Posts Tagged ‘video art’

Ryan Trecartin at LACMA

Considered a prophet of the digital age, video artist Ryan Trecartin transforms contemporary culture’s addiction to the internet and obsession with technological devices into a violently exuberant visual orgy. Watching his work feels like riding a roller coaster into the vertiginous depths of the Web or looking through a kaleidoscope on acid; it is an experience of hysterical nonlinearity, relentless mutation, and extreme visual and verbal cacophony. On March 25,[…..]

Film vs. Digital: Why the “vs.”?

Malcolm Le Grice, "Berlin Horse" (1970), still from a multi-projection film

A lively, critic-to-critic dialogue published recently in The New York Times[i] left me pondering over the persistently blinkered nature of so much “digital age” discourse on film.  Moving imagery has long been implicated and explored in and across myriad cultural and creative contexts, yet the breadth, depth, and diversity of filmic practice has been, and continues to be, belied by a narrow focus on commercial[…..]

Nobody Acts Sincere

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley A 29-nine-year-old man in a Mercedes Benz led cops on a high-speed chase a week ago, traveling across four L.A. freeways and ending up on surface streets. He hit three cars and injured five people, including himself and a three-year-old boy who had been a passenger in an SUV. The reckless driver[…..]

Women: Before and After

Lynn Hershman Leeson is historic.  Some of the most exciting moments of her recent documentary on feminist art, !W.A.R., or !Women Art Revolution, 2010, were shot on her own living room couch.  She and her alter-ego, Roberta Breitmore, are synonymous with an era of women’s art to which all artists (especially—but not exclusively—women) owe a great debt. But we are no longer in the seventies. […..]

Video, an Art, a History 1965 – 2010

In the self-explanatory show entitled Video, an Art, a History 1965 – 2010, the history and evolution of the video art genre are recounted through 50 video works and installations, drawn from the collections of both the Singapore Art Museum and Centre Pompidou. Having developed in tandem with the apparatus of television and the analogue and then digital video cameras, video art’s reconfiguration of the[…..]

Twins

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley People dress for commencement everywhere, but in Cambridge, Massachusetts, the effort seems more concerted than it has at other graduations; I imagine the girl in the Birkenstocks with the frayed cotton skirt and matching cardigan thought as hard about her look as the woman in sage, Grace-Kelly style satin and patent leather[…..]