Posts Tagged ‘Swiss Institute’

The St. Petersburg Paradox at Swiss Institute

The St. Petersburg Paradox, installation view, Swiss Institute. (from left to right) Sarah Ortmeyer. SANKT PETERSBURG PARADOX, 2014: marble chessboards, copper, iron, brass and aluminum chess tables, natural (ostrich, rhea, goose, chicken, mallard, quail, emu, and duck) eggs, artificial (marble obsidian, alabaster, and onyx) eggs; dimensions variable. Courtesy of the artist and Dvir Gallery, Tel Aviv. Tabor Robak. A*, 2014; 14-channel HD video; 9:46 min. Courtesy of the artist and team (gallery, inc.). John Miller. Labyrinth I, 1999; acrylic on canvas with sound component; 54 x 70 in. Courtesy of the artist and Metro Pictures, New York. Kaspar Müller. Tropic of Cancer, 2014; laser prints on A3 paper; each 12 x 15 ½ in. Courtesy Galerie Francesca Pia, Zürich, The Green Gallery, Milwaukee, and Federico Vavassori, Milan. Cayetano Ferrer. Remnant Recomposition, 2014; carpet remnants, seam tape; 18 x 60 ft. Courtesy of the artist.

The St. Petersburg Paradox, currently on view at Swiss Institute, is a group show of refreshing intellectual rigor. The exhibition’s curatorial design is so tightly wound that it forms a kind of singular entity in which each featured artwork compels the viewer to consider the philosophy of its larger scheme: namely, the metaphysics of gambling. The title refers to a paradox of human psychology: When[.....]

Under Destruction I & II

Today’s article is from our friends at Art Practical, where Christine Wong Yap discusses the group shows Under Deconstruction I & II at the Swiss Institute. Under Deconstruction III is open through August 7th. What if we thought of the substance of art not as media, but as matter? Matter exists continuously, whereas media must be elevated to the status of an art object. In[.....]