Posts Tagged ‘Shotgun Reviews’

Daniel Dallabrida: Building the Noble Ruin at the Anderson Art Ranch

Daniel Dallabrida. Upon Reflection (Life) Fraternitas Misericordia in pace prima del diluvio / At Peace Before the Deluge, 1964–2015; Edition of 15. 100 x 132 in. Courtesy of the Artist and Anderson Art Ranch.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Kristin Carlson reviews Building the Noble Ruin at the Patton-Malott and Gideon Gartner Galleries of Anderson Art Ranch in Snowmass Village, Colorado.  Excavated from iconic gay culture[…..]

Oscar Muñoz: Sedimentaciones at the University of South Florida Contemporary Art Museum

Oscar Muñoz. Sedimentaciones, 2015; installation view. Courtesy of the Artist, the University of South Florida Contemporary Art Museum, Tampa, and the Ella Fontanals-Cisneros Collection, Miami.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Danny Olda reviews Oscar Muñoz: Sedimentaciones at the University of South Florida Contemporary Art Museum in Tampa.  The gallery is dark save for the surface of three[…..]

Living with Endangered Languages in the Technological Age at Root Division Gallery

Tessie Barrera Scharaga. Nahua-Pipil, the Forbidden Language of El Salvador, 2014; Mixed media installation, 
10 x 7 x 11 ft.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Nancy Garcia reviews Living with Endangered Languages in the Technological Age at Root Division in San Francisco. In Living with Endangered Languages in the Technological[…..]

Pierre Huyghe at LACMA

Pierre Huyghe. This is not a Time for Dreaming, 2004 (film still); transferred from 16mm film, 24:00; Courtesy of the Artist and Marian Goodman Gallery, Paris/New York. Photo by Michael Vahrenwald.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Scott Norton reviews Pierre Huyghe’s solo exhibition at the Los Angeles County Museum of Art. Entering the retrospective exhibition Pierre Huyghe at the Los Angeles[…..]

LOSTBOY: CORE at Betti Ono Gallery

LOSTBOY. Clusters, 2014; pen on paper; 26 x 19.75 in. Courtesy of the Artist and Betti Ono Gallery, Oakland.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Indira Allegra reviews LOSTBOY’s solo exhibition at Betti Ono Gallery in Oakland, California. LOSTBOY’s ink-drawn organisms multiply, sometimes expressed as rhizomes across the border of[…..]

David Ryan at MCQ Fine Art

David Ryan. (Untitled), 2014; Sintra construction with hand painting; 8 3⁄4 x 16 1⁄2 x 1⁄4 in.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Dawn-Michelle Baude reviews David Ryan’s current solo show at MCQ Fine Art in Las Vegas. David Ryan’s first solo exhibition in Las Vegas pushes into fresh terrain.[…..]

Best of 2014 – Shotgun Reviews: From Two Arises Three at the Asian Art Museum

Michael Cherney and Arnold Chang. After Huang Gongwong 4, 2009 (detail); photographic inkjet print and ink on paper. From the collection of Akiko Yamazaki and Jerry Yang. Courtesy of the Artist and Asian Art Museum. Photo: Jing Cao.

As we continue our look back over the year, today’s Best of 2014 selection comes from Kara Q. Smith, who writes, “Shotgun Reviews are one of my favorite ways to hear about exhibitions from near and far. They are a way for those who aren’t regular contributors to Art Practical and Daily Serving to publish with us. Jing’s review lucidly weaves descriptions with analysis, allowing[…..]