Posts Tagged ‘San Francisco’

Takeshi Murata: 1000 Years

Takeshi Murata. Seahorse, 2017; pigment print; 29 x 40 inches. Courtesy of Ratio 3.

Computer-generated images saturate our media, from films to advertisements to video games. However, rarely do we think of these images singularly—most commonly we encounter them within the context of their media environments. In 1000 Years, Takeshi Murata’s fifth solo show at Ratio 3 gallery, the artist asks viewers to consider these images in isolation, outside of their complex digital environments. Murata uses 3D-modeling software to[…..]

Generation to Generation: Inherited Memory and Contemporary Art

Nao Bustamante. Kevlar Fighting Costumes, 2015; protective Kevlar® wearable fighting costumes (set of 5), Dimensions variable. Courtesy of the artist. Photo by Dale Griner.

From Generation to Generation: Inherited Memory and Contemporary Art at the Contemporary Jewish Museum explores Marianne Hirsch’s work on “postmemory,” which posits that even without direct experience, we identify so strongly with some historic events and ancestral stories that we take them as our own. Hirsch’s work and the exhibition examine the role of imagination within memory and the way that it shapes contemporary identity.[…..]

From the Archives — From Two Arises Three at the Asian Art Museum

Today we bring you Jing Cao’s Shotgun Review of From Two Arises Three, which featured the collaborative work of Arnold Chang and Michael Cherney. As the author describes, the artists crossed divides of medium, culture, and even time period as they redefined and reformed traditional Chinese landscape paintings in their own unique visual language. Sometimes, pausing to reflect upon moments of connection is worth the reminder[…..]

A Matter of Fact: Toyin Ojih Odutola at Museum of the African Diaspora

Toyin Ojih Odutola. The Marchioness, 2016; charcoal, pastel, and pencil on paper; 77 x 50 inches (paper), 83 3/8 x 65 7/8 x 2 inches (framed). Courtesy the artist and Jack Shainman Gallery, New York.

In A Matter of Fact at San Francisco’s Museum of the African Diaspora, Toyin Ojih Odutola presents an elaborately conceived and completely imaginary history of the UmuEze Amara clan, as chronicled in a series of portrait drawings in pastel, charcoal, and pencil. A wall text in the main gallery states that these works were selected from the family’s extensive holdings of art and antiquities by[…..]

Best of 2009 – Moby Dick

Moby Dick at the Wattis Institute, 2009.

We are looking back on a decade of Daily Serving’s greatest hits, and today’s selection comes from Shotgun Reviews editor Jen Stager: “‘This great white interior was empty even when it was full, because most of what was in it didn’t belong in it and would soon be purged from it. This was people, mainly, and what they brought with them from outside,’ wrote David[…..]

Bruce Conner: It’s All True

Bruce Conner. UNTITLED, from MANDALA SERIES, 1965; felt-tip pen on paper; 10 x 10 in. Courtesy San Francisco Museum of Modern Art.

Among the works at the threshold of Bruce Conner: It’s All True, a massive retrospective at the San Francisco Museum of Modern Art (SFMOMA), PRINTS (1974) is atypical even for the protean artist.[1] Consisting of a steel lockbox containing photographs, documents, and fingerprints, PRINTS records a protracted dispute between Conner and San Jose State University, which had invited him to teach in its art department.[…..]

Fiamma Montezemolo: The Secret at Kadist, San Francisco

Fiamma Montezemolo. Neon Afterwords (The Secret installation view), 2016; LED lights and text. Courtesy of the Artist and Kadist, San Francisco. Photo: Jeff Warrin.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Leila Easa reviews Fiamma Montezemolo: The Secret at Kadist in San Francisco. Like many other fascinating thought exercises, artist and anthropologist Fiamma[…..]