, Art and Social Practice. It was organized by Portland State University’s Art and Social Practice faculty Jen Delos Reyes and Harrell Fletcher along with their MFA students. This is the third iteration of the conference and it featured Julie Ault, Fritz Haeg, and Pablo Helguera – all[…..]

Summer of Utopia: Interview with Ted Purves

Today, DailyServing continues our 7-day summer series, Summer of Utopia, where we investigate seven different artists who either employ or interrupt ideas of utopia. Full disclosure: Ted Purves was the first person I met at the California College of the Arts and—despite the fact that I don’t work in relational aesthetics—one of the reasons I decided to apply to their graduate program.  He is the[…..]