Posts Tagged ‘video’

“Hello, all but forgotten piece of 1970s feminist Earth Art, have you ever seen a transsexual before?”

Liz Rosenfeld, Untitled [Dyketactics Revisited], 2005. Video transfer.

Sight, acknowledgment, and shared experience all figure prominently in Hybrid Narrative: Video Mediations of Self and the Imagined Self, currently at Mac Arthur B Arthur in Oakland, CA. Artists Liz Rosenfeld, Chris E. Vargas, Sofia Cordova and Shana Moulton make themselves “seen” though video, film transfer, installation and performance. Rosenfeld’s Untitled (Dyketactics Revisited), a 16mm film transfer to video, brings us to another time both[.....]

Gabríela Friðriksdóttir: Crepusculum

Comprising only a large installation at the Schirn Kunsthalle, Gabríela Friðriksdóttir’s Crepusculum – Latin for “twilight” or “dusk” – is a mixed-media, polyphonic, physical exploration of metaphysical structures that govern the human psyche, and speculates that an enigmatic and irrational system of signs, meanings and forms counterbalances the deceptively ordered exteriors of our existence. Above all, it is an experiential and tactile show that prioritises[.....]

Vernon Ah Kee

The Palm Island riot and its aftermath are the focus of Indigenous artist Vernon Ah Kee’s latest exhibition Tall Man, held in conjunction with the Melbourne International Arts Festival and Gertrude Contemporary. Comprising three segments – a video installation, a portrait and text – the series is an examination of the ongoing cruelty and official indifference toward the Aboriginal Community in Australia. In 2004, indigenous[.....]

At Home on the Edge: Interview with Aideen Barry

All of Aideen Barry’s work exists in a very fragile balance: a woman performs domestic tasks while levitating; a sculpture promises both the control of cleanliness and the chaos of an explosion; women in flowing red dresses dance on water in giant floating plastic balls, all the while falling comically—and using up the oxygen in the sealed sphere.  At each viewing of her work I,[.....]

Video, an Art, a History 1965 – 2010

In the self-explanatory show entitled Video, an Art, a History 1965 – 2010, the history and evolution of the video art genre are recounted through 50 video works and installations, drawn from the collections of both the Singapore Art Museum and Centre Pompidou. Having developed in tandem with the apparatus of television and the analogue and then digital video cameras, video art’s reconfiguration of the[.....]

Nomadic and Luminous: Ranu Mukherjee at Frey Norris

What happens at the moment when energy becomes material, and how can we even dream of documenting it? The question has wide-ranging implications, from the memories stored in everyday objects to the effects of prayer. Ranu Mukherjee’s solo exhibition at Frey Norris Contemporary and Modern, Absorption Into the Nomadic and Luminous, takes up these issues. A former painter who now works mostly with photography and[.....]

Defying Gravity

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley “I believe we were born dead,” said motorcyclist-daredevil Evel Knievel, rambling to Sports Illustrated in 1968. He’d just cleared 16 cars in Gardena, CA, before crashing over the fountains at Cesare’s Palace, and was romanticizing about future stunts. “I have accepted the fact that dying is a part of living,” he continued.[.....]