Posts Tagged ‘Sculpture’

Blanking Out: Will Rogan at Altman Siegal Gallery

Jazz great Miles Davis once said, “Music exists in the spaces between the notes.” Language provokes us to name and describe empty spaces—like those that exist at the intersection of thought and memory. In Blanking Out, Will Rogan’s exhibition at Altman Siegel Gallery, a combination of sculptures and two-dimensional works reveals that the negative spaces are as important as the objects that create them. In[.....]

Laughter in the Dark: Diego Perrone at Casey Kaplan Gallery

Diego Perrone. Detail view. Idiot's mask (Adolfo Wildt), 2013. Airbrush on PVC. 77.75 x 248.75" / 197.5 x 631.8cm. All images courtesy Casey Kaplan.

The leering white faces watch from the walls. They follow you from room to room, vacant eyes staring out from behind their grotesque masks. Though the lower part of their jaws are missing—unhinged—their slit-like eyes and upturned mouths indicate that the figures are consumed with mirth. We see the same white mask over and over, but from various angles: on its side, in three-quarter profile,[.....]

Agostino Bonalumi: The Glass of Shadows

When Lucio Fontana published his Spazialismo series in the 1940s, a fundamental reiteration of this theory was that matter should be transformed into energy to invade space in a dynamic form. In essence, only the conceptually abstract offered the freedom within linear space to explore ideas about movement and time in art. Fontana’s slash series went on to demonstrate this idea, where linear slashes and[.....]

Kate MccGwire: Glamorous Bait for a Merciless Trap

What sort of cold-blooded beast is this? Measuring ten meters long and towering overhead, a muscled, thick mass covered in iridescent black feathers swirls around itself and then dives into itself. Snaking out of the wall as if from a hell-like sewer, Gyre twists with the writhing energy of a sex-drunk lover. Seductive and nightmarish, intricately beautiful and somehow dangerous, the massive sculpture captures the[.....]

Ronald Ventura: Recyclables

Ronald Ventura’s latest suite of works, produced at the Singapore Tyler Print Institute, examines how humanity relates to the environment, and how we often leave in our wake, a trail of destruction. Recyclables is Ventura’s show of lithographs, cast paper sculptures and paper relief on canvas produced from the discarded waste of urbanity, which he has recycled into a visual mélange of apocalyptic tales drawn[.....]

Brush It In

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Wafts of ginger and cilantro from the nearby Vietnamese eateries swirls around the propelling bus exhaust as I walk through London’s funky Shoreditch on an overcast day. Though I (embarrassingly) have not yet visited before, the unexpected island of pristine glass of the Flower’s Gallery is not hard to miss among the rickety cheap shoe shops and tabacs littered with half-shredded ice cream posters. A[.....]

Joel Morrison at Gagosian Hong Kong

Joel Morrison, The Reaganomic Youth (version 2), 2012. Stainless steel, 28 1/2 x 18 x 22 1/2 inches (72.4 x 45.7 x 57.2 cm), Ed. of 3. Photo by Erich Koyama.

In his first solo exhibition in Asia at the Gagosian gallery in Hong Kong, Joel Morrison presents a reasonably entertaining series of recent works that challenges formalist sculpture while engaging in a constant critique of art historical directions. Drawing on readily-available objects utilised in daily life, Morrison’s composite sculptures begin as disparate Duchampian readymades: weather balloons, bullets, mannequin busts and shopping carts, just to list[.....]