Posts Tagged ‘video’

Doug Hall: The Terrible Uncertainty of the Thing Described at SFAI

Doug Hall. The Terrible Uncertainty of the Thing Described, 1987; video still, San Francisco Art Institute, Walter and McBean Galleries. Collection of SFMOMA, purchased through a gift of the Modern Art Council and the San Francisco Art Dealers Association. © Doug Hall. Photo: Gregory Goode.

Today from our partners at Art Practical, we bring you a review of Doug Hall’s The Terrible Uncertainty of the Thing Described, currently on view at the Walter and McBean Galleries of the San Francisco Art Institute. Author Maria Porges notes: “Perhaps the most fascinating thing about Hall’s seminal work is its quality of timelessness.” This article was originally published on May 21, 2015. In 1989, the San Francisco[…..]

FOCUS: Mario García Torres at the Modern Art Museum of Fort Worth

Mario García Torres. The Schlieren Plot,n.d.; HD video and sound, 29 minutes. Courtesy of the Artist and Proyectos Monclova, Mexico.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. For the next five Sundays, our Shotgun Reviews will come from the finalists for the Daily Serving/Kadist Art Foundation Writing Fellowship in Mexico City. In today’s edition, author Leslie Moody Castro reviews the work of Mexico City–based artist Mario García Torres at the Modern Art[…..]

Wael Shawky: Cabaret Crusades at MoMA PS1

Wael Shawky. Wael Shawky: Cabaret Crusades, 2015; installation view, MoMA PS1, New York, featuring marionettes from Cabaret Crusades: The Secrets of Karbala, 2015. Courtesy of MoMA PS1, New York, and Sfeir Semler Gallery, Beirut and Hamburg.

Wael Shawky’s gorgeous cinematography, sets, and marionettes fuse a child-like play with the horrors and complications of war and history.

Heidi Schwegler: Botched Execution at the Art Gym

Heidi Schwegler. Separation Anxiety_04, 2014; concrete; 16 x 16 x 6 in. Courtesy of the Artist and the Art Gym at Marylhurst University.  Photo: Stephen Funk

While walking through her retrospective Botched Execution, Portland-based artist Heidi Schwegler recounted a story about a lost baby boy. He disappeared during the night—last seen falling asleep in bed between his grandparents. In the morning, he was gone. The police arrived to search the home and surrounding area, and they turned up no trace. Hours later, in the bedroom, an officer heard a small cough—a[…..]

From the Archives – Kim Anno: Water City Berkeley at Kala Art Institute

Kim Anno. Water City Berkeley, 2013 (still); dual-projected video; 21:00. Courtesy of the artist.

Today from our archives we bring you a look back at John Zarobell’s review of Water City Berkeley at Kala Art Institute in Berkeley, California. The first line of the review says it all: “Why celebrate when the world is going to hell?” This article was originally published on December 22, 2013. Why celebrate when the world is going to hell? Kim Anno’s ambitious effort to envision the future of humanity[…..]

Beta Space: Diana Thater at San Jose Museum of Art

Diana Thater. Science, Fiction, 2015; two video projectors, media player, and lights; dimensions variable. Courtesy of the Artist; San Jose Museum of Art, San Jose; and David Zwirner, London/New York.

From our partners at Art Practical, today we bring you a review of Diana Thater’s current solo exhibition at the San Jose Museum of Art. Author Genevieve Quick notes that this exhibition is remarkably similar to ones the artist has already presented: “I am unconvinced that Thater’s minor changes constitute new works or the experimentation that the series seeks to support.” This article was originally published on April 28,[…..]

The Secession Sessions at Kadist Art Foundation

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Today from our friends at Kadist Art Foundation, we bring you a video excerpt from The Secession Sessions, “an exhibition and series of related public programs exploring a place caught in a contested narrative.” In this session, art historian Julia Bryan-Wilson gives a brief history of artists re-creating political systems within their practices, artist Aaron Gach talks about his work at the Center for Tactical Magic, and poet David Buuck[…..]