Posts Tagged ‘video’

Awst & Walther: Ground Control, An Interdisciplinary Forum at PSM Gallery

Awst & Walther. Ground Control: An interdisciplinary forum, 2015 (still); digital animation; infinite loop. Courtesy of the Artists and PSM Gallery, Berlin. Photo: André Wunstorf.

In the dark at PSM Gallery in Berlin, a digital animation is silently breathing. It appears as an inverted landscape split in equal parts by land and sky. A field recedes into the horizon, with a mass of permafrost above and mostly clear blue atmosphere below. Green shrubs flop and slide loosely on the screen, wriggling and dismorphic, moving as they would in an acid[…..]

Nate Boyce: Polyscroll at YBCA

Nate Boyce. Polyscroll II, 2015 (still); HD video. Courtesy of the Artist and Altman Siegel Gallery, San Francisco.

Today from our partners at Art Practical, we bring you a review of Nate Boyce’s solo show at Yerba Buena Center for the Arts in San Francisco. Author Monica Westin notes: “The overall effect is akin to walking around a sculpture in a completely unanchored plane in space that occasionally drifts into and out of alignment with other planes and other worlds.” This article was[…..]

Ragnar Kjartansson: The End at the Museum of Contemporary Art Detroit

Ragnar Kjartansson. The End, 2009; Video. Courtesy of MOCAD, the artist, Luhring Augustine, New York, and i8 Gallery, Reykjavik.

The Museum of Contemporary Art Detroit (MOCAD) presents Ragnar Kjartansson’s gorgeous and shrewd video installation The End (2009). On five rear projection screens, Kjartansson and his collaborator, Icelandic musician Davíð Þór Jónsson, play all of the parts of an unidentified country-music song on piano, banjo, drums, and acoustic and electric guitars. Shot in the Rocky Mountains in Canada, both men are bearded and dressed in[…..]

Charles Atlas: The Waning of Justice at Luhring Augustine

Charles Atlas. The Waning of Justice, 2015; installation view, Luhring Augustine, New York. Photo: Farzad Owrang.

“Glitter/Utopia,” “Boring/Because,” “Decade/Asshat,” “Wartime/Paisley”: These are a few of the word combinations that appear in Charles Atlas’ two-channel video projection, Ethel’s Fortune or The Waning of Justice (2015), currently filling two expansive, adjacent walls at Luhring Augustine’s Chelsea location. Each term in the dyad phases into position in front of footage of a maritime sunset while the letters themselves open up similar vistas contained within[…..]

Pierre Huyghe at LACMA

Pierre Huyghe. Untitled (Human Mask), 2014. Film. Courtesy of the artist; Hauser and Wirth, London; Marian Goodman Gallery, New York; Esther Schipper, Berlin; Anna Lena, Paris. © Pierre Huyghe

There is a scene in Pierre Huyghe’s shadowy, dreamlike film The Host and the Cloud (2010) in which a woman produces a black rabbit from an unmarked box. No magician, she handles the unexpected animal with a mixture of bewilderment and acute apprehension. Later in the film, she confronts the event during hypnotherapy; then, in a key conversion, she watches her own analysis session performed[…..]

Fan Mail: Ben Bigelow

Ben Bigelow. Screen Shot 2014-02-23 at 5.12, 2014; Polaroid instant film; 4 x 4 inches. Courtesy of the artist.

Two sets of blinds layered over each other—one horizontal, one vertical, both a brilliant clean white—open and close slowly with nearly imperceptible movement. Like a dancer spinning in an endlessly repeating circle with no clear beginning or end, they move without purpose. When fully open, they form a matrix-like grid of perfect, uniform squares with an infinite series of colors glowing beneath, shifting, chemical, and[…..]

Pipilotti Rist: Worry Will Vanish and Stay Stamina Stay at Hauser & Wirth

Pipilotti Rist. Sleeping Pollen, 2014; audio-video installation (video projection, 11 mirror spheres, sound); dimensions variable. Courtesy of the Artist and Hauser & Wirth Somerset.

Worry Will Vanish and Stay Stamina Stay, parallel exhibitions by Pipilotti Rist at Hauser & Wirth in London and Somerset, respectively, feature footage generated during Rist’s recent residency at the gallery’s newest location in Somerset between summer 2012 and summer 2013. For material, Rist milks images from the plant life surrounding Durslade Farm, the historic Somerset compound that Hauser & Wirth has converted into gallery[…..]