Posts Tagged ‘video’

Pay Attention: Claudia Joskowicz at LMAKprojects

Intersections, Claudia Joskowicz’s two-channel video installation and accompanying photographic series at LMAKprojects, is a straightforward display of her newest video piece, Every Building on Avenida Alfonso Ugarte – After Ruscha. The insular gallery space of LMAKprojects has been transformed into a kind of dark pathway. The spectator enters and is sandwiched between two opposing, life-size projections of two sides of the same street: Avenida Alfonso[.....]

Inner Vistas in Jonathan Ehrenberg’s “The Outskirts”

Jonathan Ehrenberg‘s The Outskirts conjures a world of mesmerizing, haunting, and deeply disorienting beauty. Currently on view at Nicelle Beauchene Gallery, the artist’s latest video envisions a world of visual enchantment and visceral disquiet, of existential ambivalence and psychic uncertainty. With its opening shot of a shadowed, densely wooded landscape, The Outskirts plunges us into a world that is superficially suggestive of yet atmospherically apart[.....]

A Moment with “The Man”: Thoughts on Ragnar Kjartansson’s Recent Work

Through his refreshing lack of self-seriousness or sanctimony, Ragnar Kjartansson has cut a jagged, joyful figure on the contemporary art scene. Indeed, with solo exhibitions in Boston and New York, the artist has recently been favored with the art world’s fickle attentions and is having something of a well-deserved moment. Ragnar Kjartansson, “The End–Venice,” 2009. Performance view. Venice, June 2009. Courtesy of the artist, Luhring[.....]

Looking Skyward

Skyward Installation

In an unassuming brick building on a gray Willamsburg street, adjacent to a used car lot and several doors down from a polythene bag manufacturer, there is a portal to the West Coast. Kevin Cooley’s Skyward, currently on view at the Boiler—the project space of the Pierogi Gallery—captures the quintessence of Los Angeles life: the car as constant, the looping freeways, the towering palm trees[.....]

HELP DESK: Digital Dilemma

Cory Arcangel, Sweet 16, 2006. Projection from a digital source, dimensions variable, edition of 5

Welcome to HELP DESK, where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to–contemporary art. Together, we’ll sort through some of art’s thornier issues. Email helpdesk@dailyserving.com with your questions. All submissions remain strictly anonymous and become the property of Daily Serving. HELP DESK is co-sponsored by KQED.org.I recently had to pick the edition size of a digital interactive[.....]

Film vs. Digital: Why the “vs.”?

Malcolm Le Grice, "Berlin Horse" (1970), still from a multi-projection film

A lively, critic-to-critic dialogue published recently in The New York Times[i] left me pondering over the persistently blinkered nature of so much “digital age” discourse on film.  Moving imagery has long been implicated and explored in and across myriad cultural and creative contexts, yet the breadth, depth, and diversity of filmic practice has been, and continues to be, belied by a narrow focus on commercial[.....]

“Hello, all but forgotten piece of 1970s feminist Earth Art, have you ever seen a transsexual before?”

Liz Rosenfeld, Untitled [Dyketactics Revisited], 2005. Video transfer.

Sight, acknowledgment, and shared experience all figure prominently in Hybrid Narrative: Video Mediations of Self and the Imagined Self, currently at Mac Arthur B Arthur in Oakland, CA. Artists Liz Rosenfeld, Chris E. Vargas, Sofia Cordova and Shana Moulton make themselves “seen” though video, film transfer, installation and performance. Rosenfeld’s Untitled (Dyketactics Revisited), a 16mm film transfer to video, brings us to another time both[.....]