Posts Tagged ‘Toronto’

Séripop: Looming at YYZ

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I first came across Montréal artist duo Séripop (Chloe Lum and Yannick Desranleau) a number of years ago when I was more embedded in the indie music scene here in Canada. In this sphere, the pair are known for their layered, DIY gig posters and refreshingly offbeat graphic design work. Despite their disregard for the formal rules of graphic design, Lum and Desranleau possess an intuitive[.....]

Trade Marks at Prefix ICA

Located in the heart of Toronto’s historic garment district is Prefix Institute of Contemporary Art. While this might seem at first an accident of geography, it gains significance in light of Prefix’s recently opened group show, Trade Marks, in which the featured artists explore textiles, their relationship as First Nation artists to trade, and the contested geographies and histories of Ontario. Trade Marks, curated by[.....]

Ruinophilia: Luke Painter’s Rebound at Le Gallery

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There’s something dark and morose underlying Luke Painter’s surreal, methodical drawings installed at Le Gallery on Toronto’s Dundas Street West. While the compositions and their titles are playful in their kitschy pop-cultural references, the flattened perspective field, broken architectural fragments, and dampened chromatic tones create a sense of uneasiness within the viewer. Painter is traditionally trained as a printmaker, though over the last number of[.....]

No Dull Affairs at Onsite OCAD

Vanessa Maltese, Installation view of Variation of a Baseboard - Pipe Track, 2013 as part of No Dull Affairs at Onsite [at] OCAD U. Image courtesy of the artist. Photography by Jimmy Limit

Ontario College of Art & Design’s professional gallery space, Onsite [at] OCAD U, is raw and industrial. Its warehouse-like ambiance is enhanced by the cinder block walls, industrial piping crisscrossing the ceiling, and bank of floor-to-ceiling windows facing the street. These features present a number of restrictions when mounting an exhibition, a challenge for artists and curators in this unconventional gallery setting. In No Dull[.....]

Postscript: An Ambitious Take on Conceptual Art and Writing at the Power Plant

Kenneth Goldsmith, Soliloquy, 1996.

Upon entering Toronto’s Power Plant Contemporary Art Gallery to see Postscript: Writing After Conceptual Art, the viewer is immediately confronted by a raucous wash of sonorous elements. Over fifty artists and conceptual writers occupy the gallery space; canonical works from Andy Warhol, Sol LeWitt, Marcel Broodthaers, Carl Andre, and Dan Graham are nestled among pieces by contemporary practitioners, contributing to the sense of saturation. Originally curated[.....]

Fan Mail: Gillian Willans

Mise-en-scene: Prelude, 2013; acrylic, oil on canvas; 11 x 14 in. Courtesy of the Artist and Telephone Booth Gallery, Toronto.

For this edition of Fan Mail, artist Gillian Willans of Edmonton, Alberta, Canada has been selected from our commendable reader submissions. Two artists are featured each month—the next one could be you! If you would like to be considered, please submit your website link to info@dailyserving.com with “Fan Mail” in the subject line. Gillian Willans’s series Mise-en-scène: The Paris Suite is on view at the Telephone Booth Gallery in Toronto,[.....]

Artificial Two-Step: Elizabeth Zvonar’s Banal Baroque

Elizabeth Zvonar, Cummy Loubous, 2013. Porcelain. (installation view) Image courtesy of Daniel Faria Gallery

A distressed pair of white porcelain shoes with red soles and a cast golden index finger seductively beckon you upon first entering Elizabeth Zvonar’s exhibition Banal Baroque at Daniel Faria Gallery in Toronto. The heels of the shoes are warped, the feet inside almost brainy in texture. Sawed off abruptly at the base of the ankle, the feet, shoes, and the vibrant red soles are[.....]