Posts Tagged ‘San Francisco’

Interview with Anthony Huberman

Joan Jonas. Still from 
Volcano Saga, 1985/2011; 28 min, color, sound.

Anthony Huberman was appointed the director of the CCA Wattis Institute in August of 2013, but only really started reshaping the institution this fall with an intriguing—and fairly democratic—strategy for presenting and thinking about contemporary art. As the founding director of the Artist’s Institute in New York, Huberman has worked with artists such as Robert Filliou, Rosemarie Trockel, Haim Steinbach, and Thomas Bayrle, and will be[…..]

José León Cerrillo and Ilja Karilampi at Kiria Koula

José León Cerrillo and Ilja Karilampi, 2014; installation view, Kiria Koula, San Francisco. Courtesy of the Artists and Kiria Koula.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Marion Cousin reviews  José León Cerrillo and Ilja Karilampi at Kiria Koula in San Francisco. Founded by Colombian curator Juana Berrío and Mexican duo Leticia Vilalta and Rodrigo[…..]

Interview with Asha Schechter

Schechter-Tabari

From our friends at Kadist Art Foundation in San Francisco, today we bring you a conversation between artist Asha Schechter and Kadist’s director of collections, Devon Bella. This unique interview also features an animation by Yashar Tabari underscoring Schechter’s discussion of “the simultaneity of images… You can’t really see one image without seeing another.”

Amber Cowan: Second-Life Glass at the Museum of Craft and Design

Amber Cowan. Gray 80, 2014; flame-worked glass; 64 x 28 x 4 in. Courtesy of the Artist and Museum of Craft and Design. Photo: Amber Cowan.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Sienna Freeman reviews Amber Cowan: Second-Life Glass at the Museum of Craft and Design in San Francisco. Upon entering the Museum of Craft and Design’s current exhibition, Amber Cowan:[…..]

Transformations – Death, Breakage, and the Unexpected

David Ireland. Angel-Go-Round, 1996; fiberglass, cast concrete figures and motor; 180 x 191 x 191 in. Courtesy of di Rosa collection, Napa. Photo: Israel Valencia.

Today from our partners at Art Practical, we bring you a recent installment of “Notes from di Rosa,” a column produced in conjunction with Art Practical’s yearlong residency at the museum. In this edition, author Terri Cohn explores the collection and its legacy. This article was originally published on October 8, 2014. Beautiful, bucolic, and quiet, di Rosa stretches out over its 200 acres with obvious and[…..]

Landscape: The Virtual, The Actual, The Possible? at Yerba Buena Center for the Arts

Changi, Singapore

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Scott Norton reviews Landscape: The Virtual, The Actual, The Possible? at Yerba Buena Center for the Arts in San Francisco. For much of art history, seventeenth-century[…..]

Matt Borruso: Wax House of Wax at Steven Wolf Fine Arts

Matt Borruso. Forming, 2012–14; installation view, Wax House of Wax, 2014; plastic, Plexiglas, glass, mirrors, cut paper, ceramic, unfired clay, silicone, wax, talc, lenticular photographs, holograms, wood, tape, rubber bands, linen, concrete, steel, elastic, books, magazines, airbrush paint, inkjet prints, transparencies, posters, wallpaper; 120 x 42 x 61 in. Courtesy of the Artist and Steven Wolf Fine Arts, San Francisco.

Today from our partners at Art Practical, we bring you a review of Matt Borruso’s recent solo show Wax House of Wax, which closes today at Steven Wolf Fine Arts in San Francisco. Author Danica Willard Sachs notes, “Like a Surrealist, Borruso manipulates the banal, challenging viewers to see the horror underlying the everyday.” This review was originally published on October 23, 2014. In Wax House[…..]