Posts Tagged ‘video’

Alejandro Almanza Pereda

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From our friends at Kadist Art Foundation in San Francisco, today we bring you a video of Alejandro Almanza Pereda’s installation at San Francisco Art Institute, which is installed in front of Diego Rivera’s famous mural The Making of a Fresco Showing the Building of a City (1930–1931). Almanza Pereda says, “We were thinking about how to re-think Diego’s piece, and question it a little bit, and question[…..]

Summer Reading – MN Original: Mohamud Mumin

Today we’re taking a break from the “reading” portion of our Summer Reading series to bring you a video produced by our friends at MN Original. Artist Mohamud Mumin walks us through his practice in portrait photography:  “[…] It’s not just work to me—it’s stories, it’s lives, it’s trust that I’m given by the subjects. It’s not always, ‘This is a great shot.’ It’s always[…..]

From the Archives: Pierre Huyghe at LACMA

Pierre Huyghe. Untitled (Human Mask), 2014. Film. Courtesy of the artist; Hauser and Wirth, London; Marian Goodman Gallery, New York; Esther Schipper, Berlin; Anna Lena, Paris. © Pierre Huyghe

This month marks the opening of the first major Australian solo exhibition of Pierre Huyghe’s work at the TarraWarra Museum of Art, so today we revisit this review by Alex Bigman, who assesses the humor and mythology of Huyghe’s retrospective at the Los Angeles County Museum of Art. This article was originally published on January 21, 2015. There is a scene in Pierre Huyghe’s shadowy, dreamlike film The Host and[…..]

Tapping the Mirror at Royal NoneSuch Gallery

Brynda Glazier and Courtney Johnson. Tapping the Mirror, 2015. Installation view. Courtesy of the artists and Royal Nonesuch Gallery, Oakland. Photo Courtney Johnson

Today from our partners at Art Practical, we bring you Sarah Burke’s review of Tapping the Mirror at Royal NoneSuch Gallery in Oakland, California. The author notes, “As the fragments [of the video] continuously flicker into each other, [it] becomes less about the worlds imagined, and more about the modes by which we collectively imagine them.” This article was originally published on August 6, 2015. The curatorial statement for[…..]

Philippe Parreno: H {N)Y P N(Y} OSIS at the Park Avenue Armory

Philippe Parreno. H {N)Y P N(Y} OSIS, 2015; installation view, Park Avenue Armory, New York. Photo: James Ewing.

In Philippe Parreno’s current exhibition, H {N)Y P N(Y} OSIS at the Park Avenue Armory, Danny the Street is a sprawling installation based on a DC Comics character who is a sentient stretch of roadway. The character Danny periodically inserts himself into the architecture of different cities, communicating via puffs of manhole smoke. In Parreno’s installation, Danny has inserted himself inside the Armory as a series[…..]

Hammer Projects: Mary Reid Kelley at Hammer Museum

Mary Reid Kelley with Patrick Kelley. Priapus Agonistes, 2013 (video still). Single-channel HD video, black and white, sound; 15:09 min. Courtesy of the Artists; Susanne Vielmetter Los Angeles Projects; Fredericks & Freiser Gallery, New York; and Pilar Corrias, London.

Now on view at Hammer Museum, Mary Reid Kelley’s videos are a collision of drawing, performance, and wordplay that clatter against Greek mythology to produce a visually spare, lexically rich cycle. Working with videographer Patrick Kelley, the artist has produced three black-and-white videos that follow the story of the half-woman, half-bull Minotaur, her lust-crazed mother Pasiphae, and her helpless sister Ariadne through boldly drawn landscapes.[…..]

Doug Hall: The Terrible Uncertainty of the Thing Described at SFAI

Doug Hall. The Terrible Uncertainty of the Thing Described, 1987; video still, San Francisco Art Institute, Walter and McBean Galleries. Collection of SFMOMA, purchased through a gift of the Modern Art Council and the San Francisco Art Dealers Association. © Doug Hall. Photo: Gregory Goode.

Today from our partners at Art Practical, we bring you a review of Doug Hall’s The Terrible Uncertainty of the Thing Described, currently on view at the Walter and McBean Galleries of the San Francisco Art Institute. Author Maria Porges notes: “Perhaps the most fascinating thing about Hall’s seminal work is its quality of timelessness.” This article was originally published on May 21, 2015. In 1989, the San Francisco[…..]