Posts Tagged ‘Ratio 3’

Miriam Böhm: At On at Ratio 3

Miriam Böhm. Equally III, 2015; chromogenic print; 23 x 29 in. Courtesy of the Artist and Ratio 3, San Francisco.

From our partners at Art Practical, today we bring you a review of Miriam Böhm’s current solo show at Ratio 3 in San Francisco. Author Danica Willard Sachs notes that the work has “a surreal dimensionality, with lines and planes that intersect in unusual ways, suggesting a simultaneous depth and flatness that refuses to resolve neatly into one or the other.” This article was originally published on April 14,[…..]

A Pattern Language at CULT // Green Circle Black Diamond at Ratio 3

Lena Wolff. O San Francisco, 2014; paper quilt with hand-cut and painted papers; 45 x 45 in. Courtesy of the Artist and CULT: Aimee Friberg Exhibitions.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. Today we bring you two reviews written by our summer interns: First, Deidre Foley considers A Pattern Language: Michelle Grabner, Angie Wilson, and Lena Wolff at CULT; next, Audrey Weber assesses the exhibition Green Circle Black Diamond at Ratio 3 in San Francisco. We thank these two[…..]

Geof Oppenheimer: Monsters at Ratio 3

Geof Oppenheimer. The Embarrassing Statue, 2014; electroplated steel, Husqvarna 150BT, marble, Brooks Brothers pants, plaster bandages, and MDF; 101 x 33 x 33 in. Courtesy of the Artist and Ratio 3, San Francisco.

From our partners at Art Practical, today we bring you author Danica Willard Sachs‘ review of Geof Oppenheimer‘s Monsters at Ratio 3 in San Francisco. This article was originally published on June 18, 2014.   Geof Oppenheimer’s current solo exhibition at Ratio 3, Monsters, continues his investigation of the physical markers of violence. In previous exhibitions, such as Inside Us All There Is a Part That Would Like to[…..]

Ryan McGinley: YEARBOOK at Ratio 3

Ryan McGinley. YEARBOOK, Installation view, Courtesy the artist and Ratio 3.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses (250–400 words) to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Danica Willard Sachs reviews Ryan McGinley’s YEARBOOK at Ratio 3 in San Francisco. For his latest project, YEARBOOK (2013), Ryan McGinley has wallpapered the interior of Ratio 3 from[…..]

Ara Peterson: Wavepacks at Ratio 3

Ara Peterson. Untitled, 2013; wood and acrylic paint, 40 x 68 x 4 inches.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses (250–400 words) to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Grace Momota reviews Ara Peterson’s Wavepacks at Ratio 3 in San Francisco. While walking the most congested streets of the Mission District, one would never think to find a[…..]

Lutz Bacher at Ratio 3

LBacher-Installation-Ratio3_2012-11

  With Lutz Bacher‘s exhibition, San Francisco’s Ratio 3 creates a stark contrast to the surrounding neighborhood. Once the gallery’s heavy black doors close behind you, the vivid colors of Mission Street are abruptly shut off. The jagged, cavernous space is given over to stark black and white, or, to be more precise, irregular spatters of black on a white or light grey surface. The first thing one notices are small[…..]

The Part That Would Like to Burn Down Our Own House

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Recently in the San Francisco Bay Area it has been impossible to walk down a street without running into (or trying to avoid) someone protesting something. The messages range from concise to ironic, sardonic to flat-out fed up. In the undulating sea of abridged manifestos, there is the rare message so poignant that it demands the sign-bearer’s cause receives deeper consideration. Geoff Oppenheimer’s current exhibit[…..]