Posts Tagged ‘Shotgun Reviews’

Ehren Tool: One Death Is a Tragedy at Pro Arts Gallery

Ehren Tool’s cup-throwing demonstration; Frank Ogawa Plaza, Saturday, Oct. 11, 2014; Pro Arts Gallery, Oakland, California. Courtesy of the Artist and Pro Arts Gallery. Photo: Amanda N. Simons.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Amanda N. Simons reviews Ehren Tool’s solo exhibition One Death Is a Tragedy at Pro Arts Gallery in Oakland, California. Ehren Tool’s 2 x 2 Solos[.....]

From Two Arises Three at the Asian Art Museum

Michael Cherney and Arnold Chang. After Huang Gongwong 4, 2009 (detail); photographic inkjet print and ink on paper. From the collection of Akiko Yamazaki and Jerry Yang. Courtesy of the Artist and Asian Art Museum. Photo: Jing Cao.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Jing Cao reviews FromTwo Arises Three: The Collaborative Works of Arnold Chang and Michael Cherney at the Asian Art Museum in San Francisco. Chinese landscape painting is[.....]

Mungo Thomson: Wall, Window, or Bar Signs at Kadist Art Foundation

Mungo Thomson. My Name as Written by Bruce Nauman, 2014; neon, 60 x 120 in. Courtesy of the Artist and the Kadist Art Foundation, San Francisco. Photo by Jeff Warrin.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Melissa Miller reviews Mungo Thomson’s Wall, Window, or Bar Signs at Kadist Art Foundation in San Francisco. In Mungo Thomson’s solo exhibition[.....]

Issei Suda: Life in Flower 1971–1977 at Miyako Yoshinaga

Oume 1977

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Bansie Vasvani reviews Issei Suda: Life in Flower 1971–1977 at Miyako Yoshinaga in New York City. Using a medium-format camera, Issei Suda’s square-shaped black-and-white[.....]

Cynthia Ona Innis: Shift at Traywick Contemporary

Cynthia Ona Innis.
 Shift, 2014; acrylic and satin on canvas; 
45 x 50 in. Courtesy of the Artist and Traywick Contemporary, Berkeley.

Our partners at Art Practical are celebrating their sixth annual Shotgun! issue, so today we bring you Maria Porges’ review of Cynthia Ona Innis: Shift at Traywick Contemporary in Berkeley, California. This article was originally published on September 25, 2014. Rather than being representations of place, Cynthia Ona Innis’ paintings are evocations of the experience of landscape. Innis favors locations where change is visible and constant—like Iceland, where she visited a year[.....]

Carving Through Borders at Galería de la Raza

Oree Originol. Untitled, 2014; wood, ink, and paper; 7 x 3 ft. Courtesy of the Artist and Galería de la Raza, San Francisco.

Congratulations to our partners at Art Practical on their sixth annual issue of Shotgun Reviews! Today’s review is from Matthew Harrison Tedford, who offers an assessment of the exhibition at Galería de la Raza in San Francisco: “At a time when the U.S. political system is failing to address immigration and when millions of American families risk being uprooted, Carving Through Borders offered a much-needed platform for conversation.” This article[.....]

Kenturah Davis: Narratives and Meditations at Papillion

Kenturah Davis. Narrative IV, 2014; grease pencil on paper, Wenge wood box; 75 x 54 in. Courtesy of the Artist and Papillion, Los Angeles.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Anna Martine Whitehead reviews Kenturah Davis: Narratives and Meditations at Papillion in Los Angeles. As an artist playing with the limits of realism, Kenturah Davis points to[.....]