Posts Tagged ‘San Francisco’

Summer Session – Ewan Gibbs at SFMOMA

Ewan Gibbs, San Francisco, 2009; graphite on paper, 11 11/16 x 8 1/4 in.; Commissioned by SFMOMA; © Ewan Gibbs; photo: courtesy the artist and Timothy Taylor Gallery, London

Today from our friends at SFMOMA, we bring you a short video of Ewan Gibbs discussing the concept and labor of the drawings he completed for his 2009 exhibition at the museum. Daily Serving also conducted an interview with the artist that year, and we invite you to read it for a deeper understanding of how the artist came to use these techniques.

Summer Session – Proximities 3: Import/Export at the Asian Art Museum

Imin Yeh, Paper Bag Project, 2013; Handmade paper bag; 15 x 12 x 6 in. Courtesy of the Artist.

From our sister publication Art Practical, today we bring you the next installment of our Summer Session—for June, we’re considering the idea of labor. Author Heidi Rabben assesses the exhibition Proximities 3: Import/Export at the Asian Art Museum in San Francisco and notes that it “provocatively address[es] the larger issue of material and immaterial labor across transactional flows.” This article was originally published on February 17, 2014. Proximities 3:[…..]

F.T.P: For the People at Galería de la Raza

Fanny Aishaa. Elsipogtog, 2003; print based on original oil painting; 36 x 48 in. Courtesy of the Artist and Galería de la Raza, San Francisco. Photo: Henry Pacheco.

 Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Ángel Rafael Vázquez-Concepción reviews F.T.P: For the People at Galería de la Raza in San Francisco.   At Galería de la Raza in the Mission District[…..]

Take This Hammer: Art + Media Activism from the Bay Area at Yerba Buena Center for the Arts

Take This Hammer: Art + Media Activism from the Bay Area, installation view, Yerba Buena Center for the Arts. Left: Oree Originol. Justice for Our Lives, 2014-ongoing. Right: Cat Brooks with Black Lives Matter. Anti Police-Terror Project, ‘Tasha,’ 2015. Courtesy of Yerba Buena Center for the Arts, San Francisco. Photo: Charlie Villyard.

Today from our sister publication Art Practical we bring you editor Emily Holmes’ review of Take This Hammer at YBCA in San Francisco. Holmes notes, “Although there is crossover between works, particularly in regard to the social issues they address, violence is perhaps the single thread running through all of Take This Hammer. […] It takes many forms, but the exhibition particularly exposes systemic inequities and state-sanctioned[…..]

From the Archives – Time After Time: The Clock at SFMOMA

Christian Marclay, video still from The Clock, 2010; single-channel video with stereo sound, 24 hours; courtesy the artist and Paula Cooper Gallery, New York. All photos from Christian Marclay: The Clock; San Francisco Museum of Modern Art

In June 2013, the San Francisco Museum of Modern Art closed its doors to begin a massive expansion project. This weekend is the first public reopening of the museum, which now holds the status of the largest museum (by square footage) dedicated to modern art. Today we bring you a flashback to those last few hours at SFMOMA three years ago, when Christian Marclay’s The Clock[…..]

From the Archives – Weaving, Not Cloth: Mark Bradford at SFMOMA

Mark Bradford, Potable Water, 2005; billboard paper, photomechanical reproductions, acrylic gel medium, and additional mixed media; 130 x 196 inches; collection of Hunter Gray; © Mark Bradford; photo: Bruce M. White

We always like to see artist Mark Bradford’s name pop up in the press. Of course, there’s the fantastic news that Bradford will be representing the U.S. in this year’s Venice Biennale, in addition to last week’s cheekily delivered critique of art auctions (while onsite at Christie’s). Today, we’re republishing Bean Gilsdorf’s meditations on the tactility of Bradford’s work in relation to textiles. This article[…..]

Gabrielle Teschner: In the Offing at Irving Street Projects

Gabrielle Teschner. In the Offing, 2016; installation view. Courtesy of the Artist and Irving Street Projects.

Today from our partners at Art Practical, we bring you Vanessa Kauffman’s review of Gabrielle Teschner’s In the Offing at Irving Street Projects in San Francisco. The author notes, “Teschner’s works epitomize a high standard of craft, but by the same turn they destabilize ready-made, rigid perceptions of architectural perfection.” This article was originally published on March 29, 2016. “The offing” is the farthest point the eye can see when[…..]