British artist Lucy Williams is further developing the definition of collage. Her detailed, low-relief work focuses on mid-20th century Modernist architecture and involves the careful layering of materials such as card, Perspex, fabric, thread and pillow stuffing. Each material is layered precisely by the artist to illustrate railings, lamp cords and other structural elements. In an interview with Wallpaper Magazine Williams said she sees her vacant images as spaces to be inhabited. “The era was about belief, ideas that we now no longer hold, of social cohesion through the design of a building, Utopian dreams long dissipated,” Williams says in her interview. She had her first solo exhibition in London in 2007 titled Beneath a Woolen Sky, at the Timothy Taylor Gallery. Williams has also exhibited with the McKee Gallery in New York in 2004 and 2006. She has her B.A. in fine art from the Glasgow School of Art and her postgraduate diploma in Fine Art and Painting from the Royal Academy.

This article has been updated from its original posting on October 25th, 2008.

Norwegian visual artist and writer Matias Faldbakken is currently exhibiting a new series of works titled Shocked into Abstraction at Ikon Gallery in Birmingham, UK. This presentation marks the artist’s first major UK exhibition, and continues his interest into subcultures, vandalism, destruction and abstraction. Working through a variety of media including film, sculpture, installation, photography and wall painting, Faldbakken deliberately transforms acts of destruction into abstract and aesthetic forms. Within these works, acts of social and political aggression are nullified by manipulating the potent gestures into works of art.

The exhibition contains illegibly sprayed block letters in silver spray paint directly on the gallery walls. The letters have no defining edges and thus bleed together to form an reductive abstract painting. The gallery also contains a stack of Marshall amps which are sold as empty functionless shells. The amps are mere stand-ins for their would-be powerful counter parts. Through this piece the artist highlights the use of sound as an act of aggression by subcultures, while also casting light on the deafening silence of the piece as a minimalist form.

Shocked into Abstraction will remain on view at Ikon Gallery through January 24, 2010. The gallery produced a video with the artist that further explains many of the works on view.

British artist Ian Dawson produces large-scale sculptures out of a variety of materials. The artist has used colorful industrial plastic containers that are modeled into exotic forms through heat manipulation in several new works. Through this process, the object is stripped of its original use and begins to exist in a position between painting and sculpture. Other projects include large sheets of screen-printed paper that have been crumpled and seemingly tossed randomly into a corner. Each piece underlines the notion of dematerialization and seems to refer to the disposability and waste of Western societies. The objects also possess a life-like quality, often becoming animated and with an apparent potential for movement. Dawson attended the Royal College of Art and the Winchester School of Art in England. The artist recently exhibited with Galerie Xippas in Paris and Hales Gallery in London. U.S. exhibitions include “Tilt Trucks and Free Fliers” at the James Cohan Gallery in New York and a self-titled show with Grand Arts in Kansas. Dawson is a recipient of the Margaret Hall-Silva Award and will be exhibiting in “Cold Climate” March 9 at the Living Art Museum in Reyljavik, Iceland.