Posts Tagged ‘representation’

Question Bridge: Black Males in America

Question Bridge: Black Males in America (Aperture/Campaign for Black Male Achievement, 2015)

Today we bring you an excerpt from Art Practical’s Printed Matters column. Roula Seikaly reviews Question Bridge: Black Males in America, the published companion to a project, platform, and installation that regards identity and representation. Seikaly notes, “Asking a question […] can be difficult; it can imply lack of knowledge and experience, rendering the asker vulnerable. No one wants to be caught out, least of all when the questions address identity, community, and most urgently,[…..]

Kehinde Wiley: A New Republic at Seattle Art Museum

Kehinde Wiley. Mrs. Waldorf Astor, 2012; oil on linen; 72 x 60 inches. © Kehinde Wiley.

A New Republic at Seattle Art Museum is Kehinde Wiley’s second solo exhibition organized by the Brooklyn Museum. In his brief fifteen-year career, Wiley has quickly become an established cultural trope. His works have adorned the set of Empire and served as icons of the FIFA World Cup. His portraits of Black men and women are at once celebrated as a vision of Black empowerment[…..]

MN Original: Greta McLain

McLain

Today from our friends at MN Original, we bring you an inspiring video on Greta McLain and her work with murals and communities. The artist says, “The mural is not making the change. The mural is making the connections and the relationships, and standing as a suggestion of where this neighborhood or community is going.” The video was originally published on February 14, 2014.

Fan Mail: Lorella Paleni

Lorella Paleni. In Reverse, 2014; acrylic and oil on canvas; 42 x 48 inches. Courtesy of private collector.

Lorella Paleni is always creating something that exists just over the horizon of awareness. Her works comprise a series of visual heuristics to nowhere, showing the viewer a picture plan filled with rich colors that simultaneously push into and out of each painting. But instead of resolving compositional elements into a defined image, the elements of her style culminate in a delicately constructed form of[…..]

Fan Mail: Rachel Foster

Rachel Foster. Smoke Signals, 2015; screen-print; 12.5 x 19 inches. Courtesy of the Artist.

Rachel Foster’s work inhabits an enigmatic territory in which image and object merge. Her screen prints are composed with subtle colors, unexpectedly cropped images, and positive and negative space. Her prints float at the edge of representation, showing just enough detail to be recognizable while retaining a sense of mystery. Smoke Signals (2015) achieves a ghostly afterimage effect by leaving space for the viewer to[…..]

Fan Mail: Jered Sprecher

Jered Sprecher. Water & Logic, 2014; oil on jute; 56 x 46 inches. Courtesy of Gallery 16.

For artist Jered Sprecher, painting is a medium for conveying the tensions between the abstract and the concrete. His works are balanced between the painterly and the conceptual; in the catalog for his 2014 exhibition Stacking Stones at Gallery 16 in San Francisco, Sprecher wrote: “When I work I want to create paintings that surprise, paintings that can hold competing ideas but not contain them.”[…..]

Ayana V. Jackson: Archival Impulse at 33 Orchard

Ayana V. Jackson. Prototype/ Phenotype, 2013; archival pigment print; edition of 6 and 3 artist proofs; 39.4 x 45.5 in.

Ayana V. Jackson’s exhibition An Archival Impulse claims to take inspiration from Hal Foster’s idea that, through confronting the archive, new systems of knowledge can be created. Jackson’s artistic interrogation targets representations of non-European bodies during the 19th and 20th centuries, a period of significant colonial expansion in Africa and the Americas. This history of representation comprises a vast field of imagery and thousands of[…..]