Posts Tagged ‘San Francisco’

Sara VanDerBeek: Ancient Objects, Still Lives at Altman Siegel Gallery

Sara VanDerBeek. Chorerra, 2014; Digital c-print, 24 x 18 1/4 in; Edition of 6 plus 2 AP. Image courtesy of the Artist and Altman Siegel, San Francisco.

From our partners at Art Practical, today we bring you Danica Willard Sachs’ assessment of Sara VanDerBeek’s solo show Ancient Objects, Still Lives at Altman Siegel Gallery in San Francisco. Willard Sachs notes that the work “…suggest[s] that the past and present are not so easily partitioned when placed under VanDerBeek’s careful aesthetic watch.” This article was originally published on July 21, 2014. Sara VanDerBeek’s photographs in her latest exhibition Ancient Objects, Still[…..]

Artist Project: Mediated Morandi

Michelangelo Antonioni. La Notte, 1961 (film still); 02:02:00. Courtesy of Nepi Film and Lopert Pictures Corporation (USA).

From our partners at Art Practical, today we bring you Mediated Morandi, a project by Will Brown—the moniker of the San Francisco-based collective of Lindsey White, Jordan Stein, and David Kasprzak. This essay was commissioned by guest editor Jonn Herschend as part of Issue 5.5, Slapstick and the Sublime, and originally published on July 10, 2014. Will Brown is a collective that experiments with various modes of exhibition making while researching and manipulating histories as a part[…..]

Anthony Friedkin: The Gay Essay at the de Young Museum

Anthony Friedkin.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Susannah Magers reviews Anthony Friedkin: The Gay Essay at the de Young Museum in San Francisco.   The first question a show about documentary work made more[…..]

Southern Machine Exposure Project Event #14: Josh Greene’s Audio Tour

In celebration of American Independence Day, today we bring you a video from our friends at Machine Project in Los Angeles. In 2012, Machine Project teamed up with Southern Exposure—another great independent art space—to program a series of performances and events throughout the city. Artist Josh Greene made this museum-style audio tour for the home of Maria Mortati & Mark Glusker, allowing visitors intimate access to[…..]

Geof Oppenheimer: Monsters at Ratio 3

Geof Oppenheimer. The Embarrassing Statue, 2014; electroplated steel, Husqvarna 150BT, marble, Brooks Brothers pants, plaster bandages, and MDF; 101 x 33 x 33 in. Courtesy of the Artist and Ratio 3, San Francisco.

From our partners at Art Practical, today we bring you author Danica Willard Sachs‘ review of Geof Oppenheimer‘s Monsters at Ratio 3 in San Francisco. This article was originally published on June 18, 2014.   Geof Oppenheimer’s current solo exhibition at Ratio 3, Monsters, continues his investigation of the physical markers of violence. In previous exhibitions, such as Inside Us All There Is a Part That Would Like to[…..]

Public Intimacy: Art and Other Ordinary Acts in South Africa at Yerba Buena Center for the Arts

Mikhael Subotzky and Patrick Waterhouse, Ponte City, 2008-ongoing; installation view, Yerba Buena Center for the Arts, San Francisco. Courtesy of Yerba Buena Center for the Arts and San Francisco Museum of Modern Art. Photo: Ian Reeves.

From our partners at Art Practical, today we bring you Larissa Archer‘s review of Public Intimacy: Art and Other Ordinary Acts in South Africa, currently on view at the Yerba Buena Center for the Arts in San Francisco. The review highlights the work of photographers Mikhael Subotzky and Patrick Waterhouse, whose portraits, video projects, and zines reveal the lives of the residents living in a famous Brutalist building in Johannesburg. This article[…..]

Interview with Matt Lipps

Today from our friends at Kadist Art Foundation we bring you part one of a two-part video interview with artist Matt Lipps. Lipps has a solo show, The Populist Camera, at Jessica Silverman Gallery, now on view in San Francisco. In his talk with Kadist’s Director of Collections, Devon Bella, Lipps explains, “I effectively broke every rule of Photoshop that I have my students not do.”  […..]