Posts Tagged ‘Sculpture’

Alyson Shotz: Force of Nature at the Halsey Institute of Contemporary Art

Invariant Interval, 2013; installation view, Alyson Shotz: Force of Nature, 2015. Courtesy of the Halsey Institute of Contemporary Art, Charleston, SC. Photo: Rick Rhodes.

The desire to create forms via chance and natural phenomena is reflected in the works in Alyson Shotz: Force of Nature at Halsey Institute of Contemporary Art in Charleston, South Carolina. Despite a disparate range of formats, including porcelain sculpture, complex wire installations, and color aquatints, this exhibition brings together a wide array of works that originate from a process-based practice and share connections to[…..]

Mark Mothersbaugh: Myopia at the Minneapolis Institute of Arts

Mark Mothersbaugh. My Little Pony, 2013; ceramics; 53 x 59 x 33 in. Courtesy of the artist and the Minneapolis Institute of Arts.

The Minneapolis Institute of Arts (MIA) is a timeless sort of place. Sure, its first floor boasts an urban-inspired coffee bar with contemporary furnishings that gesture toward the present day, but the galleries tell a different story of time altogether. From costumes to hand-painted ceramics, ritual objects to period rooms, the MIA offers abstract snapshots of other places and other times, mixing centuries and geographies[…..]

Hao Ni: Ghost Hit Wall at Yellow Peril Gallery

Hao Ni. window IV, 2015 (detail); windows, stickers, tape, paper, spray paint on glass, acrylic paint on plastic; 48 x 60 x10 in. Courtesy of the Artist.

To enter Hao Ni’s exhibition Ghost Hit Wall, currently on view at Yellow Peril Gallery in Providence, Rhode Island, is to step into a space where the familiar becomes strange and the strange becomes eerily, disconcertingly familiar. Bracingly present yet vaguely surreal, the works—ranging from painting and sculpture to video and mixed-media installation—are installed as a cohesive whole. Yet, as this incisive exhibition makes clear, cohesion[…..]

Leo Saul Berk: Structure and Ornament at Frye Art Museum

Leo Saul Berk. Structure and Ornament, 2014; plywood, acrylic; 120 x 213 x 59 in. Courtesy of the Artist. Photo: Mark Woods.

Can architecture transform lives? Can it transform us? These questions lay the foundation for Structure and Ornament, a solo exhibition of work by Seattle-based artist Leo Saul Berk, on view at Frye Art Museum. Presented in a meandering array of multimedia sculpture, site-specific installation, and video with sound, Berk’s ongoing series is a reflection on his childhood home in Aurora, Illinois—a site formative to his personal and artistic growth. In the[…..]

Simon Denny: The Innovator’s Dilemma at MoMA PS1

Simon Denny. New Management, 2014; installation view, Portikus, Frankfurt. Photo: Helena Schlichting. Courtesy of the Museum of Modern Art.

Startup culture is ripe for satire. The tech industry’s social and economic dominance makes it a necessary target, and its penchant for jargon-heavy, wildly inflated rhetoric makes it an easy one. Mike Judge’s HBO sitcom, Silicon Valley, deftly picks the low-hanging fruit, but it hardly needs to. The elevator pitches of most weak-to-average startups on the venture-capital trail, quixotically ascribing revolutionary potential to the most[…..]

Interview with Erica Prince

Some Sense of Comfort With Some Sense of Confusio​​n​, 2014​, (performance still). Courtesy of AUX Performance Space, Philadelphia​.​

Canadian artist Erica Prince would not appreciate the Mattel playhouse I had as a kid, filled with floral furniture, plastic appliances, and female dolls to ensure that the household was running smoothly. Prince’s version, recently on view in Philadelphia, is my playhouse’s conceptual opposite—and that’s a wonderful thing. Prince is more inspired by science fiction than by domesticity. Her sculptures, installations, and drawings have a[…..]

Beverly Buchanan: And You May Find Yourself… at Andrew Edlin Gallery

Beverly Buchanan. Old Colored School, 2010; wood and paint; 20.25 x 14.75 x 18.5 in (51.4 x 37.5 x 47 cm). Courtesy Andrew Edlin Gallery.

Though certainly no stranger to the art world, Beverly Buchanan has followed an unusual trajectory in her career and public profile as an artist. Born in 1940 in North Carolina, and raised in South Carolina, she spent much of her childhood accompanying her father, an agricultural scientist, while he visited sharecroppers in far-flung locations throughout the rural South, observing the lives and structures they made[…..]