Amelia Rina

From this Author

Drawing Sound Part II: Alvin Lucier at the Drawing Center

2.	Alvin Lucier. Bird and Person Dyning, 1975 (performance still); Drawing Center, New York; September 11, 2015; Alvin Lucier, performer. Courtesy of the Drawing Center. Photo: Chris Bradley.

To enter the main gallery at the Drawing Center for a recent performance, we couldn’t use its front doors. Instead, we had to descend the stairs near the lobby, walk along the lower-level corridor from the front to the back of the building, ascend the rear stairs, and pass through the smaller gallery called the Drawing Room. There, the walls were adorned with several wooden[…..]

Interview with David Levi Strauss

John Berger and David Levi Strauss, 2009. Photo: Yves Berger.

“Writing is painful, but having written is ecstatic, and the ecstasy induces amnesia, so you’re willing to do it all over again. Like falling in love.”

Evan Calder Williams: T-1 at Artists Space

Evan Calder Williams. T-1, 2015; performed at Artist Space on July 21, 2015.

Ice, compromised vision, and colonial geography: These formed the conceptual scaffolding that supported Evan Calder Williams’ live essay, T-1, performed at Artists Space on July 21, 2015.[1] Despite the three subjects’ ostensibly divergent histories, Calder Williams wove them into a complex web that expanded into several narratives that highlighted epiphanic and unexpected connections. The dynamic multimedia event—comprising video, text, and images projected on perpendicular screens,[…..]

I Dropped the Lemon Tart at Lisa Cooley

Jenny Holzer. SURVIVAL SERIES: IF YOU AREN'T POLITICAL YOUR PERSONAL LIFE SHOULD BE EXEMPLARY, 1998; cast bronze; 5.1 x 10 in. © Jenny Holzer. Courtesy Artist Rights Society (ARS), Cheim & Read, New York, and Lisa Cooley, New York.

Though failure has an unfavorable definition, interpretations of the word fluctuate dramatically between negative and positive connotations, depending on whom you ask. While some people may consider failure as something to avoid at all costs, others recognize—and even welcome—the possibilities that arise when something does not go exactly as planned. The seventeen artists in I Dropped the Lemon Tart at Lisa Cooley examine the many[…..]

Marte Eknæs and Sean Raspet: Calculus of Negligence at Room East

Sean Raspet. Layer Adjustment (Accident Probability Adjustment), 2015; alterations made to the physical location to increase the probability of an accident while remaining within the scope of existing insurance coverage (May 5–June 21, 2105). Image courtesy of Room East.

True catastrophes cannot be foreseen… True catastrophes are new information. They are, by definition, surprising adventures.—Vilém Flusser, Into the Universe of Technical Images, 1985 With the exception of a small community of daredevils, most people try to avoid disasters. There are, of course, various degrees of risk associated with everything we do that drive our precautions as well as the insurance industry. In general, the[…..]

William Larson: Fireflies at Gitterman Gallery

William Larson. Untitled, 1971; electro-carbon print; 11 x 8 ½ in. © William Larson. Courtesy Gitterman Gallery.

The constant stream of digital information traveling around us over wires and airways is an increasingly recognized phenomenon. Over the past two decades, many artists have begun exploring the seemingly limitless possibilities of digital communication. However, long before the integration of once-mysterious electronic media into the art world in the 1990s, William Larson used a Graphic Sciences DEX 1 Teleprinter to produce some of the[…..]

Street View / Road to Mecha by Jonathan Zawada, and Drone directed by Tonje Hessen Schei

Jonathan Zawada, Street View / Road to Mecha, 2013; screen shot, Brooklyn, NY. Photo: Amelia Rina

O bitter is the knowledge that one draws from the voyage! The monotonous and tiny world, today, Yesterday, tomorrow, always, shows us our reflections, An oasis of horror in a desert of boredom! —Charles Baudelaire, Le Voyage (1861)[1] Despite the seemingly endless portrayal in the media of increased violence around the world, statistical analysis suggests that, as a species, humans have become less violent.[2] I wonder,[…..]