Posts Tagged ‘Venice Biennale’

Lick ’Em by Smiling: Jeremy Deller and Shary Boyle at the Venice Biennale

If the Venice Biennale is the United Nations of contemporary art, then the Giardini is its Security Council. The park’s stately pavilions belong to the (mostly European) nations that were best situated to claim them in the early- to mid-twentieth century. National pavilions are organized by state entities and can be counted on to present a government-sanctioned view of art, which tends toward the conceptually[…..]

Cripplewood at the Venice Biennale

It takes a moment for my eyes to adjust. It’s dim and dank in here, despite the warmth of the Venetian summer. A long, gnarled mass lies sprawled across the length of the floor; in the gloom of the pavilion its flesh seems luminous. In places, its limbs are bound with rags. Sometimes they rest on threadbare cushions. It’s a fallen tree, but it seems[…..]

A Moment with “The Man”: Thoughts on Ragnar Kjartansson’s Recent Work

Through his refreshing lack of self-seriousness or sanctimony, Ragnar Kjartansson has cut a jagged, joyful figure on the contemporary art scene. Indeed, with solo exhibitions in Boston and New York, the artist has recently been favored with the art world’s fickle attentions and is having something of a well-deserved moment. Ragnar Kjartansson, “The End–Venice,” 2009. Performance view. Venice, June 2009. Courtesy of the artist, Luhring[…..]

Happy Independence Day

Happy Birthday America. This year at the 2011 Venice Biennale, Allora & Calzadilla are making sure we stay lookin’ good in our old age.

Artstars*: John Waters at the Venice Biennale

Today’s video is from our friends at ArtStars*, a traveling show about the contemporary art world, out to uncover the 7 Unsolved Mysteries of the Art World — one art scene, one country at a time. In this video, host, Nadja Sayej, catches American filmmaker John Waters at the Venice Biennale 2011 to ask him about that piece of art he made called “Contemporary art[…..]

Venice Biennale: Hajnal Németh at the Hungarian Pavilion

Memory is deeply connected to the senses, far beyond the linear nature of storytelling. Words are often the farthest from the real “truth” of a scenario, leaving space for memory and imagination to take place. Sight and sound, smell and touch fill in the gaps that words cannot describe, and it is at this brink that Hajnal Németh’s installation CRASH – Passive Interview rests. Exhibited[…..]

Venice Biennale: Thomas Hirschhorn at the Swiss Pavilion

Navigating through Venice in the off season can be challenging, but trying to move through hot, narrow streets and massive crowds of people during the Venice Biennale is completely dizzying. Illuminations, the 54th Venice Biennale, was the largest and most comprehensive to date with 89 national participants alongside 37 collateral events arranged by international organizations and institutions.  As usual, the exhibition spread liberally over Venice’s[…..]