Posts Tagged ‘race’

Cullen Washington Jr.: The Land Before Words at 808 Gallery

Untitled #4
2013
Canvas, paper, tape, found materials
7.5 x 7

From our friends at Big Red & Shiny, today we bring you a review of Cullen Washington Jr.’s paintings at 808 Gallery at Boston University’s College of Fine Arts. Author Shawn Hill points out, “Washington has embraced the American tradition of the readymade (Duchamp) and junk art (Kienholz) in creating these paintings, which draw from the past but refer to the still-charged state of race relations and[.....]

30 Americans at the Contemporary Arts Center, New Orleans

In a nod to Linda Nochlin’s famous query, Michele Wallace asked, “Why are there no great black artists?”[1] 30 Americans is the response to this question, a beautiful, rambunctious show that gathers the work of 31 African American artists. Unfortunately, 30 Americans, similar to Thelma Golden’s Freestyle in 2001, is not about a specific curatorial theory or thought, but rather a placing of African American[.....]

#Hashtags: Whose Museum Is It Anyway?

Installation view of Mike Kelley at MoMA PS1, 2013. Photo: Matthew Septimus.

#access #institutions #race #class #performance #intersectionality Two major New York exhibitions this winter have raised the question of access to contemporary art and museums in important and divergent ways. Radical Presence: Black Performance in Contemporary Art at the Studio Museum in Harlem continues reframing the historical narrative to include African Americans, as begun in Part 1 at NYU’s Grey Art Gallery. Mike Kelley’s sprawling retrospective[.....]

Best of 2013 – #Hashtags: On the Political in Art

As we continue our Best of 2013 series, today’s pick comes from Bean Gilsdorf, who writes, “As the managing editor of Daily Serving, I get to work with over thirty super-talented authors from around the world, so it’s very hard for me to select just one article for this series. However, I really appreciate the energy that Anuradha Vikram has brought to writing and editing our[.....]

#Hashtags: The Ethnicity Exhibition

Lorraine O’Grady. Untitled (Mlle. Bourgeoise Noire and her Master of Ceremonies enter the New Museum),
1980–83, printed 2009. Gelatin silver print. 7 1/4 x 9 1/4 in. Courtesy the artist and Alexander Gray Associates, New York.

#race #ethnicity #gender #institutions #access #identity Since the Civil Rights Era, it has become commonplace for marginalized ethnic communities to instate their own institutions of sociological and cultural study such as university Ethic Studies departments and museums like Brooklyn’s Museum of Contemporary African Diaspora Arts. In the face of extreme prejudice and exclusion from the discourses of history and art, many have felt the necessity[.....]

#Hashtags: Divide//Conquer: Artists Confront the Gentrification of Urban Space

Mail Order Brides/M.O.B. (Jenifer Wofford, Reanne Estrada, Eliza Barrios). Manananggoogle, 2013. Multimedia installation including website and photographs. Commissioned by the San Jose Museum of Art with support from The James Irvine Foundation and MetLife Foundation.

#gentrification #displacement #race #class #technology #industry #neo-colonialism Any conversation among artists these days is bound to turn to the question of gentrification—the process of urban renewal by private developers that ultimately displaces poor residents in favor of the upwardly mobile. Modernism in art has always accompanied displacement of poor citizens from city centers, from the time of the Impressionists when Georges-Eugène Haussmann refashioned Paris, to[.....]

#Hashtags: The Art of Conquest

Key Lime

#institutions #race #jeffreydeitch #elibroad #lacma #moca #manifestdestiny #americanexpansionism Los Angeles museums have recently demonstrated the old adage that “nothing endures but change.” Since 2006, Michael Govan has been in charge of transforming the Los Angeles County Museum of Art from a Victorian-style encyclopedic museum into a powerhouse for contemporary art. During his tenure, Govan has recruited top American curators, including Franklin Sirmans and Christine Y. Kim, from privately endowed museums to his massive[.....]