Posts Tagged ‘textile’

Mixed Use by Jess Jones and Gaudi-Juju by Lillian Blades at Swan Coach House Gallery

Lillian Blades. Juju-Veil, 2017; mixed media. Image courtesy of the artist and Swan Coach House Gallery (Atlanta, GA).

Dual presentations of artists can often result in hasty hierarchies of “better vs. worse” or “master vs. apprentice.” However, the recent exhibition of Jess Jones’ and Lillian Blades’ work at Atlanta’s Swan Coach House Gallery tosses all that patriarchal competitive comparison out the door by presenting the strength of their individual practices, as well as their shared interest in the history and procedures of craft.[1][…..]

From the Archives – Vesna Pavlović: LOST ART at Zeitgeist Gallery

Vesna Pavlović. Video Still, May 25, 1979, Television, Belgrade. 2015. Endura metallic print. 20.5 x 14 inches. Image courtesy of the artist and Zeitgeist Gallery (Nashville, TN).

“Instability, fragmentation, and brokenness”—these words could easily refer to the current global political situation, yet here they specify the 20th-century regime of Josep Broz Tito, a Yugoslavian revolutionary whose later presidential reign was marked by repression and human-rights violations. In street protests, as in galleries and museums, citizens around the world are turning to imaginative expressions of their fears and objections, and we are reminded of the[…..]

Gerardo Tan: Hablon Redux and Other Transcriptions at Random Parts

Gerardo Tan. Turntable Paintings, 2016; vinyl, acrylic; dimensions variable. Courtesy of the Artist and Random Parts. Photo: Maria Porges.

What does it mean to transcribe a work from one medium to another? Is the result a kind of translation, a form of documentation, a new piece of art, or all three? In a fascinating range of media—painting, video, found objects, weaving, and sound—Manila-based artist Gerardo Tan investigates these questions through three different projects presented in his solo exhibition Hablon Redux and Other Transcriptions at[…..]

Africa Forecast: Fashioning Contemporary Life at Spelman College Museum of Fine Art

Fabiola Jean-Louis. Amina, 2016; archival pigment print; 29 x 28.5 inches. Courtesy of the Artist and Alan Avery Art Company (Atlanta, GA).

Spelman College Museum of Fine Art’s current exhibition, Africa Forecast: Fashioning Contemporary Life, presents a small but dynamic assemblage of twenty designers and artists who blur the line between fine art and fashion from across the globe. Co-curated by Spelman Museum’s own Dr. Andrea Barnwell Brownlee and Dr. Erika Dalya Massaquoi to celebrate the 20th anniversary of the institution, this exhibition embodies the curatorial commitments[…..]

Jen Bervin and Dianna Frid

Dianna Frid. NYT. APRIL 24, 2014, RICHARD H. HOGGART, 2014; embroidery floss and graphite mounted on canvas, 15 × 20 inches. Photo: Tom Van Eynde.

From our friends at BOMB Magazine, today we bring you a conversation between artists Jen Bervin and Dianna Frid. They discuss color as a system of classification, Art Povera, and language. Diana Frid says “In classifying, I’m also alluding to the absurdity of classification, because no one is reducible to just one thing. All systems start out idiosyncratically.” This piece was originally published in BOMB 137,[…..]

Summer Session: Rug of War

L-R: a 1998 war rug from Baghlan showing a map of Afghanistan (acquired in Peshawar), a 1994 rug from western Afghanistan (also acquired in Peshawar), and a 2004 rug (acquired in Kabul). Image courtesy of REORIENT.

Today from our friends at REORIENT, we bring you an excerpt from Elnaz Bokharachi’s consideration of Afghan War Rugs: The Modern Art of Central Asia at the Scotsdale Museum of Contemporary Art. In keeping with our Summer Session theme of labor, the author discusses weaving, production, and the impact of war on both. This article was originally published on September 21, 2015. Rug weaving amongst the Iranian peoples dates back[…..]

Amir H. Fallah: All Experience Is an Arch at Hap Gallery

Students of metaphysics commonly debate about time and space as an arc—curving and perhaps boomeranging, to ends that are difficult to articulate. Los Angeles–based artist Amir H. Fallah, however, postulates the experience of time and space as something more solid and tangible, akin to a structure engineered for indiscriminate movement back and forth. All Experience Is an Arch at Hap Gallery is an experiential recounting[…..]