Posts Tagged ‘Stephanie Syjuco’

#Hashtags: The Global in the Local

Wendelien van Oldenborgh. La Javanaise, 2012. Film production still. Photo by Bárbara Wagner.

#globalization #museums #access #representation #decolonization #history A recent conference at the Stedelijk Museum in Amsterdam, “Collecting Geographies—Global Programming and Museums of Modern Art,” invited participants to question the responsibilities accrued to arts institutions when they present works of global cultural production as a response to market interest. Each of the topics raised by these questions—globalization, colonial collections, and the critical history of the museum among[.....]

#Hashtags: Culture, Class, and the New Economy

Stephanie Syjuco. Bedazzle a Tech Bus (I Mock Up Your Ideas): Anna Gray and Ryan Wilson Paulsen "Class War" Bus, 2014. Digital image. Submission to Mission Local's "Bedazzle a Tech Bus" Call for Entries.

#access #technology #gentrification #class #labor #place The recent election of Mayor Bill de Blasio in New York was hailed by many as a sign that the trend of economic displacement in major American urban centers was coming to an end. De Blasio ran on a progressive platform of government that serves the neediest, rather than campaign donors, and won handily on that message despite the[.....]

#museumpractices: The Museum on My Mind, Part III

Marksfi

Wall labels. Curatorial text. Provenance. Titles (or un-titles, as the case may be). At what point do the words surrounding an artwork serve the work, and at what point do they disrupt it? In terms of the museum, specifically, when do explanatory labels benefit museum-goers, and when do they detract from an individual’s experience? This week, #Hashtags features Part III of The Museum On My[.....]

Counter-invasion: Stephanie Syjuco at Catharine Clark

Over a lifetime of visiting museums, you learn that all souvenirs have a price point, from the dollar-fifty commemorative postcard to the pieces in the collection itself.  These prized mementos, selected, brought home, catalogued and displayed, represent the collector’s forays to classical or far-flung sites. My favorite disruption to this cycle is a hall of life-sized plaster casts of classical Greek and Roman architecture at[.....]