Posts Tagged ‘technology’

Takeshi Murata: 1000 Years

Takeshi Murata. Seahorse, 2017; pigment print; 29 x 40 inches. Courtesy of Ratio 3.

Computer-generated images saturate our media, from films to advertisements to video games. However, rarely do we think of these images singularly—most commonly we encounter them within the context of their media environments. In 1000 Years, Takeshi Murata’s fifth solo show at Ratio 3 gallery, the artist asks viewers to consider these images in isolation, outside of their complex digital environments. Murata uses 3D-modeling software to[…..]

Fan Mail: Ludovic Duchâteau

Ludovic Duchâteau. Dynamic Confirmation, 2016 (installation view); plastic, epoxy, clay, latex, copper, steel, acrylic; dimensions variable. Courtesy of the Artist.

Ludovic Duchâteau’s work presents visions of ambivalent technologies, uncannily inert and uncertain in their impotence. His objects are often scattered and sprawled along gallery floors or empty streets as if discarded or depleted. Their forms resemble our technological objects and fantasies, and imagery from science fiction. They look almost like crashed alien probes or satellites, disconnected from their users or power sources, vaguely threatening in[…..]

#EVIDENCE: Anouk Kruithof at Casemore Kirkeby

Anouk Kruithof. #EVIDENCE; 2017. Exhibition installation. Courtesy of Casemore Kirkeby.

#EVIDENCE, the current solo exhibition by Dutch-born, Mexico City–based artist Anouk Kruithof at Casemore Kirkeby Gallery, presents a sprawling series of related bodies of work inspired by Larry Sultan and Mike Mandel’s 1977 book, Evidence. Kruithof’s range of photo-based works, made mostly in 2015, do not replicate or repeat Sultan and Mandel’s project, but rather carry it forward through strategies that are carefully calculated to[…..]

Jennifer and Kevin McCoy: Broker at Postmasters Gallery

Jennifer & Kevin McCoy. BROKER (still), 2016; video, 28 minutes. Courtesy of the Artists and Postmasters Gallery. Photo: Evan Schwartz

The Postmasters Gallery’s arched storefront entrance on Franklin Street in New York City’s Financial District conjures an era long gone, when artists inhabited the raw lofts of the area. High ceilings with brick and rustic Corinthian columns belie the sleek high-rise trend seeping into the city, which aptly form the setting of Jennifer and Kevin McCoy’s latest exhibition, BROKER. Well-loved for their maquettes often featuring[…..]

Fan Mail: Meeson Pae Yang

Meeson Pae Yang. Index, 2005–06; steel, glass, fluorescent lights, Plexiglas, sucrose solution, vinyl tubing, electrical components, vacuum-sealed packaging, latex, silicone, silicone tubing, polyurethane, trimmer line, nylon fittings; 78 x 114 x 36 in. Courtesy of El Camino College, Torrance, CA and the Artist.

Science and art have a variably rocky relationship in contemporary culture; it is not unusual to encounter people who believe these fields to be opposites on the spectrum of human inquiry. But Meeson Pae Yang’s body of work rejects such binary thinking. Her practice utilizes the affective and technical qualities of the natural sciences to create large works and immersive environments that direct viewers’ gazes[…..]

Summer Session – #Hashtags: Culture, Class and the New Economy

Michal Wisniowski. "Guard Secrets" Google Bus, 2014. Digital image. Submission to Mission Local's "Bedazzle a Tech Bus" Call for Entries.

The first theme in our Summer Session series is labor, and today we’re revisiting Anuradha Vikram’s essay on the so-called creative economy and its effects: “The mythology of the creative economy explains much of why San Franciscans who have pioneered this approach to work are under-invested in the arts despite some apparent affinities. Why support artists with your hard-earned income when you are fully convinced you[…..]

Summer Session – Simon Denny: The Innovator’s Dilemma at MoMA PS1

Simon Denny. New Management, 2014; installation view, Portikus, Frankfurt. Photo: Helena Schlichting. Courtesy of the Museum of Modern Art.

Labor is the first theme in our Summer Session series, and today we’re looking back at Alex Bigman’s review of The Innovator’s Dilemma at MoMA PS1, an exhibition by Simon Denny that addresses innovation, promotion, the tech industry, and “the international echo chamber of startup discourse.” This article was originally published on June 25, 2015. Startup culture is ripe for satire. The tech industry’s social and economic[…..]