Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Max Blue assesses Japanese Photography from Postwar to Now at SFMOMA. When viewing any retrospective of work, patterns emerge. Visiting Japanese Photography from[…..]
Posts Tagged ‘SFMOMA’
Among the works at the threshold of Bruce Conner: It’s All True, a massive retrospective at the San Francisco Museum of Modern Art (SFMOMA), PRINTS (1974) is atypical even for the protean artist. Consisting of a steel lockbox containing photographs, documents, and fingerprints, PRINTS records a protracted dispute between Conner and San Jose State University, which had invited him to teach in its art department.[…..]
For today’s Summer Session topic of celebrity, we bring you Genevieve Quick’s review from our sister publication Art Practical of the 2010 SFMOMA exhibition Exposed, a show on the history of photography and the camera. Our contemporary fascination with celebrities is heavily shaped by the photographic medium, and Exposed explored some of the earliest iterations of the iconic paparazzi shot that is a quintessential celebrity experience. This review was originally published[…..]
The theme of this month’s Summer Session is celebrity, and today we’re thinking about how celebrity narratives can offer different possibilities for contextualizing our current moment. In a video from our friends at SFMOMA, artist Judy Chicago talks about her installation The Dinner Party (1974–79), in which she creates a banquet both to honor female heroes throughout Western history and to provide an alternative historical record that acknowledges[…..]
For this Summer Session we’re thinking about celebrity, and therefore also its opposite: anonymity. Today we bring you a video clip from our friends at SFMOMA of Glenn Ligon on his 1997 exhibition Glenn Ligon: Day of Absence. Here, Ligon presents his subjects as generic figures, their faces turned away from the camera or out of frame, in order to play with the idea of[…..]
As part of this month’s Summer Session regarding the theme of labor, today we bring you a video clip from our friends at SFMOMA. Artist Akram Zaatari describes the work of Hashem el Madani, the first person to own a 35mm camera in Saïda, Lebanon. Zaatari calls Madani the “photographer of the working class,” whose studio both documented daily life in the city and became an important[…..]
Today from our friends at SFMOMA, we bring you a short video of Ewan Gibbs discussing the concept and labor of the drawings he completed for his 2009 exhibition at the museum. Daily Serving also conducted an interview with the artist that year, and we invite you to read it for a deeper understanding of how the artist came to use these techniques.