Posts Tagged ‘Sound Art’

Más Allá del Sonido [Beyond the Sound] at MUNTREF

Edgardo Rudnitzky. Border Music, 2016; steel, iron, barbed wire (custom made), 4 melodikons, wooden resonators, bronze, motor; 78.7x5.9 in. Courtesy of MUNTREF. Photo: Tania Puente.

Built in Buenos Aires during the first decade of the 20th century and active until 1952, the Hotel de Inmigrantes (Immigrants’ Hotel) was an immigrant checkpoint and a temporary shelter for exiles and expatriates from overseas. Today, the historic building fosters the National Direction of Migration and the Universidad Nacional de Tres de Febrero Museum, Centro de Arte Contemporáneo (MUNTREF). Within the building’s aseptic white[…..]

Best of 2015 – Arachnid Orchestra. Jam Sessions at NTU Centre for Contemporary Art Singapore

Tomás Saraceno, Cloud Cities, installation view, image courtesy Berlin Art Link

As we continue our look back over the year, today’s Best of 2015 selection comes from regular contributor Tori Bush: “Marilyn Goh’s review of Tomás Saraceno’s Arachnid Orchestra poetically explores the interspecies beauty found in spiderwebs’ organic forms, but also reveals a deeper truth about the act of creation—the chaos and conformity of art found also in nature: ‘The web begins with a single thread flung into[…..]

Janet Cardiff: The Forty Part Motet at Fort Mason Center for Arts & Culture

Janet Cardiff. The Forty Part Motet, 2001; installation view, Gallery 308, Fort Mason Center for Arts & Culture, San Francisco, 2015. Courtesy of Fort Mason Center for Arts & Culture and San Francisco Museum of Modern Art. Photo: JKA Photography.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Henry Rittenberg reviews Janet Cardiff: The Forty Part Motet at Fort Mason Center for Arts & Culture, co-presented by San Francisco Museum of Modern Art, in San Francisco. Spem in[…..]

Tomás Saraceno: Arachnid Orchestra. Jam Sessions at NTU Centre for Contemporary Art Singapore

Tomás Saraceno, Omega Centauri 1 Nephila Kenianensis 4 Cyrtophora citricola, 2014; Spidersilk, carbon fibre, light, Tripod. Courtesy of the artist and Esther Schipper Gallery, Berlin.

The gallery hums with screechy sounds resembling acoustic feedback, punctuated by random bursts of bass and cartoonish sound effects. The soundscape is queasily amorphous and disorienting, built on dissonance and the chaotic rhythms resonating from a handful of arachnids that have woven fine, thick webs around delicate wire frames. Featuring a plethora of spiderweb sound installations, Tomás Saraceno’s latest show Arachnid Orchestra. Jam Sessions is[…..]