Posts Tagged ‘Warsaw’

If You Don’t Know Me By Now, You Will Never Never Never Know Me at Fundacja Arton

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In light of Monday’s women-led strike in Poland, in which thousands of people in over sixty cities gathered to protest the government’s proposal to completely ban abortion, If You Don’t Know Me By Now, You Will Never Never Never Know Me at Fundacja Arton seems exceptionally prescient. The exhibition brings together seven works of film or video made by women between the years of 1973[…..]

Summer Session – “Little Chance to Advance”: Why Women Artists in Academia Are Left Behind

Karolina Melnica. Celujacy (Excellent), n.d.; performance documentation.

Welcome to the first installment of our Summer Session topic “Back to School.” For this session we will be talking about art and the academy, exploring the unique opportunities, challenges, and problematics specific to academia. Today we bring you an article by Bean Gilsdorf reporting on the Katarzyna Kozyra Foundation’s study on the lack of women in positions of power within the Polish art academy. The foundation finds[…..]

Cezary Poniatowski: No Center No Edges at Piktogram

Cesary Poniatowski. Untitled, 2016; acrylic on canvas, 180 x 145 cm. Image courtesy of Piktogram Gallery.

Cezary Poniatowski’s recent work at Piktogram Gallery compels viewers to navigate a veritable maze of pop-culture references and anthropological allusions. The exhibition is composed of more than twenty black-and-white acrylic paintings completed in 2015 and 2016, each depicting highly abstract, hybrid figures cavorting in confined, flat spaces reminiscent of comic-book panels. The recurrence of specific forms and motifs in the images creates the strong impression of a[…..]

‘Little Chance to Advance’: Why Women Artists in Academia Are Left Behind 

Karolina Melnica. Celujacy (Excellent), n.d.; performance documentation.

If you are currently attending or working in an academic arts institution, look around. What is the ratio of women to men in the student body? What proportion of the faculty is female? How many female faculty members are tenured? How many department chairs or deans are women? At many institutions, there is a visible disproportion between the number of women who are students versus[…..]

Ludmiła Popiel at Fundacja Arton

Ludmiła Popiel and Jerzy Fedorowicz. IN, 1979; emulsion on canvas; dimensions unknown. Courtesy of the Museum in Koszalin and the archive of Ludmiła Popiel and Jerzy Fedorowicz.

Curators of contemporary Polish art have a somewhat paradoxical responsibility: to present the most up-to-the-moment work that is in the process of developing a history, while attempting to also excavate and frame the history of artworks produced during the last seventy years. As Poland expands its participation in the global contemporary art scene, it must also find a way to present the critical art-historical lineage[…..]

Galeria Piwna 20/26 Emilia and Andrzej Dłużniewski 1980–1993 at Galeria Monopol

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Galeria Piwna 20/26 Emilia and Andrzej Dłużniewski 1980–1993 at Monopol provides a rare glimpse into the history of an influential apartment gallery that operated in Warsaw for thirteen years. From the imposition of Martial Law through the collapse of the Berlin Wall and beyond, the Dłużniewskis exhibited artworks by Polish and international post-conceptual artists. The retrospective exhibition at Monopol resonates with an uneasy timeliness: Given the prevailing political[…..]

From the Archives – Psychopaper at Piktogram

Ewa Ciepielewska (Luxus), untitled, 1984, watercolor, 99 x 68 cm. Courtesy of Piktogram/BLA, photo:

Today we bring you a look back at a small but remarkable exhibition in Warsaw that sought to expose the psychological effects of martial law in Poland in the 1980s. Though the political, intellectual, and emotional conditions that produced the artwork have a complicated background, author Bean Gilsdorf notes that, “viewers of this work needn’t have all the historical details to know that something is[…..]