Usually the word ‘debt’ raises fear in the hearts of people everywhere. It is often associated with maxed out credit cards and other financial woes. Sometimes it is associated with those freakishly kind people who, for one reason or another, we constantly feel indebted. However, there can be positive connotations to this four letter word. Debt is the title of an exhibition that features two[.....]

What do Tide detergent boxes, Ronald McDonald, cute pictures of kittens and the marginally dressed little girl from old sunscreen commercials have in common? They are all part of contemporary culture and made a sparkling appearance in Eric Hibit‘s Picture Cohesion. Doug McClemont of Daily Magazine once wrote Hibit is “one to watch”. And, Hibit’s return to the city of his undergraduate alma mater, Corcoran[.....]

Flooded McDonald’s, by art collective Superflex, is currently on view at the Hirshhorn Museum and Sculpture Garden in Washington D.C.  For this recent film, Superflex painstakingly created a life-sized replica of a McDonald’s fast-food restaurant.  Their deliberate choice to employ one of the most recognizable brands in the world offers a familiar point-of-departure for the viewer, while also evoking related issues of consumerism and corporate[.....]

DailyServing.com selects two notable artists each month from the submissions we receive to be featured in our series, Fan Mail. For a chance to have your work appear below, with an article written by one of the DailyServing contributors, please submit a link to your website to info@dailyserving.com, subject: Fan Mail. You could be the next artist in the series! (We will try to contact chosen artists prior to[.....]

Civilian Art Projects in Washington, D.C. is currently presenting Don’t Look Now, a multimedia exhibition by Brooklyn-based artist George Jenne. Don’t Look Now consists of manipulated movie posters, sculpture, and graphite drawings, all reflecting the artist’s interest in the horror movie genre. Jenne sees a correlation between the unease and trauma delivered by such films and the unsettling experience of early adolescence. The artist states[.....]