Posts Tagged ‘simulacra’

From the Archives – Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery

Anthony Discenza.

Fiamma Montezemolo’s The Secret just opened at Kadist SF, and Montezemolo’s solo show has us thinking about books, selves, and Borges. Just as Montezemolo deploys redaction of and extraction from Jorge Luis Borges’ short story “The Anthropologist” to draw us into The Secret, so did Anthony Discenza create what has been described as a Borgesian universe (that leads off with a quotation from Borges) of[…..]

Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery

Today from our partners at Art Practical, we bring you Maria Porges’ review of Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery in San Francisco. The author notes, “Achieving a successful understanding of the many layers [of the exhibition] yields a devious satisfaction.” This article was originally published on March 22, 2016. When or why does art become the idea of art:[…..]

Fan Mail: Laura Moore

Laura Moore.  One Man's Junk, (ongoing series) 2014; hand carved Indiana Limestone; dimensions variable. Courtesy of Paul Cimoroni.

From the height of a pedestrian bridge over a railroad track in Toronto, artist Laura Moore saw the remains of a computer monitor gazing screen- or face-up at her from the tracks. The happenstance experience provoked a number of questions about contemporary society’s rapidly changing relationship and progressive entanglement with technology. Mainly the artist wondered: Why was this monitor marched up a steep set of[…..]

Michael Craig-Martin: Objects of our Time at Alan Cristea Gallery

(from left to right) Michael Craig-Martin. Objects of our Time: Takeaway coffee, 2014; Objects of our Time: Memory stick, 2014; both works, series of 12 screenprints, edition of 50; 50.0 x 50.0 cm. Courtesy the Artist and Alan Cristea Gallery. NPC.

Is a glass of water just a glass of water? Consider it for a fraction of a second and suddenly the glass of water carries a lot of Kosuthian baggage—the mind attaches a label to it, compares it to an ideal, then judges its function, and its value changes. Deconstruct the contextual outcome of that mental layering, and the glass of water not only offers[…..]

Sturtevant: Leaps Jumps and Bumps at Serpentine Gallery

Sturtevant. Sex Dolls, 2011; installation view, Sturtevant: Leaps Jumps and Bumps, 2013; Courtesy Serpentine Gallery, London. Photo: Jerry Hardman-Jones

It’s nearly impossible to talk about a show of Sturtevant’s work and have it understood. Like a book, you have to start at the beginning. The key to Sturtevant is context. In 1964’s New York City, Elaine Sturtevant sent shock waves through the art world when she started making replicas of the work of her contemporaries. For this, she received a tremendous amount of crap. The[…..]