Posts Tagged ‘Sculpture’

Elad Lassry at David Kordansky Gallery

Elad Lassry. Untitled (Carrier, Carrots), 2015; Claro walnut, paint, varnish; 48 x 20 x 16 in. Courtesy of David Kordansky Gallery. Photo: Fredrik Nilsen.

Elad Lassry’s latest exhibition at David Kordansky commingles two groups of seemingly disparate works: highly wrought wooden sculptures, carved from single slabs of dark walnut, and dated commercial photographs, which have been intervened upon with materials such as acrylic paint, colored wires, and beads. The show attempts to bridge the gap between the two bodies of works by engaging the issue of pictorial representation as[…..]

Fan Mail: Victor Solomon

Victor Solomon. You Know I Gotta Show Out, 2015; glass, mirror, lead, 24K gold-plated high polish steel, wood, Swarovski crystal; 44 in x 40 in x 20 in. Courtesy of the Artist.

For a year, Victor Solomon apprenticed with stained-glass masters who taught him everything he needed to know about this oft-forgotten craft. Solomon is not a stained-glass artist, and though he doesn’t particularly aspire to be one, an idea took a hold of him and compelled him to take up this traditional medium. Literally Balling is an ongoing project in which the San Francisco-based artist explores[…..]

Vesna Pavlović: LOST ART at Zeitgeist Gallery

Vesna Pavlović. Video Still, May 25, 1979, Television, Belgrade. 2015. Endura metallic print. 20.5 x 14 inches. Image courtesy of the artist and Zeitgeist Gallery (Nashville, TN).

Oscillating between archival research, anthropological studies, conceptual photography, and documentary film, Lost Art—Zeitgeist Gallery’s current exhibition of the work of Vesna Pavlović—examines the artist’s deep engagement with institutional resources, specifically slides and photographic ephemera culled from university libraries and the Museum of Yugoslav History in Belgrade, Serbia. Founded in 1996, the museum is the result of the integration of two other institutions: the Museum of[…..]

Chen Zhen: Without Going to New York and Paris, Life Could Be Internationalised at Rockbund Art Museum

Chen Zhen, Purification Room, 2000 - 2015. found objects, clay, approx 850 x 1100 x 450cm, image courtesy Rockbund Museum and Galleria Continua, San Gimignano/Beijing/Les Moulins

Chen Zhen, who died (much too young) in Paris in 2000, was a significant artist with a hybrid Chinese and European identity. Although after 1986 he essentially lived and worked in Paris, his personal history and deep cultural roots lay in China, and specifically in Shanghai. From the mid-1990s he returned over and over to a city on fast-forward. Shanghai was undergoing a massive, controversial transformation,[…..]

Davina Semo: APPROACH OR ENTER at CAPITAL

Davina Semo. SHE FOUGHT WITH THE KID WHO THREW ROCKS AT HER DOG, 2015; leather, pigmented reinforced concrete, waxed steel chain; 18 x 18 x 2 1/2 in. Courtesy of the Artist and CAPITAL, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Colin Fernandes reviews Davina Semo: APPROACH OR ENTER at CAPITAL in San Francisco. APPROACH OR ENTER, the title of Davina Semo’s solo show at Capital Gallery,[…..]

Something to Take My Place: The Art of Lonnie Holley at the Halsey Institute of Contemporary Art

Lonnie Holley. Blood on the Shoes of a Civil Rights Worker, 2005; installation view, Something to Take My Place, 2015. Courtesy of the artist and the Halsey Institute of Contemporary Art, Charleston, SC. Photo: Rick Rhodes.

“I am an artist of America,” declared Lonnie Holley during a talk for the opening of his exhibition at the Halsey Institute of Contemporary Art in Charleston, South Carolina. This self-identification was Holley’s response to being labeled a folk artist throughout his career. While the visibility of his work may have suffered due to this label—his most recent solo museum show was in 1994—Holley proves[…..]

Mona Hatoum at ICA Boston

Mona Hatoum. Natura morta (Edwardian vitrine), 2010; Murano glass and cabinet; 54 ½ x 24 x 11 ¾ inches. The Institute of Contemporary Art, Boston. Gift of Barbara Lee, The Barbara Lee Collection of Art by Women. Courtesy of Alexander and Bonin. Photo: Joerg Lohse.

Mona Hatoum’s solo exhibition, currently on view at Boston’s Institute of Contemporary Art, is made entirely of newly gifted works from philanthropist and political activist Barbara Lee. The Barbara Lee Family Foundation is focused on advancing female representation in politics. Lee is a major supporter of Hilary Clinton, in addition to being a collector who has shifted her focus exclusively to female artists. At the[…..]